Amazon.com Review
We'll obviously never know what would have happened if
Elvis Presley's twin brother hadn't been stillborn. Perhaps companionship wouldn't have fostered Elvis' creative side, maybe the two would have been sensations as the Presley Brothers, or any of a number of scenarios. By contrast, Peter Whitmer advances the notion that Presley's status as a "twinless twin" was a defining characteristic in the superstar's life. It drew him inexorably close to his mother, a relationship which shadowed his every move. Whitmer offers a bank of statistical evidence to his point and supplies an unusual look at one of our culture's most examined but misunderstood figures.
From Publishers Weekly
The central argument of this dicey Elvis bio (which, at least in the galley, misspells Presley's middle name throughout) is that the defining moment in the King's 42 years was the death at birth of his twin brother, Jesse. That psychological wound, contends clinical psychologist Whitmer (When the Going Gets Weird, about Hunter S. Thompson), shaped Elvis's life. Perhaps; but what is certain is that this book has personality problems of its own. While Whitmer hews doggedly to his central thesis, he is, ironically, at his best when the text reads as a straightforward life and times, offering detailed accounts of such subjects as rural Southern culture, Elvis's film career and his lurid decline. When the book returns explicitly to its main theme, however, it seems too insistent, even grasping; an argument about Elvis's androgynous appeal is backed up by no less an authority than Phyllis Diller. Ultimately, readers' responses to this book may depend on whether they believe that this author, or anyone for that matter, can accurately diagnose the psychopathology of someone he's never met, and whether they find illuminating or foolhardy such statements as: "To fully understand the emotional turmoil Elvis would suffer throughout his forty-two years, it is necessary to begin in utero...." While more nuanced and compassionate than Albert Goldman's hatchet job, this bio hasn't usurped Peter Guralnick's more rounded and better-written Last Train to Memphis as the definitive portrait of an American icon. Photos not seen by PW.
Copyright 1996 Reed Business Information, Inc.
