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The Inner Reaches of Outer Space: Metaphor as Myth and as Religion
 
 
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The Inner Reaches of Outer Space: Metaphor as Myth and as Religion [Paperback]

Joseph Campbell (Author)
4.8 out of 5 stars  See all reviews (12 customer reviews)


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Book Description

June 1995
A reissued edition--with a new index--of one of the world-famous scholar's most popular books (more than 100,000 copies sold), which delineates his basic understanding of mythology and religion.


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About the Author

Joseph Campbell, (1904-1987) wrote, among other books, the classics The Hero with a Thousand Faces, Inner Reaches of Outer Space, and The Masks of God. A prolific writer, lecturer, and scholar of art, history, religion, and culture, he taught at Sarah Lawrence College.

Product Details

  • Paperback: 176 pages
  • Publisher: HarperResource (June 1995)
  • Language: English
  • ISBN-10: 0060969717
  • ISBN-13: 978-0060969714
  • Product Dimensions: 9.1 x 6.1 x 0.5 inches
  • Shipping Weight: 9.6 ounces
  • Average Customer Review: 4.8 out of 5 stars  See all reviews (12 customer reviews)
  • Amazon Best Sellers Rank: #1,201,018 in Books (See Top 100 in Books)

More About the Author

Joseph Campbell was an American author and teacher best known for his work in the field of comparative mythology. He was born in New York City in 1904, and from early childhood he became interested in mythology. He loved to read books about American Indian cultures, and frequently visited the American Museum of Natural History in New York, where he was fascinated by the museum's collection of totem poles. Campbell was educated at Columbia University, where he specialized in medieval literature, and continued his studies at universities in Paris and Munich. While abroad he was influenced by the art of Pablo Picasso and Henri Matisse, the novels of James Joyce and Thomas Mann, and the psychological studies of Sigmund Freud and Carl Jung. These encounters led to Campbell's theory that all myths and epics are linked in the human psyche, and that they are cultural manifestations of the universal need to explain social, cosmological, and spiritual realities.
After a period in California, where he encountered John Steinbeck and the biologist Ed Ricketts, he taught at the Canterbury School, and then, in 1934, joined the literature department at Sarah Lawrence College, a post he retained for many years. During the 40s and '50s, he helped Swami Nikhilananda to translate the Upanishads and The Gospel of Sri Ramakrishna. He also edited works by the German scholar Heinrich Zimmer on Indian art, myths, and philosophy. In 1944, with Henry Morton Robinson, Campbell published A Skeleton Key to Finnegans Wake. His first original work, The Hero with a Thousand Faces, came out in 1949 and was immediately well received; in time, it became acclaimed as a classic. In this study of the "myth of the hero," Campbell asserted that there is a single pattern of heroic journey and that all cultures share this essential pattern in their various heroic myths. In his book he also outlined the basic conditions, stages, and results of the archetypal hero's journey.
Throughout his life, he traveled extensively and wrote prolifically, authoring many books, including the four-volume series The Masks of God, Myths to Live By, The Inner Reaches of Outer Space and The Historical Atlas of World Mythology. Joseph Campbell died in 1987. In 1988, a series of television interviews with Bill Moyers, The Power of Myth, introduced Campbell's views to millions of people.

 

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45 of 45 people found the following review helpful:
5.0 out of 5 stars One giant intellectual leap for mankind., February 27, 2002
By 
"Mythology may, in a real sense, be defined as other people's religion," Joseph Campbell observes in his recently released book, THOU ART THAT (2001); "and religion may, in a sense, be understood as a popular misunderstanding of mythology" (p. 8). In this reissued collection of lectures delivered between 1981 to 1984 (originally published in 1986), Campbell travels through inner and outer space to explore that premise in greater depth. This 148-page book was the last book Campbell completed before his death in 1987, and as such, THE INNER REACHES OF OUTER SPACE may be read as the final frontier Campbell was exploring with his pioneering mind before his death.

