Infinite Jest: A Novel [Paperback]

David Foster Wallace (Author)

Book Description

Publication Date: February 1, 1997

Set in the near future in a addicts' halfway house and a tennis academy, a moving novel explores a world of drug abuse, heartbreak, advertising, philosophy, math, humor, and drama as it addresses what happens to a nation of people whose main concern is pleasing themselves. Reprint. NYT.

Editorial Reviews

Amazon.com Review

In a sprawling, wild, super-hyped magnum opus, David Foster Wallace fulfills the promise of his precocious novel The Broom of the System. Equal parts philosophical quest and screwball comedy, Infinite Jest bends every rule of fiction, features a huge cast and multilevel narrative, and questions essential elements of American culture - our entertainments, our addictions, our relationships, our pleasures, our abilities to define ourselves. --This text refers to an out of print or unavailable edition of this title.

From Publishers Weekly

With its baroque subplots, zany political satire, morbid, cerebral humor and astonishing range of cultural references, Wallace's brilliant but somewhat bloated dirigible of a second novel (after The Broom in the System) will appeal to steadfast readers of Pynchon and Gaddis. But few others will have the stamina for it. Set in an absurd yet uncanny near-future, with a cast of hundreds and close to 400 footnotes, Wallace's story weaves between two surprisingly similar locales: Ennet House, a halfway-house in the Boston Suburbs, and the adjacent Enfield Tennis Academy. It is the "Year of the Depend Adult Undergarment" (each calendar year is now subsidized by retail advertising); the U.S. and Canada have been subsumed by the Organization of North American Nations, unleashing a torrent of anti-O.N.A.N.ist terrorism by Quebecois separatists; drug problems are widespread; the Northeastern continent is a giant toxic waste dump; and CD-like "entertainment cartridges" are the prevalent leisure activity. The novel hinges on the dysfunctional family of E.T.A.'s founder, optical-scientist-turned-cult-filmmaker Dr. James Incandenza (aka Himself), who took his life shortly after producing a mysterious film called Infinite Jest, which is supposedly so addictively entertaining as to bring about a total neural meltdown in its viewer. As Himself's estranged sons?professional football punter Orin, introverted tennis star Hal and deformed naif Mario?come to terms with his suicide and legacy, they and the residents of Ennet House become enmeshed in the machinations of the wheelchair-bound leader of a Quebecois separatist faction, who hopes to disseminate cartridges of Infinite Jest and thus shred the social fabric of O.N.A.N. With its hilarious riffs on themes like addiction, 12-step programs, technology and waste management (in all its scatological implications), this tome is highly engrossing?in small doses. Yet the nebulous, resolutionless ending serves to underscore Wallace's underlying failure to find a suitable novelistic shape for his ingenious and often outrageously funny material.
Copyright 1995 Reed Business Information, Inc. --This text refers to an out of print or unavailable edition of this title.

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Product Details

• Paperback: 1088 pages
• Publisher: Back Bay Books; 1st Paperback Ed edition (February 1, 1997)
• Language: English
• ISBN-10: 0316921173
• ISBN-13: 978-0316921176
• Product Dimensions: 9.1 x 6.1 x 2.1 inches
• Shipping Weight: 2.8 pounds
• Average Customer Review: 3.9 out of 5 stars  See all reviews (568 customer reviews)
• Amazon Best Sellers Rank: #83,517 in Books (See Top 100 in Books)

More About the Author

David Foster Wallace wrote the acclaimed novels Infinite Jest and The Broom of the System and the story collections Oblivion, Brief Interviews with Hideous Men, and Girl With Curious Hair. His nonfiction includes the essay collections Consider the Lobster and A Supposedly Fun Thing I'll Never Do Again, and the full-length work Everything and More.  He died in 2008.

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#97 in Books > Literature & Fiction > Literary

#97 in Books > Literature & Fiction > Literary

Most Helpful Customer Reviews

409 of 426 people found the following review helpful

5.0 out of 5 stars Genius rewards the patient December 12, 2001

By Stephen R. Laniel

Format:Hardcover

David Foster Wallace is a genius, and he knows it. But unlike other geniuses that you might know, he never tries to make you feel dumb. He just wants you to understand the same things that he does, so occasionally you'll feel out of your depth. But he's also a gifted writer, so odds are that you *will* come out understanding him. And what he's saying is brilliant, so you'll feel like a better person for it.

