The Innocent [Import] [Hardcover]

Ian McEwan (Author)

Product Details

• Hardcover: 229 pages
• Publisher: Jonathan Cape; First Edition edition (1990)
• Language: English
• ISBN-10: 0224027832
• ISBN-13: 978-0224027830
• Product Dimensions: 9.3 x 6.4 x 1.2 inches
• Shipping Weight: 1.3 pounds
• Average Customer Review: 4.2 out of 5 stars  See all reviews (43 customer reviews)
• Amazon Best Sellers Rank: #2,593,665 in Books (See Top 100 in Books)

More About the Author

Ian McEwan is a critically acclaimed author of short stories and novels for adults, as well as The Daydreamer, a children's novel illustrated by Anthony Browne. His first published work, a collection of short stories, First Love, Last Rites, won the Somerset Maugham Award. His other award-winning novels are The Child in Time, which won the 1987 Whitbread Novel of the Year Award, and Amsterdam, which won the 1998 Booker Prize.

Customer Reviews

Most Helpful Customer Reviews

32 of 34 people found the following review helpful:

4.0 out of 5 stars The thrill lies not where you expect, August 13, 2005

By 

I. Martinez-Ybor "Ignacio Martínez-Ybor" (Miami, FL USA) - See all my reviews
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This review is from: The Innocent: A Novel (Paperback)

McEwan creates well the atmosphere of a post-war, pre-wall Berlin, amplifying our imaginings. The interaction between Brits and Americans is full of subtle humor, and as it later turns out, great regard and humane understanding. The narrative is smooth and concerns an everyman, virgin, British geek assigned to an American intelligence project consisting of building a tunnel crossing the border into the Russian zone to tap underground phone cables through which presumably important matters are discussed (remember, we are in 1948, almost a decade before Sputnik). Love interest and sexual education is provided by an experienced German girl to our Brit, the virgin geek. The writing is so smooth that one doesn't realize one is turning pages and reading on at a rate as if one were reading a chock-full-of-events thriller when in fact not much is really happening; the tunnel is just chugging along. But McEwan is a "smooth operator" and he is moving you along, hinting at tension, to the point you are expectant of actions or revelations in the intelligence component of the novel to pop-up any minute and throw everything topsy-turvy.

Rest assured McEwan is too smart to do that. Nothing happens as such that you are aware of for three quarters of the book until our everyman, the somewhat endearing British geek is plunged into a grand guignol not of his making and totally alien to the place where you would have expected the excitement you were owed to come from.(After all, you bought the book and it was sold to you as a thriller, and after all, it takes place in thriller-city and all major protagonists except two are freeks and geeks and goons and guards mostly in uniform and with varying levels of security clearance in the intelligence services of the powers which split this city. At times it looks as if each agent has his little black book which lists the interests they are called uypon to protect, investigate, eliminate, whatever, and thus move quickly about, talk with other similar blokes and keep moving about. The Tunnel provides a country-club of sorts for those connected with the project. There are body parts indeed, but they do not come from there.

So, much activity occurs in our atmospheric tunnel, yes. But nothing happens there really. The unwelcomed death occurs elsewhere, has nothing to do with Military Intelligence. The neatly wrapped body parts do not bring the Tunnel down, it's the disguise they wear. But the story does not end there.

Many years later a mature, no longer virginal Brit geek comes back to Berlin, post wall, to revisit sites, and carries with him a letter explaining what precipitated events at the tunnel and freed him of any trace of guilt, if any such he held.

The explication at the end of the book is clear, surprising, and truly closes the nattarive in an intelligent, satisfying way.

Endearing Love, after such an unforgettable opening and the obsessive development remains my favourite McEwan novel so far. Saturday is contrived, feels Thatcherite and stacked against the lower orders. Nonetheless I appreciated the medical tracts. (It's up for a Booker). In short, I liked "The Innocent" Better.

17 of 18 people found the following review helpful:

4.0 out of 5 stars NOT your usual Ian McEwan book, June 18, 2004

By 

Peggy Vincent "author and reader" (Oakland, CA) - See all my reviews
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This review is from: The Innocent: A Novel (Paperback)

This is a really unusual book, esp coming from a writer of Ian McEwan's stature. It's part psychological horror, part espionage, part mystery, part coming-of-age, part character study - and it's splendid.
Set in 1954 in Berlin, before The Wall was built, it's the `true' story of the construction of a secret spy tunnel so the Brits and the Americans could spy on the Russians, whom they no longer trusted. Much to his surprise, Leonard Marnham, an extraordinarily innocent and naïve British postal technician, is recruited to participate in this top-secret operation. A virgin at age 25, Leonard falls in love with a pretty German divorcee, and his initiation into the pleasures of a sexual relationship follows. The couples becomes engaged, but their world collapses into macabre horror on the night of their engagement party. The 80-plus pages that follow this horrific event are gruesome and spell-binding at the same time in a way that only a superb writer could possibly handle.
The ending, leap ahead 30 years to 1986, feels a bit contrived and distanced, esp after the intense and personal material that's just been revealed.
At its best, it rivals Pulp Fiction and Fargo for explicit shock value. At its worst...well, it doesn't have a `worst.' It's really, really good.
But: Ian McEwan???? Who knew?

11 of 12 people found the following review helpful:

5.0 out of 5 stars A startling and fascinating tale, June 14, 2005

By 

Michael Schau (New York, NY United States) - See all my reviews
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This review is from: The Innocent: A Novel (Paperback)

The term "breath-taking" is one that book reviewers toss about with more ease than readers believe. but McEwan's post-war/thriller/romance can leave you breathless as it slips cannily from the everyday to the astonishing. People who could not imagine being caught up in webs of intrigue and deception find their lives turned topsy-turvy in most imaginative and startling ways. The more I read of the McEwan list the more I am amazed by his artistry, and variety of plot and characters. Every bit as fine a read as "Amsterdam" and "Atonement."