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Praise for The Inheritance
“A fine novel. A thinking person’s Da Vinci Code.” –Chicago Tribune
“Simon Tolkien’s grandfather is J. R. R., but his new novel owes more to Agatha Christie—and Dan Brown.” –New York Times
“Expertly paced—the suspense builds to nearly unbearable levels—and filled with fascinating characters, The Inheritance also showcases Tolkien's spare, graceful prose—and his moral fervor. He spins a gripping story, but there's more to The Inheritance than smarts and skill. It's also a meditation on the death penalty, and Tolkien leaves no doubt that he's an ardent opponent.
A deft combination of Agatha Christie manor-house whodunit, Erle Stanley Gardner courtroom drama and Dan Brown thriller, The Inheritance is nonetheless unique to its creator. And Tolkien, with this compelling read, proves himself worthy—and then some—of his literary pedigree. —Richmond Times Dispatch
“Simon Tolkien is the grandson of J.R.R. Tolkien and, while there are no elves or dwarves in these pages, there is on display a narrative skill that the author of The Lord of the Rings would surely have recognized and admired…. It works so well, not because of cheap tricks like cliff-hanger chapter endings, but because of Tolkien's deft handling of ensemble. It is the differences in character and motive, the continual changes in viewpoint, that drive one to find out what exactly is going on and what actually happened.” –The Philadelphia Inquirer
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Most Helpful Customer Reviews
13 of 13 people found the following review helpful:
5.0 out of 5 stars
excellent British murder mystery,
By
This review is from: The Inheritance (Hardcover)
Customer review from the Amazon Vine™ Program (What's this?)
"Inheritance" is a murder mystery written in the best English tradition of Agatha Christie and her many noble successors. Simon Tolkien deserves to be in the pleiada of detective novel authors. His novel meets all expectances of a seasoned mystery reader.John Cade, an Oxford professor of history and a hero of World War II, is shot to death in his mansion. His younger son, Stephen, is charged with murder and put on trial - he was found in his father's study, locked from inside, a few moments after the shot and his fingerprints are on the key to the study door and on the murder weapon. He also has a motive - he was estranged from his father for two years and only came home when Cade was about to change his will and practically disinherit him, turning the mansion into a museum. During the trial, Stephen pleads innocence, but he faces death sentence - hanging is still lawful in 1959, when the action is set. Inspector Trave, the detective who arrested Stephen based on evidence, has more and more doubts while the trial unfolds. Probably the fact, that Stephen reminds Trave of his son Joe, who died in a tragic accident, adds to Trave's belief in Stephen's innocence. There were five other people in the house at the time of the murder - the grounds were under surveillance after Cade had been pestered by his former subordinate from the army. The people present were: Cade's older, adopted son, Silas, a sneaky photographer; Cade's assistant, Sasha Vigne, involved in cataloging the valuable collection of illuminated manuscripts; Stephen's girlfriend, beautiful actress Mary Martin; and a couple of housekeepers, Sergeant Ritter (also Cade's associate from the war) and his French wife Jeanne. The murderer must have been one of them. And everyone could have a motive. Trave decides to look for the murderer, despite the lack of support from the prosecutor Thompson, who is happy to condemn another man. Although all of the people involved are lying, the truth slowly emerges... Is Cade's death a matter of his change of will, or is it connected with his obsessive search for St. Peter's Cross which led Cade in 1944 to the cold-blooded crime in the French village of Marjean, described in the opening chapter? I enjoyed the twists and turns of this classical mystery novel. I think it is not difficult to guess who is the murderer - but although my initial guess was correct at the end, I had my doubts as Tolkien skillfully led me through his plot. And anyway, it was interesting to find out how everything will come together at the end. I also enjoyed the moral meaning of the story and the characters, all superbly depicted. Definitely, Simon Tolkien is not using the name to sell his books, he is an accomplished writer.
6 of 6 people found the following review helpful:
3.0 out of 5 stars
The Inheritance,
By kitjank "Guitar Goddess, artist, love of all ... (Hunt Valley, MD United States) - See all my reviews (VINE VOICE)
This review is from: The Inheritance (Hardcover)
Customer review from the Amazon Vine™ Program (What's this?)
Simon Tolkien isn't riding on his famous last name. In large I found this to be a well written and for the most part, enjoyable book. With the following exceptions:1) I think Tolkien was trying to create a DaVinci Code style story without being, well like the DaVinci Code. I'm really not sure what the importance of the object was (don't want to give anything away so I won't say what the object is) and what the people who were after it were going to do with it once they had it. 2)The characters. Ok here's where I think the weak spot is. I really couldn't find myself bonding with any of the people in this story. The only strong character was Silas. I wasn't sure if I should dislike, or feel sorry for him and at the end, which was tied up a bit too neatly and quickly, you only hear someone else tell what happened to him. As far as Stephen, well I really couldn't care about his fate. I think he was a bit thin for being such an important part of the story. Don't get me wrong, I like this book. It was written well and entertaining. It was a good story line, but I think it could have been a little better if the author had put a bit more flesh on his characters and maybe a bit more detail in the plot.
4 of 5 people found the following review helpful:
1.0 out of 5 stars
Sadly dissappointed,
By
This review is from: The Inheritance (Hardcover)
Customer review from the Amazon Vine™ Program (What's this?)
I was hoping for much more from this book that what I found. I was not happy with the book from the start. The writing is thick without color. It is detailed without relevance. The inner dialogue and intra-personal dialogue of the characters is unrealistic of the time window by far. The language used, for example, if far more modern than the era demands. I simply cannot recommend this book for any purpose. And I am a huge Tolkien family fan. I'm sure Simon has a great book in him, but for me, this one is not it.
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