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Following the quiet wedding of Pamela and Beckett's father, held in the apartment, Beckett opens her bathroom door to find the toilet full of blood. At once she recognizes the blood as "a sacred symbol, a message, a warning, a sign." In fear, she imagines it spilling over the bowl, splashing her hands and face. "Then the fear dies down," Beckett explains, "and I see that the blood is just a liquid, nothing but a surprise. But as the loud, throaty sound of the flush fills my head and I turn off the light, I know that the blood means something. I know that the blood is not just a surprise. I know that it is meant for me." Using Carol Clover's concept of the final girl--the one who survives by learning to kill--in slasher films, Jane Mendelsohn (I Was Amelia Earhart) offers a brilliant and sinister vision of a schoolgirl's loss of innocence. As for the virgin suicides, the bats, the bloody bundles in the freezer, the reader comes to realize, with Beckett, that it doesn't matter what is real, only what is true. --Regina Marler --This text refers to an out of print or unavailable edition of this title.
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Most Helpful Customer Reviews
24 of 31 people found the following review helpful:
5.0 out of 5 stars
Have we forgotten how to read? Allegorical brilliance!,
By A Customer
This review is from: Innocence (Hardcover)
As a fan of the author's first, widely (mis-)read book, I was so looking forward to her next effort, hoping she would take her lyrical imagination and gifts for lucid prose to new heights. I have never been more shocked. Rather than soaring even higher than Amelia, this book plumbs a kind of literary depth that you won't often find outside Dante. If Amelia was a dream, this one's a nightmare. If Stephen King and Virginia Woolf mated, the result would be this wild, wonderful, brilliant book. I admit, I was put off by some of the negative reviews (oh me of little faith) that the back-biting, presumably jealous journalism types have doled out to this dark little gem, but what gets me is that no one seems to be reading the book on its own terms - as allegory - as fable - as metaphor. Beckett herself (the narrator, a wonderful, sassy, smart girl, and how glad I am that my own girls will grow up with such a heroine, as I did with Holden Caulfield) tells us, again and again - it doesn't matter if something is real. What matters is if it's true. Well this book is like a brace of cold truth on all of our faces - about youth, about the culture, about the country - and it's also as entertaining as can be. Bravo, Mendelsohn! You've done it again....and once again, the people seem to be missing it (although I've actually read quite a few great reviews around the country on line - maybe the New Yorkers are simply too jealous of your first book's success to know how to read this book for the allegory it is - but that doesn't excuse my fellow Amazonians, who usually read with such distinction....) Before writing this, I went back and reread my own review of I Was Amelia Earhart, and everything I said there is even truer of Inocence: Mendelsohn's writing remains positively entrancing, "a compelling hybrid of Hemingway, Garcia Marquez, and Virgina Woolf." And as with Amelia, I'm suprised by how few "picked up on the book's exquisite irony, its dry wit, its utterly deadpan sense of humor." My final comment may need some amending: I wrote that "I have a feeling that her next book will more clearly establish Mendelsohn for what she is -- the writer of her generation." Well, Innocence definitely confirms that in my mind, but if the reviewers, professional and otherwise, continue their campaign of idiocy, we may have to wait for her next book for the rest of the country to catch up with the plain unvarnished truth: she's the best we have, a heavyweight like very few others writing today.
2 of 2 people found the following review helpful:
5.0 out of 5 stars
Read this with your heart, not your mind!,
By North Carolina Reader (Burlington, NC United States) - See all my reviews
This review is from: Innocence (Paperback)
I began reading "Innocence" and after the first 30 pages or so, I was trying to reconcile in my mind whether or not the storyline was a dream. So....I started over and began reading this book again, WITHOUT my intellectual predilection to examine and "prove" every detail in a novel. That's the whole point of this novel, as "Beckett" the main character herself mentions several times, that her view is not believed by those around her. She is a teenager who has recently lost her mother in an accident and is facing womanhood, moving to a new school, where she doesn't fit in, dealing with her father's new romance with the school nurse. The actual events of the novel, while I never had a strong feel for whether or not they were real, as Beckett says, were "true." I think that this novel is as another reviewer said, mostly allegorical, and that the entire point is to look through the eyes of Beckett, as she struggles to process momentous changes in her life. After I read the book [in one sitting, by the way] and closed the cover, my thoughts were just as Beckett said...It doesn't matter if it was real, it was true... This book is not for everyone, I will concede that point. It is filled with so much imagery and the fantastical thoughts of a teenage girl in turmoil that it is impossible to tell which parts are truly supposed to be real. But after reading it, well, it doesn't really matter. I was entertained, and concerned, because I agree that there is great disolutionment in our youth. This book points that out so well.
2 of 2 people found the following review helpful:
5.0 out of 5 stars
Imaginative and captivating,
By
This review is from: Innocence (Paperback)
Little Willow recommended this book to me..Oh, and in simple words, it is FABULOUS. Mendelson uses analogies to omnipotent Final Girl of horror fame, and Alice in Wonderland to convey a dark and deep feeling, so that the reader really is with Beckett. The words employed by Jane bring vivid pictures, making you want to devour it within seconds. A delicious coming of age with a unique twist, this no ordinary tale.
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