While our country was probing outer space, Campbell was travelling through the "wonderland of myth," and exploring the far-reaching relationship between mythology and comparative religion. He made some startling discoveries along the way. He writes, it "occurred to me that outer space is within inasmuch as the laws of outer space are within us; outer and inner space are the same" (p. 2). For Campbell, "the seat of the soul is there where the outer and inner worlds meet" (p. 5). "From the outer world," he writes, "the senses carry images to the mind, which do not become myth, however, until there transformed by fusion with accordant insights, awakened as imagination from the inner world of the body" (p. 5).

In this book, Campbell draws from Space-Age discoveries to demonstrate how mythology allows us to realize and participate in the "transcendence, infinity, and abundance" (p. xx) of religion. Although it shuttles through some familiar Campbell territory, THOU ART THAT, THE HERO WITH A THOUSAND FACES, and THE POWER OF MYTH may offer a better introduction to his work. But for those readers interested in experiencing the relationship between mythology and religion in all its depth, this book should be considered one giant intellectual leap for mankind.

G. Merritt

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36 of 36 people found the following review helpful:
5.0 out of 5 stars Waiting For A New Mythology, June 3, 2003
By 
Peter Kenney (Birmingham, Alabama, USA) - See all my reviews
(REAL NAME)   
In THE INNER REACHES OF OUTER SPACE Joseph Campbell repeats some of the familiar observations of his earlier works in which he shows how certain mythic motifs can be found buried in all of the world's religious traditions. The similarities may not be easily recognized because the same motifs are usually understood and developed in different ways because of cultural differences. These repetitive motifs are called elementary ideas and in the local forms where they appear in various religions they are known as ethnic or folk ideas. As examples of elementary ideas Campbell offers the concepts of the Promised Land and the Virgin Birth. In writing about the similarities of symbols found in ancient civilizations, Campbell mentions discoveries among such diverse societies as those that existed in the Indus Valley, Mesopotamia, Egypt, China and Ireland.

Because of the great advances in learning which have become accelerated and dramatized by space exploration, Campbell points out that our old gods are either already dead or dying. The big question now is what new mythology will emerge from a modern understanding of a unified planet amidst a vast universe.

The creation of any new mythology will certainly depend in part on the contributions of art because artists will be the ones who will produce the images of the future. Those images will come from our knowledge of a constantly changing and expanding universe. Campbell writes about the connection between art and mythology with conviction, no doubt due to the long-standing influence of his wife, Jean Erdman, a well-known dancer and choreographer.

The most remarkable feature evident in THE INNER REACHES OF OUTER SPACE is the breadth and depth of the author's knowledge and understanding of mythology. Joseph Campbell led an enviable life driven by a singular passion and his writings are the best reflection of that life.

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36 of 38 people found the following review helpful:
5.0 out of 5 stars A must-read for any creative artist!, January 27, 2002
By A Customer
This book was--the back cover says--Campbell's last. I can imagine Campbell working on the manuscript between conversations with Bill Moyers: it feels like this book works out some of the open questions raised in The Power of Myth.

What a brilliant book! By turns thought-provoking and breathtaking, I found myself rethinking many long-held ideas. And this for someone who has read and seen many Campbell works in the past.

The last chapter, The Way of Art, really flattened me. Campbell writes thoughout his work of the mythic role of the artist, but here is the clearest statement of the artist's power and responsibility.

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First Sentence:
It was startling experience for me, as it must have been for many others watching the television broadcast of the Apollo spaceflight immediately before that of Armstrong's landing on the moon, when Ground Control in Houston asked, "Who's navigating now?" Read the first page
Key Phrases - Statistically Improbable Phrases (SIPs): (learn more)
esthetic arrest, pollen path, home behold, striking together, elementary ideas, proper art, folk ideas, sand painting, secret cause
Key Phrases - Capitalized Phrases (CAPs): (learn more)
The Inner Reaches of Outer Space, Black Elk, James Joyce, Bollingen Series, New Mexico, Spirit Bringers, Ahura Mazda, Angra Mainyu, Blessed One, Near East, Promised Land, Don Quixote, Earthly Paradise, Great Seal of the United States, Harney Peak, Indus Valley Civilization, Jeff King, Old Testament, Stephen Dedalus, Thomas Mann, Virgin Birth, World War, Young Man, Finnegans Wake, Immanuel Kant
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