Individually Twisted

Jazz Passengers | Format: Audio CD

Product Details

• Audio CD (October 1, 1996)
• Original Release Date: February 4, 1997
• Number of Discs: 1
• Label: 32. Jazz Records
• ASIN: B000004CV0
• Also Available in: Audio CD
• Average Customer Review: 4.7 out of 5 stars  See all reviews (6 customer reviews)
• Amazon Best Sellers Rank: #223,326 in Music (See Top 100 in Music)

Track Listings

1. Maybe I'm Lost

2. Lil' Darlin'

3. Angel Eyes

4. Pork Chop

5. Aubergine

6. Olé

7. Imitation of a Kiss

8. Jive Samba, Pt. 2

9. Don'cha Go 'Way Mad

10. The Tide Is High

11. It Came from Outer Space/Star Dust

Customer Reviews

Most Helpful Customer Reviews

7 of 8 people found the following review helpful:

5.0 out of 5 stars Jazz with a twist, November 14, 2002

By 

N. Dorward "obsessive reviewer" (Toronto, ON Canada) - See all my reviews
(REAL NAME)   

This review is from: Individually Twisted (Audio CD)

I'd been only mildly grabbed by the Jazz Passengers' previous CD, _In Love_, which is a pile of self-consciously wacky songs sung by an admittedly impressive array of guest stars: Mavis Staples, Jimmy Scott, Bob Dorough, Debbie Harry, Jeff Buckley, &c. It's more listenable than Carla Bley's _Escalator Over the Hill_ & less slick than a Hal Wilner album, but it's still a bit wearyingly offbeat & kaleidoscopic. So I'm extremely pleased that _Individually Twisted_ marks a considerable advance over its precursor. In large part this is because of the full-time recruitment of Debbie Harry, who is stunningly good throughout, on worldly-wise originals like "Porkchop" (a sardonic tirade about self-absorbed, two-timing boyfriends) & "Ole" (with its amusingly virtuosic lyric about Mexico, worthy of comparison with Tom Lehrer's "In Guadalajara"), chilling ballads like "Imitation of a Kiss" & "Angel Eyes" (Harry's reading of the line "Excuse me while I disappear" is devastating), or some entertaining revisitings of material like Neal Hefti's "L'il Darlin'" or the Blondie favourite "The Tide Is High". Elvis Costello pops in for a couple of tracks, including a marvellous duet with Harry on "Doncha Go 'Way Mad" (an instant collector's item, of course, but also, more importantly, one of the best things on the disc). -- The Passengers are in impeccable form, the slightly woozy horns riding the cooled-out sound of Bill Ware's vibes. Rob Thomas on violin is a new recruit (jazz fans will know him as the only violinist to take a solo on Lee Konitz's _Plays French Impressionist Music_), & turns in some nifty work.

A really fine album, very much worth checking out. Alas, I don't think Harry's with the Passengers anymore, since Blondie's reformed recently. However, I gather she's still keeping her hand in with the band, since she turns up on Bill Ware's new CD.

2 of 3 people found the following review helpful:

5.0 out of 5 stars WOW!, June 3, 2000

By 

Todd Johnson (Lakeland, Florida United States) - See all my reviews

This review is from: Individually Twisted (Audio CD)

Though I don't know Jazz Passenger history, I do love this album...especially because of Deborah Harry and Elvis Costello. Their duet "Doncha Go Way Mad" is spectacular! And it is because of Debbie and Blondie that I learned to love all kinds of music, including jazz (their album AUTOAMERICAN has two jazz songs "Here's Looking At You" and "Faces". And NO EXIT features the cheeky "Boom Boom In The Zoom Zoom Room"). Either if you like jazz or Deborah Harry, you'll love INDIVIDUALLY TWISTED. The Passengers really know good hitchhikers when they see 'em!

4.0 out of 5 stars Debbie Harry's voice is made for jazz!, August 5, 1999

By 

[e-mail] (Edinburgh, Scotland) - See all my reviews

This review is from: Individually Twisted (Audio CD)

I must confess I bought this CD as a Blondie/Debbie Harry fan rather than a jazz afficianado.

Debbie Harry's solo efforts have been largely disco orientated. From the point of view of a fan used to the more 'rocky' Blondie sound I have always found this slightly frustrating. However, now is the chance to here Debbie explore further the realm of jazz, as first heard on the excellent 'Faces' on Autoamerican, an under-rated Blondie track, but one that has stood the test of time well.

Debbie has an excellent voice, and the songs range from humerous to more traditional smooth, jazzy ballads and love songs. One of the highlights is to here Debbie duet with Elvis Costello on 'Doncha Go 'Way Mad'. Elvis Costello also writes and sings another track, 'Aubergine'. There is an excellent 'jazzy' version of 'The Tide Is High' with Chris Stein on guitar.

All in all a great CD that I will listen to, from start to finnish, again and again.