A hilarious story about the black elite of the period.
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Most Helpful Customer Reviews
8 of 8 people found the following review helpful:
4.0 out of 5 stars
This book speaks to you!,
This review is from: Infants of the Spring (Harlem Renaissance) (Paperback)
Thurman was not the most polished of writers, but he makes up that shortcoming by having a lot to say. I was enraptured with the number of ideas present in this book, and many times I paused to consider the weight of his words.Yes, the text is often clumsy, but the dialogue is sterling. So this is really what the Harlem Renaissance was about? I wish I could have been there. There are so many memorable characters in this book, and they all are real and possess unique personalities. Even the minor characters are fleshed out. Buy this book and read it. You won't regret it. After reading it, I have only one question: Why isn't Thurman's third novel, INTERNE, available? I can't think of any author to whom to compare Thurman. His dialogue reminds me a bit of Hemingway, but not really. Reading Thurman is a unique experience!
5 of 5 people found the following review helpful:
4.0 out of 5 stars
One of the best bad novels written,
By A Customer
This review is from: Infants of the Spring (Harlem Renaissance) (Paperback)
Politically incorrect, pedantic, with laughingly awful flights of "serious writing", this novel nonetheless opens up a window to the past with an immediacy few novels match. Thurman was there and he lets you know how it was. Important both as a historical document and one of the earliest examples of black gay literature, it will fascinate despite the clumsy writing. A window into a lost world if you're willing to forgive the prose.
3 of 3 people found the following review helpful:
4.0 out of 5 stars
Knowledge of Harlem Renaissance not required!,
By
This review is from: Infants of the Spring (Lost American Fiction) (Hardcover)
I put off reading this for years because of its leadenly Shakespearian title, and was surprised and pleased to find when I did finally pick it up that it was a pacey, barbed and entertaining read. It's not 'hilarious' (as billed in the promotional blurb above) but it is sharp. In its astute but cynical take on its characters & their situation it made me think of Chester Himes, (& Thurman has a similar 'banged off' style to Himes), & in its subject-matter - black & white bohemia, & the politics of race & sexuality - it's very much a precursor to James Baldwin's 'Another Country'. The debates around the role of the artist, particularly the black artist, in this book seem to me as resonant today as they were when it was written: does a black artist have a duty to represent the race, to engage politically with racial issues in an overt or didactic way, or is his or her duty to art as a force - or truth - in itself? Thurman provides no answers, but he shows how such tensions - combined with self-delusion, brittleness, lack of application and other human failings - lead people who are struggling to be creative to collapse in on themselves, with disastrous results. Thurman's style is jaunty and, although highly engaging, deters the reader from empathising greatly with the characters; yet I found the end of the book, which is on one level camp, strangely moving and upsetting.
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