Customer Reviews

Innocent Man

5 star:		(45)
4 star:		(14)
3 star:		(5)
2 star:		(4)
1 star:		(2)

 

 

"An Innocent Man" was released in 1983 to the hunger of many fans. Joel received a lot of controversy from his last album, "Nylon Curtain", an album that featured many socially conscious messages. Joel threw the messages in the back, and went to work on an album where he could let it all hang out and just have some fun. The result ended up being his best selling album from the 80's, and also one of the best albums of the decade and of all time.

Joel was a musical version of a chameleon. He could go from piano ballads one moment to light hearted pop and rock the next to socially challenging music. "An Innocent Man" gives proof that one of Joels stronger music sides is light hearted pop-rock. This could be a reason to the wide success of the album. Another could be that the album has something for everyone, and even the pickest music critic could find something to love.

The album salutes the rock and doo-wop of the 50's and 60's, the music the Joel grew up listening to, and what would influence him to become a singer-songwritter himself. The album starts off with "Easy Money", the upbeat song from the movie soundtrack of the same name. Nothing too great about the song, just an upbeat song with not too much redeeming value. The next track, the title track, is the most deep and introspective number on the album (maybe a foreshadowing of the direction Joel was heading with his music in the future). It sets up the mood for the rest of the album. Joel is a man with a serious case of 'tiude, but he has found a new love, and though he has been burned once before, he tells himself he is ready to try again. The pulsing base in the background reminds people of the song "Under the Boardwalk" by the Drifters. Again, this album is a tribute by Joel to the music he loved as a child. The song would be one of the six charting singles that the album would launch!

Other songs on the album include the Frankie Valli inspired "Uptown Girl", the story of a rich girl falling for the down and out boy. The song, a Joel pinned classic for his then girlfriend (future wife, now ex-wife) Christie Brinkley, was a hit with it's happy tempo, it's colorful beat, and it's amazing music video, where Joel plays a garage grease monkey to the beautiful Christie. A classic tried and true. "The Longest Time" is a doo-woop classic, another tribute to new found love. "Keeping the Faith" is about Joel remaining positive about the future, regardless of how much he enjoyed his good ol' days and the past. "Leave a Tender Moment Alone" is a breezy song in the Otis Redding vein about the fears guys have when courting a girl that they are attracted to. The song in a way is pretty humerous and is truthfully honest about the fears guys have! "Tell Her About It" is in the vein of the Beatles (lyrically and musically, also the Fab Four were a HUGE influence to Joel), where Joel tells guys not to let go, to try for the girl and tell her how they feel. The song hit number one, and launched a very humerous video with Joel being the main act to an Ed Sullivan-like parody show (Again, referring to the Beatles). Some of the album tracks are strong as well, such as "Christie Lee", a song about manipulative girls, "Careless Talk", a song about the harmful effects of gossip, and "This Night", a ballad that goes to another Joel influence: classical music (an influence that would take over his rock/pop music career in the not too distant future...)

The album is great, but two things deter it. One, this would be the last lightweight pop-rock album from Joel. He would shift to more introspective albums, which meant for more complex numbers, but less consistancy in future works. Secondly, Joel and Brinkley eventually would call it quits, which I think hit at Joel and left a bad taste in his mouth, and today he rarely plays numbers from this album. Numbers from this album are rarely played on radio as well, hurting the overall value the album has. This also further testifies that one of the reasons Joel cut this album was as a testiment to his love to Brinkley. Now that their love is no more, the album probably doesn't hold much value in the eyes of Joel.

If you are looking for a Joel album, and one that could make you smile, "An Innocent Man" is a good album to pick up. Granted that Joel would change his musical direction after this album, and that compared to his other works it's pretty light pop, but it's still a lot of fun to listen to, and will definitely put a smile on your face.

This a wonderful album and truly is a tribute to Joel's predecessors in rock n' roll. A minor correction, however - the chorus from "This Night" is not from the "Emperor Concerto" (#5) but is from the second movement of the Sonata #8 in C-minor, Opus 13, the "Pathetique." The tunes are somewhat similar.

Billy Joel's 1983 album, "An Innocent Man," is, in my opinion, one of his best recordings. Because I like many kinds of music (rock, country, New Age, Celtic, and some classical), this album has enough variety yet is evocative of rock `n' roll's early roots.