Wallace has been described as ``postmodern", a word that seems to get smacked onto anything written after World War II. I don't see it. To me, postmodernism involves a few things: 1) irony, in liberal doses (e.g., DeLillo's _White Noise_); 2) a continuous awareness that we're *reading a book* and that there's an author talking to us, and that the characters are under his control (e.g., anything by Kurt Vonnegut); 3) self-reference, sometimes to the point of disorienting involution (e.g., Wallace's story ``Westward The Course Of Empire Makes Its Way" from his book _Girl With Curious Hair_ - and that story is, notably, a spoof of postmodernism). This may be an overly conservative definition of postmodernism, but the word's overapplication justifies some conservatism.

_Infinite Jest_ is not postmodern; it's just a great story with beautifully constructed characters. It is a book about a movie that is so addictive that anyone who starts watching it has no choice but to keep watching it forever - foregoing food, water, and sleep, and suffering as much pain as is necessary to keep watching. The movie itself is, to paraphrase a friend, an uber-McGuffin (I'm never sure whether I've spelled that right) - an object that never gets clearly explained, but around which the plot coheres.

The movie itself is not the main point of the book.... _Infinite Jest_ is a novel about American addictions: television, drugs, sex, fame, and indeed the American need to be addicted to something. An addiction to addictions. Wallace summarizes the book's mood well when he says,

``There's something particularly sad about it, something that doesn't have very much to do with physical circumstances, or the economy, or any of the stuff that gets talked about in the news. It's more like a stomach-level sadness. I see it in myself and my friends in different ways. It manifests itself as a kind of lostness. Whether it's unique to our generation I really don't know."

(...)

The main sign of Wallace's genius - and yes, I mean that word with all it entails, content in the knowledge that it is overused but that it fits here - is that he can make us feel this gut-level sadness without even appearing to work at it. Heavy use of irony can make you feel that there's some deeper, unseen, lurking gloominess about the world, and for that reason it's the easy way out. Ditto self-reference, which after a while is dizzying and confusing. Wallace is too brilliant a writer to take any of the easy postmodern routes. He's just written a great story with an unpleasant underlying mood. It's been a long time since I've read a book of such masterful subtlety.

It has all the classic aspects of a great novel: characters whom the reader *understands*, a compelling story that edges inexorably toward an uncertain ending, a gut-level mood, and a habit of dispensing brilliant toss-offs so suddenly that the reader can't help but gasp. For instance, see the attached text file containing Wallace's future-retrospective explanation of why videophones failed.

My first inclination was that this book - weighing in at over a thousand pages, including hundreds of footnotes (some of which have their own footnotes) - needed an editor. And it may, at points. But there's very little chaff amongst the wheat: the book's heft serves at least three purposes:

1) To build characters, slowly and methodically. One of Wallace's flaws is that his characters' dialogue - particularly that of his youthful protagonist and tennis prodigy, Hal Incandenza - doesn't sound genuine. It sounds like Wallace talking through 17-year-olds, not 17-year-olds who've been transcribed. I think Wallace realizes this, which is why most of his character development comes through narration.

2) To dump out the contents of Wallace's swirling brain. He has so much to say, and he seems to want to get it all down on paper in this one book. Less profound thoughts from a less talented author might have left me screaming for an editor, but they didn't do so here.

3) To structure the book as a conversation. Reading this book, one feels as though one is talking directly with Wallace. More often than not, his sentences will contain heavy Latinate words like ``epicanthic" just a short distance from the conversational stammerings ``like" and ``and so but". Again, had a lesser writer written these words, I would have edited the book myself, filling the margins with red pen.

