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Inez [Paperback]

Carlos Fuentes (Author)
4.6 out of 5 stars  See all reviews (8 customer reviews)


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Book Description

April 19, 2004
In this magical story of love and art, life and death, Carlos Fuentes entwines two narratives: one tells of the passion of orchestra conductor Gabriel Atlan-Ferrara for red-haired Mexican diva, Inez Prada; the other of the first encounter in human history between a man and a woman. Berlioz's music for The Damnation of Faust brings Atlan-Ferrara and Inez together, and continues to resound on every page of this haunting work. At the same time, the emergent love of neh-el and ah-nel - the original lovers - reminds us of the Faustian pact of love and death. The link between these two stories is a beautiful crystal seal that belongs to Atlan-Ferrara, who is obsessed by its meaning. Maybe this ancient and seductive object gives its bearer the ability to read unknown languages and hear music of impossible beauty...


Editorial Reviews

From Publishers Weekly

This brief novel, unlike the historical epic The Years with Laura DIaz, tells two simple stories in a manner that rises to great heights of narrative improvisation without overstepping its bounds. Gabriel Atlan-Ferrara, a symphony conductor renowned for his brio, falls in love with Inez Rosenzweig, an opera singer. Gabriel's love blossoms from initial outrage, when Inez upsets Gabriel by singing too loudly, to survive many years, many performances (including one rehearsal in London 1940, during the blitz), and even an assault from a hotheaded rival. Finally, the only thing that binds the conductor to his love is a shimmering glass seal, which inspires visions of his past, his present and his future. Running parallel to this story is a tale from Inez's dreams, a poetic, elegantly spare love story from a time before recorded history: an ancient couple falls in love as their primitive race migrates across still-forming landscapes. The integral tale counterbalances the conductor's wild, dramatic thoughts, broad generalizations suiting the Berlioz he conducts most successfully¢reaching his professional apex in a production of The Damnation of Faust, in which Marguerite enters the performance hall naked and then strips Inez naked as well, a transcendent moment for the conductor but shocking for the audience. Gabriel becomes a poignant symbol of all artists, taming the conflicting forces within their own work, even as love itself develops symbiotically. Even if some of the flamboyant observations about memory and art bouncing around in the conductor's tempestuous psyche seem overblown or too easily earned, this novel is still a worthy addition to Fuentes' varied but persistently exciting oeuvre.
Copyright 2002 Cahners Business Information, Inc. --This text refers to an out of print or unavailable edition of this title.

From Library Journal

In this lapidary tale, the love between the world's first man and first woman parallels the love between an orchestra conductor and a jewel of a singer.

Copyright 2002 Cahners Business Information, Inc.

--This text refers to an out of print or unavailable edition of this title.

Product Details

  • Paperback: 160 pages
  • Publisher: Bloomsbury (April 19, 2004)
  • Language: English
  • ISBN-10: 0747568162
  • ISBN-13: 978-0747568162
  • Product Dimensions: 7.7 x 5 x 0.5 inches
  • Shipping Weight: 6.4 ounces
  • Average Customer Review: 4.6 out of 5 stars  See all reviews (8 customer reviews)
  • Amazon Best Sellers Rank: #4,723,148 in Books (See Top 100 in Books)

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Customer Reviews

8 Reviews
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Average Customer Review
4.6 out of 5 stars (8 customer reviews)
 
 
 
 
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4 of 4 people found the following review helpful:
5.0 out of 5 stars A great novel of the great master, May 11, 2003
This review is from: Inez: A Novel (Hardcover)
Carlos Fuentes has written a brief, poetic elegy to love and classical music in his latest novel, "Inez".I have translated it into farsi and it is released just today,May 10th 2003. It weaves together three tales, a love affair spanning decades between Mexican diva and the famous European conductor Gabriel Atlan-Ferrara, that briefly mirrors the political chaos of the the 20th Century; the other, the love affair of two prehitorian Europeans somewhere along the coast of Ice Age Europe, thousands of years ago,The last one is combination of Damnation of Faust by Hector Berlioz and other classical operas of history.It is under tyhe influence of Maria Calas the Greek diva aca La triviata. This terse tale is among the finest examples of recently published literary prose that I've come across and translated into Farsi.I have tried a lot to find a contact address of Carlos Fuentes but in vain.Please read it and enjoy the Novel and help me with an address of the Mastero.
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6 of 7 people found the following review helpful:
5.0 out of 5 stars Inez - A Magnificent & Magical Novel, August 7, 2005
This review is from: Inez (Harvest Book) (Paperback)
If you're a fan of Carlos Fuentes' early novels, like "Aura" and "The Death of Artemio Cruz," then you are bound to enjoy "Inez," (in Spanish, "Instinto de Inez"). In this, his latest book, after "The Years With Laura Diaz," the author returns to the magical world of fantasy, and to some of his favorite themes: creativity and time.

