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5 of 7 people found the following review helpful:
4.0 out of 5 stars
Cioran's apology, November 23, 2007
This review is from: An Infamous Past: E.M. Cioran and the Rise of Fascism in Romania (Hardcover)
"An Infamous Past" concentrates on Cioran's early days and his infatuation with the legionary movement and its rise and effect on Romania's intelligentsia in the 1930's.
While the book is excellent, and Marta Petreu has performed both impressive research and drawn reasonable conclusions, the translation by Bogdan Aldea (who incorrectly translates "Totul Pentru Tara" as "Everything for the Fatherland" (the word "patria" means fatherland while the word "tara" means country), and the failure to acknowledge Codreanu's eventual abandonment of antisemitism and violence as a means (both actions which perpetuate a distortion of Romanian history), earn this book a one star demerit.
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10 of 15 people found the following review helpful:
5.0 out of 5 stars
The Best Book on Cioran in English, November 14, 2006
This review is from: An Infamous Past: E.M. Cioran and the Rise of Fascism in Romania (Hardcover)
The Chicago publisher Ivan R. Dee has already published one major Romanian book in English translation, Mihail Sebastian's JOURNAL 1933-1945. Petreu's book is something different--a clear, serious, and straightforward scholarly study, a type of book seldom undertaken by an American commercial publisher. It is well chosen, though its future depends entirely on the reputation of Cioran, and it will do little to enhance that reputation.
Petreu is intimately familar with Cioran's writings, and quotes from them liberally. That alone would make this book an important source for readers of Cioran who cannot read Romanian. She has also troubled to read his 1930s journalism and his correspondence (some of which she has collected and published in Cluj), texts unavailable in English. There is some repetitiveness, but with good reason.
Petreu also is a student of history and is able to place Cioran's "lyrical philosophy" and praise of fascism (and of Hitler) in the context of Romanian politics. This by no means excuses Cioran. Rather, Petreu shows how and why fascism appealed to him in his twenties, when his literary ambitions, his dismay at European contempt for Romania, and his faith in destiny converged in opportunistic rant. Later in life, Cioran bitterly regretted these years. Petreu provides the ugly details, showing how much he had to regret.
Finally, her discussion of the Iron Guard, the blackshirts of Romania, who murdered and marauded in the name of pure Christianity, is a frightening reminder of what militant Christian politics can do.
Petreu writes that Cioran's "fundamental nature--decadent, amoral, aesthetic" (p. 182) was a fertile ground for his commitment to Romanian fascism. Cioran's current fame as a writer and a philosopher rests on the books he published in Paris after World War II. Petreu's book provides vital background for his Parisian career, showing how his fascist years continued to affect his later work, sometimes with hints, often with suppression, and always with fear and revulsion.
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0 of 4 people found the following review helpful:
5.0 out of 5 stars
A portrait of Romanian hooliganism, December 4, 2010
This review is from: An Infamous Past: E.M. Cioran and the Rise of Fascism in Romania (Hardcover)
This book is an excellent contribution to one of the darkest chapters of Roumanian history,namely:the dark days of the Iron Guardists.Not only were they anti-Semitic,but they were
also a bunch of fanatic hooligans who lived under some kind of illusion that Roumania would one day be pure, free of any other foreign elements. They were assisted by a great number of Roumanian intellectuals,and among those Emil Cioran was one of them. An early admirer of Hitler and a rabid anti-Semite,he develpoed a philosophy of his own which preached for the advancement of Roumanian history through industrialization,while constantly preaching in his writings about the indolence and stupidity of his Roumanian comrades and his own people. On this point he was right,since the Roumanians are to this day lazy,corrupt and hope for their salvation by some deus ex-machina. The period discussed in this book is mainly about Roumanian fascism,religious fanaticism and anti-modernism. These motifs were spread by other fanatical philosophers such as the known anti-Semitic and notious historian of religions Mircea Eliade,Nae Ionescu and other gutter-writers who sold their soul to the devil. Some of them, including Cioran regretted their shameful past after World War Two,though one cannot be sure whether they had really done so honestly or just for the sake of their wish to be remembered as the good fellows who finally realized their mistakes of being friends with the dark forces, such as Codreanu,the Iron Guards and Hitler.
According to Codreanu and Marin,the Jews were responsible for the misfortunes which fell upon Roumania. In fact,Cioran had some kind of different opinion and he believed thaat Roumanians and not the foreigners were to blame for past failures,although he himself remained ambivalent on this point and thus he cannot be excused in any way for is support of the Fascists .Even his infamous sentence that had he been a Jew,he would have committed suicide cannot be forgotten.
Cioran was not only an antisemite, but also took an anti-Hungarian stance which reflected his resentment toward his former masters of his country. He preached for a dictatorship-a dream which had materialized in the horror system devised by Ceausescu and his cronies. This because the Legionary doctrine was anti-democratic and anti-liberal.
Most of Cioran's writings are and will remain destructive and and so will their messages.
This book is excellent and should be read by those who think that dictatorships are the answer to the evils of any society. The memory of Cioran will always be one of infamy,despite his efforts to recant and expunge his past.
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