The book's length will discourage all but a few readers, but it handsomely rewards the patient. Read more ›

194 of 209 people found the following review helpful

5.0 out of 5 stars Pure genius March 3, 2004

By Jeffrey Leach HALL OF FAMEVINE™ VOICE

Format:Paperback

Say farewell, at least for a month or so, to your family, friends, and other hobbies. Figure out a way to fortify your fingers, wrists, and arms so you can hold this book up for hours at a time over a period of weeks. Reconfigure the lighting arrangement in your reading area for maximum glow. Find two sturdy bookmarks. Take a deep breath, let it out real slow, and you are ready to begin the monumental task of reading David Foster Wallace's "Infinite Jest." It took me three solid weeks to navigate a path through the byzantine structures of Wallace's magnum opus, three weeks of reading at least twenty pages a day (often more than that, of course) to get through the nearly 1,000 pages of text and the ninety plus pages of endnotes that make up this novel. If you have heard of Wallace before, and you probably have if you are checking out reviews for the book, you know "Infinite Jest" has quite a reputation in the literary world. You will see stuffed shirts tossing around words like "post post-modernism" and other academic jargon while referring to Wallace's oeuvre. Don't let these old fogies get you down; "Infinite Jest" is an immensely readable, hypnotically fascinating novel chock full of great humor, great sadness, and thought provoking themes.

The novel takes place in Enfield, Massachusetts in the near future. In the story, Canada, the United States, and Mexico formed a federation called the Organization of North American Nations (known as O.N.A.N.). The citizens of this confederation spend their time watching entertainment cartridges playable on their "teleputers," devices that came about when broadcast television went bankrupt.... Advertisers predictably had a cow over the loss of television, so the government allowed companies to purchase calendar years and rename them. Hence, we have years called "The Year of Glad," and "The Year of the Depend Adult Undergarment." Not everyone is happy with the O.N.A.N. arrangement; Quebecois revolutionaries continue to seek an independent homeland from their Canadian masters, only now they have to deal with the United States as well. In a devious bid for independence, a group of terrorists known as "The Wheelchair Assassins" (!) are seeking a film cartridge that supposedly kills anyone who watches it by turning them into pleasure seeking zombies. Moreover, a new energy system called annular fusion requires the confederation to dump its toxic waste into a place called "The Great Concavity," an abandoned area encompassing most of Maine and other northeastern regions. The concavity borders Quebec, and the toxins flung there with giant catapults (!!) have leeched into surrounding areas, thus causing thousands of people to develop life-threatening deformities.

Wallace introduces dozens of oddball characters in the course of his narrative, with special emphasis placed on the students at the Enfield Tennis Academy and the addicts populating a drug rehab right down the hill called Ennet House. The primary character at Enfield is one Hal Incandenza, a genius and a tennis star with a growing addiction to marijuana. Living with Hal are his horribly disfigured brother Mario, his promiscuous but hyper intelligent mother Avril, and several fellow students who redefine our conceptions of the bizarre. Hal has difficulties dealing with his family due to, among other issues, the horrific suicide via microwave oven of his father James. Dad was a scientist who helped develop annular fusion before going into experimental filmmaking. It was, in fact, James Incandenza who made the fatal entertainment cartridge that is causing so many headaches. In opposition to the madhouse that is Enfield is the madhouse that is Ennet House, where drug addict Don Gately attempts to take things one day at a time. Gately lived a life of desperate abandon, burglarizing homes in order to pay for his addictions. The only thing harder than living on drugs is kicking the habit, and Wallace describes in minute detail the hard sought sobriety of Don Gately and his fellow addicts. I know this summary stinks, I know I'm leaving tons of stuff out, but place the blame on Wallace for constructing such a complex novel.

Several themes thread their way through the novel. The most notable is the theme of addiction and recovery represented by Hal Incandenza and Don Gately. Another theme is the role of entertainment in American society, something Wallace sees as a calamity of epic proportions that will only end in death. If you tire of looking for deeper meaning in "Infinite Jest," don't worry. You can laugh yourself sick over the humorous aspects of the book or stare in open-mouthed awe at the numerous digressions from the main story. Wallace is a powerful writer, capable of infusing seemingly banal situations like filmmaking and sports with amazing energy. Check out the story about Hal's brother Orin punting in his first football game, or the Eschaton disaster at the academy, or James Incandenza's filmography in one of the endnotes for proof of this assertion. I especially loved the filmography and the endnote explaining the origins of the Wheelchair Assassins, two of the funniest, most wildly inventive things I have ever read. Most of the book is as equally brilliant even as it veers off in a dozen different directions.

