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India: A Celebration of Independence, 1947 to 1997
 
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India: A Celebration of Independence, 1947 to 1997 [Hardcover]

Victor Anant (Author), Anne D'Harnoncourt (Afterword), Michael J. Hoffman (Afterword)
4.5 out of 5 stars  See all reviews (2 customer reviews)

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Book Description

June 30, 1997
The year 1997 marks the fiftieth anniversary of India's independence from Great Britain. In commemoration of this event, Aperture presents India: A Celebration of Independence, 1947-1997, which accompanies a major touring exhibition of the same title. Together, the exhibition and this book constitute an unprecedented gathering of the most significant photographs to be made in India over the past five decades-- the culmination of a quest to capture the country's essence visually, and to depict the uniquely deep and complex love that binds both native-born and foreign artist to India for a lifetime. The book explores what author Victor Anant, in his stirring essay, refers to as an India that "lives outside time, in a kind of space that has never been usurped by alien forces": a nation that has always had a fiercely independent spirit, an identity that is both steeped in tradition and constantly evolving.

India: A Celebration of Independence features exquisite black-and-white duotone as well as four-color reproductions of the work of twenty-three photographers. Opening with the work of the great Indian photojournalist Sunil Janah, who witnessed and chronicled the fitful birth of India's democracy, the book also features powerful images by Henri Cartier-Bresson, taken during his numerous visits to India, a country he calls "a haven of the heart." Also included are a number of breathtaking images by Sebastião Salgado, who has produced indelible photographic tableaux of the Indian working communities. Embracing many regions and people from all walks of life, the compelling photographs by Raghu Rai represent a convergence of the traditional with the modern, and exhibit his love and profound understanding of his native India.

Among the most prominent younger Indian photographers is Dayanita Singh, whose intimate black-and-white images reveal a keen awareness of a changing cultural identity in her country. Pamela Singh's work compares some of the traditional and new roles available now to women in India. Mary Ellen Mark's portraits of Indian children and street scenes, in both color and black-and-white, provide another inside look at the country's people. Robert Nickelsberg, a resident of New Delhi, focuses on India's recent social and political conflicts, while Charles Lindsay's black-and-white panoramas represent a stiller, more poetic side of the nation's character. We travel with Mitch Epstein into the courtyards of New Delhi and Jaipur, and to the meditative garden of poet Rabindranath Tagore with Rosalind Solomon. Thomas L. Kelly guides us to the stunning Rashtrapati Bhavan, ablaze with lights for Republic of India Day. William Gedney's black-and-white photographs capture the unique rhythm of the Indian street. Steve McCurry has lived and worked for many years in India, developing a personal and comprehensive body of color work, which is represented here.

Both Alex Webb and Ketaki Sheth examine icons of India's so-called "Bollywood," countered by Sanjeev Saith's color images, which discover quiet moments of contemplation. Also featured is a study of Rajasthan's "Children's Parliament" by Italian photographer Dario Mitidieri. Finally, the elegant black-and-white images of Swapan Parekh provide an echo of the past as it meets with the present. Altogether, the work of this "new generation" of photographers attests that India-- a country virtually defined by its many traditions-- is today undergoing an epoch of profound change.

The compendium of images in India: A Celebration of Independence, 1947 to 1997 provides an invaluable and unprecedented photographic record of this country and the changes it has undergone over the past half century. Victor Anant's opening essay traces the events that led to Independence, and the ensuing political, social, and personal ramifications. The book also contains an informative chronology of India's past hundred years, as well as an Afterword by Anne d'Harnoncourt, the George D. Widener Director of the Philadelphia Museum of Art, and Michael E. Hoffman, Aperture's Executive Director, and Founding Curator of the Philadelphia Museum's Alfred Stieglitz Center. Powerful and poetic texts excerpted from the work of such figures as Rabindranath Tagore, Mahatma Gandhi, Jawaharlal Nehru, Saloni Narang, Kamala Das, and others provide a voice of India to complement this extraordinary compilation of photographs.

Editorial Reviews

From Library Journal

More than 20 photographers are collected in this "celebration" of the people of India. Including a moving essay on the country's transition to independence and many poems, this portrait belongs in most collections.
Copyright 1997 Reed Business Information, Inc.

Review

"This India is still there, will be there. It lives outside of time. . . . It is pure because it is unashamed. It is the choreography of an archetypal innocence. And living proof that the sacred and the secular are inseparable in the celebration of Indian independence." --Victor Anant
-- Review

Product Details

  • Hardcover: 226 pages
  • Publisher: Aperture; 1st edition (June 30, 1997)
  • Language: English
  • ISBN-10: 0893816957
  • ISBN-13: 978-0893816957
  • Product Dimensions: 12.2 x 10.8 x 1.1 inches
  • Shipping Weight: 4.3 pounds (View shipping rates and policies)
  • Average Customer Review: 4.5 out of 5 stars  See all reviews (2 customer reviews)
  • Amazon Best Sellers Rank: #3,151,691 in Books (See Top 100 in Books)

 

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5 of 8 people found the following review helpful:
5.0 out of 5 stars talking Pictures, April 18, 2000
This review is from: India: A Celebration of Independence, 1947 to 1997 (Hardcover)
Through the ages human beings have strived to record moments for posterity. This book is one in that chain and records brilliantly the beauty of the fleeting moment. Enjoy it is worth every cent of its price.
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1 of 2 people found the following review helpful:
4.0 out of 5 stars From the ancient to the modern, from the squalid to the wealthy, this is India, January 25, 2007
This review is from: India: A Celebration of Independence, 1947 to 1997 (Hardcover)
In the United States, diversity is now loudly and emphatically promoted. It is an integral part of the educational, business and political landscapes, worn as a badge of achievement and regularly mentioned in press releases. At times, it seems that people in the United States are acting as if they invented the concept.
Which is no doubt surprising to people in the ancient state of India. Not only are there an enormous number of different ethnic, linguistic and religious groups, but they are also extremely intermingled. It is the point of origin of several major world religions and is the world's largest democracy. This diversity has not been all positive, when India gained her independence from Britain in 1947; the sectarian riots were ghastly. Millions were displaced and it is believed that hundreds of thousands of people were killed by their fellow Indians.
This book is largely a photographic record of the years since India's independence. You see the squalor, wealth, diversity and optimism that is the essence of the Indian people. Modernity coexists with the ancient ways; there are pictures of oxcarts and nuclear reactors. Mothers in traditional dress stand next to daughters dressed in modern Western attire in upscale apartments. People are performing physical work in deserts and there are slums that look so squalid you can almost smell the stench exuding from the pages.
The term economic miracle is one that can be applied to India. Despite all of the difficulties since independence: wars, famine and civil strife, India has risen to the status of strong economic power. In these images you can see how difficult that struggle has been and appreciate the size of the accomplishments of the Indian nation.
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