While not all the songs appeal to me - "Easy Money" being perhaps my least favorite track - I can honestly say that I really enjoy Joel's tribute to the doo-wop and early rock of his younger days. He has written some very lovely songs in the past, but in this album I particularly like his Frankie Vallie-style "For The Longest Time." It has a nice melody and a catchy hook, and the background vocals are evocative of a somehow more innocent time.

I also like Joel's take on the redeeming value of love expressed in his Carole King-inspired "An Innocent Man," with its bass guitar intro, Joel's tender piano melody, and the recognition that heartbreak exists but that one should not let that stop others from trying to heal the wounds.

My favorite song in this album is "This Night," which has gentle lyrics, a chorus melody borrowed from Beethoven, who is one of Joel's favorite classical composers, and a beat that was perfect for dancing with my boyfriend. If you are a romantic soul, like I am, this song is sure to move your heart.

Although this album was released many years ago, it seems that a majority of these songs have been Top-40 hits: Tell Her About It (#1), Uptown Girl (#3), An Innocent Man (#10), The Longest Time (#14), Leave a Tender Moment Alone (#27), Keeping The Faith (#18). I'm a fan of many of his songs throughout Billy Joel's career, but for me it's a fresh change from some of the more solemn or heavier songs he's written.

Ok- so the music he made in the 70's was the standard we got used to compare him to.. yet I welcomed this break because it has a pure and unpretensious style.. his version using Beethoven theme in This Night is just too good to let it pass unnoticed.. Im glad is still available.. Im 42 yo and I still liked as much as I did in 83.. did time go by so fast?

1983's An Innocent Man is my favorite Billy Joel album. The songs on the album remind me of many popular styles of sixties music. The album has a polished feel to it. The Best Tracks are Easy Money, An Innocent Man, Tell Her About It, Leave a Tender Moment Alone, Keeping the Faith, and Uptown Girl.

This CD is an interesting mix of early rock and soul, mixed with a bit of teeny-bopper pop rock. That mix proves to be awesome. The CD seemes to be woven through with the theme of love (lost and gained). Somewhere along this ride, you will be moved (if not many times).

The music found here is tight and on the mark. From the sax on 'Christie Lee' to the drum work on 'Easy Money'
the band rises up to their usual level.

Many of these songs received a lot of radio play and might have been overplayed, but time heals that wound and allows us to enjoy them all over again. I have had many favorite songs off of this CD at various points in my life (and listening). That should speak volumes of the quality and versatility found on this recording. The romantic will love 'This Night'. The jazz-rocker will like 'Christie Lee'. The 50's person will enjoy 'Keeping the Faith.

This is definitely one of the more universally appealing works by Billy.

Billy Joel breezes through a variety of styles, ranging from doo wop to the Four Seasons. There's even a little Beethoven thrown in, just to show he's smarter than all of us. Joel's transitions through a variety of styles seem almost effortless, which is of course why he gets so much criticism. His talent cannot be questioned, but it almost seems like he can do this stuff in his sleep.

Easy Money, Careless Talk, Innocent Man, & Tender Moment sound like they could have been pulled off of Streetlife, or 52nd Street. Longest Time, This Night, Keeping the Faith, & Longest Time are great homage pieces to the sounds of his youth. Christie Lee could have come off Turnstiles or Glass Houses. I think people (including myself) were thrown a little after Glass Houses--his rock album & Nylon Curtain--his moving forward record. He slipped back into his mid 70's sound, rounded out with the retro, doo-wop, street corner choir tunes. I'm not a fan of Uptown Girl & Tell Her About It, solely because they both sound like made-for-MTV pop tunes. Yeah, I know... how can I like Christie Lee?? The feel of the song has a better vibe & sounds like it belonged on his 70's records.

An Innocent Man by Billy Joel stands as one of the earliest records I remember owning and listening to when I was in elementary school in the early 80's. I stumbled upon it at the local library and I felt the need to revisit it, and, man, am I glad I did!

Billy Joel had, and probably still does, a unique way in writing his songs and performing them. The combination of the good ol' rock 'n roll sound from the '50's and early 60's, with modern day rock gives An Innocent Man its catchy vibe. The final track Keeping The Faith literally pays homage to that era of music as Billy reflects on and remembers growing up during those golden years of rock. The golden age sound is revealed on mostly all the tracks.

Tell Her About It, Uptown Girl, and the opening track Easy Money show Joel at his rawest and poppy-ish best. While songs like Leave A Tender Moment Alone, An Innocent Man, and The Longest Time show there's more soul to the 'piano man' than meets the eye.

Recommended

A-