"Infinite Jest" is intricate, with its multitude of subplots, OED inspired vocabulary, and tragic characters, yet the book still entertains because Wallace knows how to drape a compelling, easily understood story over all of the complexities. I'm under no illusions that I picked up on more than a fraction of the many things Wallace was attempting to say, but who cares? I had a heckuva a ride through this book, and hopefully you will too. Remember, take your time, breathe easy, and don't worry too much about carpal tunnel syndrome.

P.S. Allston Rules. Read more ›

118 of 132 people found the following review helpful

5.0 out of 5 stars Addicting June 1, 2000

By Jefferson Turner

Format:Hardcover

When I picked up this book, I intended to read just the first few pages to see what it was about, and maybe finish some other time. 1100 pages later, I finally put it down. OK, I didn't read it all in one sitting, but the single mindedness you could call an addiction. Which is appropriate, because this book is about addiction in all sorts of forms: drugs, alcohol, athletics, entertainment, and so forth. The scope DFW attempts (and succeeds) is amazing: every page, every chapter is a constant surpise. DFW sets up his own kind of reality, and then stretches that reality to the breaking point. To try to summarize or encapsulate in a 1000 words is impossible. INFINITE JEST is comic and tragic, science fiction and mystery, socio-political commentary and literary fiction. Now for the bad news. Sometimes, the writing is....pretentious. The footnotes get to be a little much. It is as if DFW is showing off his virtuosity at wordplay for the sake of showing off. He actually addresses this criticism in a very good interview ................. INFINITE JEST is not an "easy read," but it is well worth the effort.

95 of 107 people found the following review helpful

5.0 out of 5 stars Infinitely Entertaining February 20, 2003

By IRA Ross

Format:Paperback

It is a daunting task to review this novel. The text is 981 pages long and the end notes close to 100 pages long. The book is also quite heavy. My almost continuous need to check these notes kept interrupting the flow of the novel, but necessarily filled in lots of the details of its characters' family backgrounds, historical facts and fictions, and Mr. Wallace's infinite knowledge of myriad pharmaceutical products mentioned in the novel. _Infinite Jest_ is as complex and dense as it is entertaining, funny, horrifying, painful, bizarre, and at times graphically nauseating and hallucinatory.

It is the Year of the Depends Adult Undergarment. By the beginning of the 21st century time ceased to be designated chronologically, but began being named for well-known products on the market, e.g. Trial Size Dove Bar, etc. The setting is the Organization of North American Nations (O.N.A.N. [ha, ha, ha]), no longer the U.S., Canada, and Mexico. The big annual holiday celebration is Interdependence Day. From time to time the book is populated by wheelchair bound, legless Quebecois terrorists who want Quebec to break away from O.N.A.N. Their story, told in some detail, is extremely odd and mind boggling to say the least.

The cornerstone of the novel concerns the characters associated with Enfield Tennis Academy, a training school for young tennis prodigies. The head was formerly the late James O. Incandenza (called "Himself" and "The Stork" by his sons), who also dabbled in experimental film making, his wife Avril (called "The Moms" by her sons), and their three sons, Orin (football star), Mario (a gentle dwarf and like his father, a film maker), and Hal (the youngest, but extraordinarily brilliant and drug addicted).... Some of Hal's descriptions of his late father's story are bizarre but incredibly funny!

In my opinion the hero of _Infinite Jest_ is Don Gately. He is a formerly heavily drug addicted, but currently seriously sober staff counselor at Ennet House, a residential home, near Boston, for individuals suffering from drug and alcohol problems. Here is a man who formerly financed his habit through robbery, burglary, and other illegal money making schemes, who is justly beloved by Ennet House occupants. Gately is the "Christ figure" of the book who suffers for the various transgressions of others. Toward the end of the book a "victim" of one of Gately's past shennanigans pays tribute to him.

_Infinite Jest_ can be a slow read (it took me several months to complete the book) because in addition to its length it is rarely told in a conventional narrative form. I also found myself at times zipping through all the strange, but delightfully recited situations and characterizations. To be enjoyed one must be patient with it and allow oneself to go with its relentless flow. If it is not already, _Infinite Jest_ is destined to become one of the world's great classics. Read more ›