The Infinities (Thorndike Reviewers' Choice) [Large Print] [Hardcover]

John Banville (Author)

Book Description

Publication Date: August 25, 2010 | Series: Thorndike Reviewers' Choice

On a languid midsummer’s day in the countryside, old Adam Godley, a renowned theoretical mathematician, is dying. His family gathers at his bedside: his son, young Adam, struggling to maintain his marriage to a radiantly beautiful actress; his nineteen-year-old daughter, Petra, filled with voices and visions as she waits for the inevitable; their mother, Ursula, whose relations with the Godley children are strained at best; and Petra’s “young man”—very likely more interested in the father than the daughter—who has arrived for a superbly ill-timed visit.

But the Godley family is not alone in their vigil. Around them hovers a family of mischievous immortals—among them, Zeus, who has his eye on young Adam’s wife; Pan, who has taken the doughy, perspiring form of an old unwelcome acquaintance; and Hermes, who is the genial and omniscient narrator: “We too are petty and vindictive,” he tells us, “just like you, when we are put to it.” As old Adam’s days on earth run down, these unearthly beings start to stir up trouble, to sometimes wildly unintended effect. . . .

Blissfully inventive and playful, rich in psychological insight and sensual detail, The Infinities is at once a gloriously earthy romp and a wise look at the terrible, wonderful plight of being human—a dazzling novel from one of the most widely admired and acclaimed writers at work today.


From the Hardcover edition.

--This text refers to the Audio CD edition.

Editorial Reviews

Amazon.com Review

A Q&A with Author John Banville

Question: Where did you get the idea to use Greek gods as characters in a novel? And then how did you settle on the ones we meet in The Infinities?

John Banville: I have always been an admirer of the great German dramatist Heinrich von Kleist, particularly the play I consider his masterpiece, Amphitryon, which I adapted for the Irish stage. In this wonderful tragi-comedy Jupiter falls for Alcmene, wife of the Theban general Amphitryon, and comes to earth with his son and sidekick Mercury, to spend a heavenly night with the lady; the next morning Amphitryon returns unexpectedly from the wars, precipitating an intricate comedy of errors. Originally I intended to base The Infinities quite closely on Amphitryon, but fiction has its own laws and its own demands, and the finished novel is an autonymous creature, though the Kleist is still there in skeletal form.

Question: Why did you decide to make Adam Godley a mathematician?

John Banville: I don’t know that I ever actively decided to make him anything."Decisions" in the writing of fiction tend to be mostly a matter of dream and drift. But I wanted him to be someone operating in an otherworld of speculation, pure number, and infinitudes, where the gods might be already at play.

Question: There is something so classical and familiar about the death bed scene, the family patriarch dying and the family coming from far and wide to gather at his bedside. What about the death bed construct appealed to you as a starting off point?

John Banville: Again, I didn’t think of the book as centering on a death bed scene--and I don’t think it does, really--but of course fiction is a tired old business where there is nothing new under even the intensest sun. In fact, one of the pleasures of working in the novel form is the challenge of finding new ways to present old things. Spinoza says somewhere that the wise man thinks only of death but all his thoughts will thereby be a contemplation of life. I hope that’s the case with The Infinities, and that everything in it is vividly alive, even the dying old man upstairs.

Question: Many readers have commented on the humor in this novel. Is it harder for you to write comedy or tragedy (which you have certainly done in previous novels)?

John Banville: All my books are funny, if you know how to listen for the jokes. The novel, at a certain basic level, is a comic form. Do you know the story of Kafka reading to a group of friends from The Trial, and laughing so much he could not get past the first page? Kafka is a great realist--indeed, one of the greatest--and reality is always funny, though the fun is often steeped in pathos.

Question: This novel takes place over the course of a single day. Why did you decide on that time structure?

John Banville: I was following Amphitryon in this--preserving the unities, as the Aristotelians say. There is a nice compactness to the time-scale in the book, which I like. Also the fact of limiting the action to a single day makes for a mysterious sweet melancholy. Everyone has days that will live in the memory for a lifetime; for my characters, that Midsummer Day is one.

