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Infants of the Spring (Black Classics)
 
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Infants of the Spring (Black Classics) [Paperback]

Wallace Thurman (Author)
3.8 out of 5 stars  See all reviews (10 customer reviews)


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Book Description

Black Classics December 11, 2003
A hilarious story about the black elite of the period.


Editorial Reviews

Amazon.com Review

This little-known classic of the Harlem Renaissance--by the mysterious, Utah-born bisexual Wallace Thurman, who died in obscurity in 1934--is both timeless and timely. It centers on the larger-than-life denizens of a Harlem mansion called "Niggeratti Manor": Stephen Jorgensen, the recently arrived Canadian; Paul, the ambivalent, uptown social critic; Pelham, the struggling poet; and Eustace Savoy, an entertainer disdainful of his Afro-American musical heritage. In this volatile gumbo of complex characters--which also pokes fun at a few famous writers, including Zora Neale Hurston, Alain Locke, and Langston Hughes--Thurman weaves a hilarious story that critiques the paternalistic Negro author/white patron relationship, uncovers the social-class antagonisms in the Afro-American community, and foreshadows the sexual and social themes of James Baldwin and E. Lynn Harris. Thurman's elegant and elastic prose adds more illumination to this bright period in African American literature. --Eugene Holley Jr. --This text refers to an out of print or unavailable edition of this title.

From Library Journal

This is the first volume in Modern Library's inaugural series, "The Harlem Renaissance." The 1932 novel is a thinly disguised memoir of Thurman's own unhappy experiences in the 1920s literary movement and features characters based on Langston Hughes, Zora Neale Hurston, and other Harlem Renaissance authors. With an introduction by author E. Lynn Harris.
Copyright 1999 Reed Business Information, Inc. --This text refers to an out of print or unavailable edition of this title.

Product Details

  • Paperback: 240 pages
  • Publisher: Xpress (December 11, 2003)
  • Language: English
  • ISBN-10: 1874509611
  • ISBN-13: 978-1874509615
  • Product Dimensions: 7.6 x 5.1 x 0.6 inches
  • Shipping Weight: 5 ounces
  • Average Customer Review: 3.8 out of 5 stars  See all reviews (10 customer reviews)
  • Amazon Best Sellers Rank: #2,302,546 in Books (See Top 100 in Books)

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Customer Reviews

10 Reviews
5 star:
 (2)
4 star:
 (6)
3 star:
 (1)
2 star:    (0)
1 star:
 (1)
 
 
 
 
 
Average Customer Review
3.8 out of 5 stars (10 customer reviews)
 
 
 
 
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Most Helpful Customer Reviews

8 of 8 people found the following review helpful:
4.0 out of 5 stars This book speaks to you!, September 17, 1999
Thurman was not the most polished of writers, but he makes up that shortcoming by having a lot to say. I was enraptured with the number of ideas present in this book, and many times I paused to consider the weight of his words.

Yes, the text is often clumsy, but the dialogue is sterling. So this is really what the Harlem Renaissance was about? I wish I could have been there. There are so many memorable characters in this book, and they all are real and possess unique personalities. Even the minor characters are fleshed out.

Buy this book and read it. You won't regret it. After reading it, I have only one question: Why isn't Thurman's third novel, INTERNE, available? I can't think of any author to whom to compare Thurman. His dialogue reminds me a bit of Hemingway, but not really. Reading Thurman is a unique experience!

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5 of 5 people found the following review helpful:
4.0 out of 5 stars One of the best bad novels written, August 2, 1999
By A Customer
Politically incorrect, pedantic, with laughingly awful flights of "serious writing", this novel nonetheless opens up a window to the past with an immediacy few novels match. Thurman was there and he lets you know how it was. Important both as a historical document and one of the earliest examples of black gay literature, it will fascinate despite the clumsy writing. A window into a lost world if you're willing to forgive the prose.
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3 of 3 people found the following review helpful:
4.0 out of 5 stars Knowledge of Harlem Renaissance not required!, December 2, 2003
By 
John (London, London United Kingdom) - See all my reviews
(REAL NAME)   
I put off reading this for years because of its leadenly Shakespearian title, and was surprised and pleased to find when I did finally pick it up that it was a pacey, barbed and entertaining read. It's not 'hilarious' (as billed in the promotional blurb above) but it is sharp. In its astute but cynical take on its characters & their situation it made me think of Chester Himes, (& Thurman has a similar 'banged off' style to Himes), & in its subject-matter - black & white bohemia, & the politics of race & sexuality - it's very much a precursor to James Baldwin's 'Another Country'. The debates around the role of the artist, particularly the black artist, in this book seem to me as resonant today as they were when it was written: does a black artist have a duty to represent the race, to engage politically with racial issues in an overt or didactic way, or is his or her duty to art as a force - or truth - in itself? Thurman provides no answers, but he shows how such tensions - combined with self-delusion, brittleness, lack of application and other human failings - lead people who are struggling to be creative to collapse in on themselves, with disastrous results. Thurman's style is jaunty and, although highly engaging, deters the reader from empathising greatly with the characters; yet I found the end of the book, which is on one level camp, strangely moving and upsetting.
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