|
13 of 13 people found the following review helpful:
5.0 out of 5 stars
Stevie's Best, May 1, 2004
This is easily Stevie Wonder's best CD. Though his previous "breakout album" Talking Book did have some innovative tunes, to me it was hindered by a few overly sappy love songs. "Key of Life" is a great album, but isn't as concise. There is only one traditional love song on Innervisions ("All is Fair in Love" is a sad reflection on relationships, but certainly not a romantic ballad). Here's a track by track analysis1) Too High: Jazzy cautionary tale about drug abuse and its consequences, but subtle enough not to be overtly preachy. It captures the feeling of an addict who exists only to "touch the sky" but never gets there. Outstanding drumming by Stevie (yes, he plays the DRUMS too!!). 2) Visions: Utterly stunning in its beauty. The acoustic guitar work is second to none. 3) Living for the City: The "epic" of the CD describes the tribulations of a man raised in poverty in the South only to find more poverty upon his migration to the city. Yeah, the interlude section is a little cheesy, but still effective and with great vocals as always. 4) Golden Lady: I love how this song keeps going up a key in the end, which signifies the yearning of the singer for his lady. What a great love song. 5) Higher Ground: Once again, outstanding drums and a very funky beat. Like most in my generation, I heard the RHCP cover first (which is a decent interpretation), but it didn't take long to me to realize that this is the definitive verision. 6) Jesus Children of America: Stevie boldly confronts religious fundamentalists, junkies, and even the listener, challenging all to "come clean," all while being backed by insistent gospel harmonies. 7) All is Fair in Love: Laced with agony and pain, Stevie teaches us all about the difficulties of a romantic relationship. 8) Don't You Worry Bout a Thing: A great song about being there to support a friend who is going through a transitional period. Very comforting. 9) Mista Know-It-All: Some think this song is a bash on President Nixon; others interpret it as a stern message against arrogant street hustlers who are looking to corrupt inner-city youth. However you interpret it, it is certainly an effective kiss-off and a creative way to end the album (as opposed to ending it with a sappy love song). People who have only ever heard "Part Time Lover" may have a hard time accepting Stevie Wonder as a genuine artist, but trust me and the other reviewers, this CD is different. You will not regret buying it.
|