Question: So Hermes is our narrator (though, of course, John Banville is really our narrator). So author as messenger? Author as God? Or is that just reading too much into it?

John Banville: Well, of course, in the little world of a novel the author is a god, or at least a demigod, watching over his creatures, helping them, if he can, or at least not hindering them. In a wider sense, I find the pagan world of the Greeks highly appealing, and wish we could regain their state of innocence and sophistication. Bring back the old gods, I say.

(Photo © Jerry Bauer)

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--This text refers to an alternate Hardcover edition.

From Publishers Weekly

Starred Review. Having apparently exorcised his taste for bloody intrigue with his pseudonym, Benjamin Black, Banville returns to high form (and his given name) with a novel even more pristine than his Booker-winning The Sea. Old Adam Godley lies dying, flying through his past on the way to eternity while his brooding son (also named Adam) sleepwalks through his marriage to the amorous Helen, and young Adam's loony sister, Petra, writes an encyclopedia of human morbidity. But Adam and his brood are not alone, nor is our narrator any detached third person: the gods are afoot, chiefly Hermes, disguised as a farmer, whispering to us of mortal love, guiding old Adam on his way, and laying bare all the Godleys' secrets while divine Zeus conducts illicit amours with Helen. Hermes assures us that mortal speech is barely articulate gruntings, yet Banville has the perfect instrument for his textured prose, almost never as finely tuned as this. The narrative is rife with asides, but it is to the common trajectory of a life that—despite the noise crowding ailing Adam's repose—it lends its most consoling notes, elevating the temporal and profane to the holy eternal. (Mar.)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved. --This text refers to an alternate Hardcover edition.

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Product Details

• Hardcover: 400 pages
• Publisher: Thorndike Press; Lrg edition (August 25, 2010)
• Language: English
• ISBN-10: 1410428524
• ISBN-13: 978-1410428523
• Product Dimensions: 8.6 x 5.7 x 0.9 inches
• Shipping Weight: 1.1 pounds (View shipping rates and policies)
• Average Customer Review: 3.8 out of 5 stars  See all reviews (29 customer reviews)
• Amazon Best Sellers Rank: #1,705,863 in Books (See Top 100 in Books)

More About the Author

John Banville was born in Wexford, Ireland, in 1945. He is the author of thirteen previous novels including The Book of Evidence, which was shortlisted for the 1989 Booker Prize. He has received a literary award from the Lannan Foundation. He lives in Dublin.

Customer Reviews

Most Helpful Customer Reviews

92 of 97 people found the following review helpful:

5.0 out of 5 stars The gods are "endlessly diverted by the spectacle of ... heart-searchings and travails of the spirit", February 25, 2010

By 

S. McGee (New York, NY) - See all my reviews
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This review is from: The Infinities (Borzoi Books) (Hardcover)

Ostensibly, this is book about a dying man, whose family assembles around him and waits for him to draw his final breath - a conventional enough device, second only to the old standbys of a family assembling for the holidays, a marriage or a funeral. Ostensibly. In actuality, that's just a jump-off point for what I can only describe as a romp through nearly every theme touched on by classic literature, from existential ruminations on the meaning of life to the bawdy realities of what that life actually involves for the people that live it.

On the surface, it's the story of the dying Adam Godley (take heed of the name...), his wife, Ursula, son Adam and daughter Petra (think of the meaning of her name - stone); and Adam junior's wife, Helen (whose name also will prove meaningful.) But it's also narrated by the gods of Olympus, who, as is their wont, have decided to alleviate their boredom or pursue their lusts by descending to involve themselves in the concerns of the Godley family. The narrator is Hermes - or is it? As his voice seems to blur and meld with that of the dying Adam in the final pages. Zeus covets Helen and commands Hermes to hold back the dawn so that he can have his way with her. And then Pan, in the form of Benny Grace, shows up on the doorstep...

There's no way to summarize what happens in this novel, and indeed what happens, event-wise, seems less important for Banville than finding a way to make us think about the world we inhabit. It's a world where the immortals are as present as the `infinities' of the title, which the dying Adam, a mathematician, discovered. Why would the gods come back? Well, Hermes points out in a matter-of-fact manner, they never left. "We merely made it seem that we had withdrawn, for a decent interval, as if to say we know when we are not wanted," he explains. "At the same time, we cannot resist revealing ourselves to you once in a while, out of our incurable boredom, our love of mischief, or that lingering nostalgia we harbour for this rough world of our making."

