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Independence Day. [Paperback]

Richard Ford (Author)
3.4 out of 5 stars  See all reviews (133 customer reviews)


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Product Details

  • Paperback: 451 pages
  • Publisher: The Harvill Press (1996)
  • ISBN-10: 0316288381
  • ISBN-13: 978-0316288385
  • Average Customer Review: 3.4 out of 5 stars  See all reviews (133 customer reviews)

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Customer Reviews

133 Reviews
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 (48)
4 star:
 (22)
3 star:
 (21)
2 star:
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Average Customer Review
3.4 out of 5 stars (133 customer reviews)
 
 
 
 
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52 of 55 people found the following review helpful:
5.0 out of 5 stars A brilliant internal monologue, May 21, 2002
By 
J. Mullin (Plantation, FL USA) - See all my reviews
(REAL NAME)   
This review is from: Independence Day (Hardcover)
I agree with the reviewer (...) who raved about Richard Poe's brilliant reading of an unabridged, audio version of this book. Having read many of the divergent opinions listed here by Amazon readers, and remembering some of my own struggles to read authors like Tim Parks (whose narrators internalize much of the story and who digress often), it occurs to me that perhaps this story is better enjoyed on tape. I couldn't wait to get in my car every day and listen to Poe's witty, heart-felt rendition of Ford's Pulitzer Prize-winning novel.

Independence Day is essentially an internal monologue, set on the long July 4th weekend of 1988. It is a sequel to Ford's earlier novel The Sportswriter, which I have yet to read, but I never got the impression I was missing anything due to lack of familiarity with the earlier novel. The protagonist is Frank Bascombe, a divorced, well-educated former sportswriter who now makes his living selling real estate in the affluent New Jersey town of Haddam, while supplementing his earnings with a couple of rental properties he owns in the town's African American neighborhood.

Bascombe is at something of a mid-life crisis. We learn that he has lost a son, and while he has been divorced from his wife for years, he still has feelings for her and secretly hopes for a reconciliation. At the same time, he is seen carrying on a half-hearted affair with a presumed widow whose husband left years earlier and never came back. Bascombe has planned to spend the long weekend with his troubled teenage son Paul, who is apparently battling some sort of mental illness or depression; for some unknown reason Bascombe decides to pick up his son in Connecticut, and drive to the basketball and baseball halls of fame in Springfield, Mass. and Cooperstown, N.Y.

Although quite a bit happens over the course of the three days, the novel is not necessarily plot-driven, and after you finish reading it (or better yet listening) you don't remember what happened nearly as much as you remember the characters themselves. In that respect it reminded me a little of a book like Richard Russo's Nobody's Fool, which I loved, although I now remember few details of the story. Frank's uneasy alliance with Paul, his guilt over taking him and not his sister away for the weekend, and his struggles to maintain his sanity over a long, stressful weekend were classic and very richly drawn by Ford. We learn Frank's thoughts at every turn, whenever he confronts another character, and at times the thoughts are brilliant, sad, funny or all of the above. For example, while trying to give his disinterested son a civics lesson on the meaning of Independence Day, Paul feigns confusion and asks a question or two, which the narrator Frank knows were really meant to mock him. Paul delights at ridiculing the hall of fame during the trip, while narrator Frank tries to keep up appearances and generate enthusiasm for displays like "Bob Lanier's shoes" while leafing through the color brochures.

There is an undercurrent of sadness and tragedy in the book, including Frank's own lost child and divorce, the earlier murder of another realtor at Bascombe's office, and even the death years earlier of a family pet in an accident, which still troubles Paul. However the novel has an upbeat tone about it, as if Frank has benefitted from therapy and is destined to look on the bright side even as other characters accuse him of being hard and uncaring. There is also plenty of humor in the book, made all the funnier by narrator Poe's excellent renditions of the character voices. Frank tries desperately to sell a house to a picky Vermont couple, and his partner in a strange "birch beer" and hot dog stand remains vigilant with his shotgun, ready to blast some suspicious Mexicans who he believes want to rob him.

All in all, the book has a voice which I found refreshing and amazingly true-to-life, with observations and asides that often had me laughing out loud or shaking my head at their poignant truth. I don't know from experience what thoughts abound in the head of a middle aged, divorced father who is estranged from his kids and who desperately wants to connect with them before it is too late, but I suspect Ford, in writing this book, got them exactly right. I recommend it highly, especially the audio version narrated by Richard Poe.

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18 of 19 people found the following review helpful:
5.0 out of 5 stars The Art of Being O.K., August 7, 1996
By A Customer
This review is from: Independence Day (Hardcover)
In Independence Day, Richard Ford chronicles with consummate
skill a few days in the life of a New Jersey sportswriter
turned real estate agent, Frank Bascombe.

With keen observations, outstanding descriptive
power and dialogue more real than "The Real World," Ford
pulls the strings of this great book masterfully.

Frank is in the midst of what he calls "The Existence
Period," a time when he has come to terms with his life
to date and moved on to the more uncharted waters of vaguely
contented middle-agedom. He has arrived at a crossroads
where he has plenty of past but still a lot of future left
ahead.

The novel's narrative flows like life itself - forward,
back, sideways - in a way that is so natural and consuming
that you would swear the character is you and his thoughts
are yours.

There is not a book that I have read that does better
justice to the realities of being human and adult in
today's world.

At its heart, Independence Day is the recording of two
worlds- the one we sense through our bodies and the one
that exists in our heads - and how these two interact in
a way that is sometimes painful, sometimes beautiful, and
most times just O.K.

To read it is to see yourself, and in many ways, all of us.

A must.
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17 of 18 people found the following review helpful:
3.0 out of 5 stars Tedious but well-written, February 8, 2000
By A Customer
I suppose I will never belong to the self-proclaimed literati, because while I can appreciate the fact that this book is very well written, still I believe that that is not enough in itself to make it a great book - certainly not a Putlizer-Prize winner. Having never read the prequel to this book, it's possible I've missed something crucial that could have contributed to my enjoyment of Independence Day. But as it was, I found it to be tedious, often boring, and almost transparently "deep" - as if Ford was more concerned with waxing philosophical than with telling a compelling story. There are so many authors out there who can both write well and tell a compelling story, that Ford is hardly the first author I would turn to.
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Inside This Book (learn more)
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First Sentence:
In Haddam, summer floats over tree-softened streets like a sweet lotion balm from a careless, languorous god, and the world falls in tune with its own mysterious anthems. Read the first page
Key Phrases - Statistically Improbable Phrases (SIPs): (learn more)
realty business, pleasure unit, fulla shit, listing sheet, admissions desk, realty office
Key Phrases - Capitalized Phrases (CAPs): (learn more)
New Jersey, Penns Neck, Existence Period, Deep River, New York, Ted Houlihan, Richard Ford, Joe Markham, Clio Street, New Haven, Cleveland Street, Hoving Road, Karl Bemish, Sleepy Hollow, Charley O'Dell, Sally Caldwell, Sergeant Balducci, Clair Devane, Frank Bascombe, Red Man Club, South Mantoloking, Henry Burris, Myrlene Beavers, John Adams, Doubleday Field
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