Gabriel Atlan-Ferrara, a dynamic and celebrated symphony conductor, reflects back on his life, at age 93, and realizes that only death awaits him. These reflections reveal his great passion for one woman, and for music. They also disclose the conductor's view of the world, and destiny, as he confronts death. "El muerto no sabe lo que es la muerte, pero los vivos tampocos" ("The dead don't know what death is, but neither do the living"). The past holds for him the memory of his love for the red-haired, dark eyed Inez. Gabriel has a shimmering glass seal, a mysterious object "sufficient unto itself." This seal might bestow upon its bearer the ability to see past, present and future, to hear music of impossible beauty, and to read unknown languages. The maestro hopes to find, in the crystal seal, the impossible reflection of Inez and a return to a time when they were together - to transcend time, distance and space through their love.

The crystal also provides the link between two intertwining stories - that of Atlan-Ferrara and his memories, and a parallel narrative which records Inez' dreams - a poetic love story telling of the first encounter in human history between a man and a woman. "Inez" is an extraordinary tale which contrasts love and obsession, life and death, male and female.

Alan-Ferrara encountered Mexican opera singer, Inez Prada, three times over the course of his lifetime. The first time was during the 1940 London blitz. This was when he initially heard her sing. In 1949 they met again in Mexico City. She had become a renowned diva. Atlan-Ferrara had moved-up in his career also, and was now one of the world's most important orchestra conductors. Their last meeting took place in London, 1967, when the conductor decided to break all the rules of traditional opera. Each time they met they were performing Berlioz's opera, "The Damnation of Faust." It is "the opera that permits me to travel in time...," Fuentes said in an interview. "It is Berlioz who invents this original dissonance, this extraordinary mystery of the origin of music and the origin of voice."

Fuentes also stated that Alan-Ferrara is "modeled on one of the greatest conductors of the 20th century, the Romanian Sergiu Celibidache." The young Mexican soprano, Inez, Fuentes says was inspired by the legendary Maria Callas.

Margaret Sayers Peden's translation is excellent and captures Fuentes' language as well as any translation could.

Carlos Fuentes, probably Mexico's greatest living writer, is the author of more than twenty books and has received many awards for his accomplishments as a novelist, essayist, and commentator, among them the Cervantes Prize in 1987. Major themes in Fuentes' work are the power of fantasy, national identity, and the promise and failure of the Mexican revolution. Fuentes has frequently been mentioned as a candidate for the Nobel Prize for literature. His father made him read Mexican history when he was a boy, which Fuentes saw as a history of crushing defeats, especially when compared with the United States. "I learned to imagine Mexico before I ever knew Mexico," he once said.
JANA
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3 of 3 people found the following review helpful:
4.0 out of 5 stars Simple yet rich, April 18, 2006
By 
Enrique Torres "Rico" (San Diegotitlan, Califas) - See all my reviews
(VINE VOICE)   
This review is from: Inez: A Novel (Hardcover)
I've read nearly every book wrtten by Carlos Fuentes and found ths one to be great but not his best. Somewhere between great and mind blowng would be more accurate. I only wish it were longer. Carlos Fuentes , the master story teller never fails to produce works that will stand the test of time as great literary pieces. Written in a short story format the story is nonetheless epic. Fuentes manages to use language to carry you beyond the incidents you are reading about , he opens up your mind to possibilities through his use of passages that are fluid streams of thought. There are several good customer and editorial descriptions of the actual storyline but suffice to say that Fuentes goes out of bounds , beyond the limits and back as he interweaves a story with another, carrying you through a time machine tunnel where the light you see is your own thought process being ignited. His concepts are relatively simple in comparison to some of his other works but there is always so much more to a Fuentes book. This is a book that is best enjoyed read over a short period of time, a few hours, a day or a weekend to become completely engulfed in. I read this over a few hours sessions in the Baja California desert where there were few interruptions or distractions. This is an excellent short book in a long list of great Carlos Fuentes novels. This story is a gripping fantasy and an emotional rollercoaster that is beautifully written, and highly recommended.
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Inside This Book (learn more)
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First Sentence:
We shall have nothing to say in regard to our own death." Read the first page
Key Phrases - Statistically Improbable Phrases (SIPs): (learn more)
crystal seal, ora pro nobis, blond youth
Key Phrases - Capitalized Phrases (CAPs): (learn more)
Gabriel Atlan-Ferrara, Inez Prada, Bellas Artes, Berlioz's Faust, Covent Garden, Mexico City, Sancta Maria, Hector Berlioz, Gabriel Adan-Ferrara, Maestro Atlan-Ferrara
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