Adam and the family dog appear to be the only members of the household to suspect the presence of the immortals amongst them. Adam recognizes it intellectually - after all, if there are infinities, shouldn't there be immortal beings that inhabit them? - while the dog recognizes it on a more visceral level, along with the innate human fear of death. Meanwhile, the others will have their lives reshaped by the gods in ways they may not understand, or attribute to chance.

This is a fascinating book, but one that - despite the constant references to every possible bodily function and fluid imaginable - is all about ideas, likely to appeal to those who can pick up on all of Banville's allusions to classic drama or alternative history. as I was reading, there were often moments where I felt he was present at my shoulder, whispering "get it?" and giving me a sly wink or a nudge in the manner of the Olympians in his novel. I don't usually have a taste for surreal elements creeping into a book, or self-conscious wit, but ultimately Banville won me over with his combination of luscious writing and comic insights into human frailty.

Highly recommended to anyone with a taste for literary fiction, but not for anyone who finds themselves disliking novels that are more about people thinking than doing stuff. (If you haven't enjoyed anything else by Banville, the odds are high that you won't like this one.) I've rated it 4.5 stars, rounded up to 5.

44 of 49 people found the following review helpful:

5.0 out of 5 stars MERCURIAL, February 27, 2010

By 

Kerry Leimer (Makawao, Hawaii United States) - See all my reviews
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This review is from: The Infinities (Borzoi Books) (Hardcover)

Somewhere, someone will read this book and comprehend the various implications pulling and pushing between the stories of the mortals and the immortals, between the conventional narrative and the insertion of the author as the sort of god that cannot fully grasp his own creation. On my own somewhat reduced level of comprehension I can only offer that Banville has again managed to create a text that without warning illuminates some of the more profound details of existence, some of the most disjunctive associations, all within a playful fluidity of seemingly casual observation. These periodic shocks and flares of insight -- gleefully departing from the conventions of story-telling -- strike me as what the book is actually about, sorting through the tangle that shapes constructs of personal identity, belief, experience and knowledge to gain some momentarily objective glimpses of the truer contours of the human condition. Banville has a distinct ability to transcribe a sense of time and place to the page and with "The Infinities" he gives articulate voice to those more elusive impressions of being. Scattered, infrequent, unexpected and always profound shifts in perception draw us closer to an at least momentary comprehension of our selves and the world of which we are a sometimes conscious part. One to read, let rest for a year or so, and then read again.

12 of 12 people found the following review helpful:

3.0 out of 5 stars Beautifully Written, June 10, 2010

By 

Michael Snyder - See all my reviews
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This review is from: The Infinities (Borzoi Books) (Hardcover)

As enchanted as I was by Banville's beautiful prose, this farcical meditation on what it means to be silly foolish human things, babes really, I can't deny I was ready for this novel to end. To say by closing page I was well-worn would be fitting. Time to move on, as though from an exotic restaurant, from a dinner perhaps appreciated more than enjoyed.

Other reviewers have noted the distinct lack of story here, and I can understand. While the novel has a feel of timelessness, in fact could be said to exist outside time, and is filled with turns of phrase meant more for the savor than blithe consumption, what chronology of events there is lasts no more than 24 hours or so and will leave some feeling a bit cheated out of a compelling event, let alone plot.

Even so, parts of this novel are quite humorous, which helps to mitigate tedium, but many parts also seem to endlessly bloviate at the reader's expense -- the conceit of the novel at times, lain threadbare -- and only rarely is a conversation between characters unbroken by narrative or descriptive or ruminative interjection. That can be frustrating.

Still, I enjoyed the novel. While the writing style is quite different in structure and tone, I found myself thinking of the highly stylized works of Jeannette Winterson, of whom I'm a fan. The Infinities is recommended with reservation, for those fans of stylized prose, eclectic taste, or a special affinity for Greek mythology.