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The Innocents Abroad (1869) (Oxford Mark Twain)
 
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The Innocents Abroad (1869) (Oxford Mark Twain) [Hardcover]

Mark Twain (Author), Shelley Fisher Fishkin (Series Editor), Mordecai Richler (Introduction), David E. E. Sloane (Contributor)
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Book Description

Oxford Mark Twain December 5, 1996
In 1867, Mark Twain set out from New York City for Europe and the Holy Land on the paddle-steamer Quaker City. The result of that trip was The Innocents Abroad, a travel book unlike any that had gone before it. Irreverent and irrepressible, Twain pokes fun at officious tour guides and offensive tourists alike. The book offers a glimpse of a major writer when he was young and just beginning to flex his muscles, and also serves as an enduring no-nonsense guide for the first-time traveler to Europe and the Holy Land. The trip stimulates Twain to meditate on how the "new world" is different from the "old" and engenders reflections on what a society must be like to be thought of as genuinely "civilized." The Innocents Abroad is alternately profound and profoundly entertaining. Twain may find himself exasperated or exhausted--but the story he tells is never dull. It is no wonder that the book was a hit on both sides of the Atlantic.


Product Details

  • Hardcover: 786 pages
  • Publisher: Oxford University Press, USA (December 5, 1996)
  • Language: English
  • ISBN-10: 0195101324
  • ISBN-13: 978-0195101324
  • Product Dimensions: 8.8 x 6.7 x 2 inches
  • Shipping Weight: 3 pounds
  • Average Customer Review: 4.5 out of 5 stars  See all reviews (2 customer reviews)
  • Amazon Best Sellers Rank: #1,794,016 in Books (See Top 100 in Books)

More About the Author

Shelley Fisher Fishkin's broad, interdisciplinary research interests have led her to focus on topics including the ways in which American writers' apprenticeships in journalism shaped their poetry and fiction; the influence of African American voices on canonical American literature; the need to desegregate American literary studies; American theatre history; the development of feminist criticism; the relationship between public history and literary history; literature and animal welfare; and the challenge of doing transnational American Studies. Although much of her work has centered on Mark Twain, she has also published on writers including Gloria Anzaldua, John Dos Passos, Frederick Douglass, Theodore Dreiser, W.E.B. Du Bois, Paul Laurence Dunbar, Charlotte Perkins Gilman, Erica Jong, Maxine Hong Kingston, Tillie Olsen, and Walt Whitman.

Dr. Fishkin is a Professor of English and Director of the Program in American Studies at Stanford University. After receiving her B.A.from Yale College (summa cum laude, phi beta kappa), she stayed on at Yale for a masters degree in English and a Ph.D. in American Studies, and was Director of the Poynter Fellowship in Journalism there. She taught American Studies and English at the University of Texas from 1985 to 2003, and was Chair of the Department of American Studies. She is a Life Member of Clare Hall, Cambridge University, England, where she was a Visiting Fellow, and has twice been a Visiting Scholar at Stanford's Institute for Research on Women and Gender. She has been awarded an American Council of Learned Societies Fellowship, was a Fulbright Distinguished Lecturer in Japan, and was the winner of a Harry H. Ransom Teaching Excellence Award at the University of Texas.

Dr. Fishkin is the author, editor or co-editor of over forty books and has published over eighty articles, essays and reviews. Her work has been translated into Spanish, Japanese, Chinese, Russian, Georgian, and Italian, and has been published in English-language journals in Turkey, Japan, and Korea. She is the author of: From Fact to Fiction: Journalism and Imaginative Writing in America (winner of a Frank Luther Mott/Kappa Tau Alpha Award for outstanding research in journalism history) (Johns Hopkins, 1985); Was Huck Black? Mark Twain and African-American Voices (selected as an "Outstanding Academic Book" by Choice) (Oxford, 1993); Lighting Out for the Territory: Reflections on Mark Twain and American Culture (Oxford, 1997), and Feminist Engagements: Forays Into American Literature and Culture (selected as an "Outstanding Academic Title" by Choice) (Palgrave/Macmillan, 2009). She is the editor of the 29-volume Oxford Mark Twain (Oxford, 1996; Paperback reprint edition, 2009), the Oxford Historical Guide to Mark Twain (Oxford, 2002), "Is He Dead?" A New Comedy by Mark Twain (University of California, 2003), Mark Twain's Book of Animals (Univerisity of California Press, 2009), and The Mark Twain Anthology: Great Writers on his LIfe and Work (Library of America, 2010). She is also a producer of the adaptation of Twain's "Is He Dead?" which had its world debut on Broadway at the Lyceum Theatre in 2007, and was nominated for a Tony Award. She is the co-editor of Listening to Silences: New Essays in Feminist Criticism (Oxford, 1994); People of the Book: Thirty Scholars Reflect on Their Jewish Identity (Wisconsin, 1996); The Encyclopedia of Civil Rights in America (M.E. Sharpe, 1997); Mark Twain at the Turn of the Century, 1890-1910 (Arizona Quarterly, 2005); 'Sport of the Gods' and Other Essential Writing by Paul Laurence Dunbar (Random House, 2005), Anthology of American Literature, ninth edition (Prentice-Hall, 2006), Concise Anthology of American Literature, seventh edition (Prentice-Hall, 2010), and a special issue of African American Review devoted to the work of Paul Laurence Dunbar (autumn 2007). From 1993 to 2003 she co-edited Oxford University Press's "Race and American Culture" book series with Arnold Rampersad. She was co-founder of the Charlotte Perkins Gilman society, and has been president of the Mark Twain Circle of America and chair of the MLA Nonfiction Prose Division. She recently finished a term as President of the American Studies Association, and gave keynote talks during the last five years at national American Studies conferences in China, Denmark, Ireland, Japan, Korea, Russia, Taiwan, the United Kingdom, and the U.S. Her research has been featured twice on the front page of the New York Times, and in 2009 she was awarded the Mark Twain Circle's Certificate of Merit "for long and distinguished service in the elucidation of the work, thought, life and art of Mark Twain." She is t a member of the Board of Governors of the Humanities Research Institute of the University of California, and is a founding Editor of the new online Journal of Transnational American Studies [see http://news.stanford.edu/news/2009/march11/fishkin-publishes-american-studies-journal-030409.html and http://humanexperience.stanford.edu/twainanimals].



 

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15 of 21 people found the following review helpful:
4.0 out of 5 stars Oddly timeless in many ways, December 10, 1999
This review is from: The Innocents Abroad (1869) (Oxford Mark Twain) (Hardcover)
Some parts of this book give an incredible insight into the way life was actually lived all western Europe and the middle east in the 1800s. Other parts give testament to Twain's incredibly casual bigotry and racism and intolerance. But in one page he'll note his desire to not appear ignorant in front of a freed slave acting as tour guide in Venice; and then widely compliment the fellow for his intelligence and manner. Twain doesn't smooth the rough edges - he's all rough edges. But so much the better.
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1 of 1 people found the following review helpful:
5.0 out of 5 stars Early Signs Of Greatness, February 6, 2011
This review is from: The Innocents Abroad (1869) (Oxford Mark Twain) (Hardcover)
"The Innocents Abroad, or The New Pilgrims' Progress" is Twain's second book, though he undoubtedly would have preferred it be his first book, given his destruction of the plates for "The Celebrated Jumping Frog of Calaveras County and Other Sketches". Nevertheless, this is an early work, and yet it already shows Twain's skill as a writer, and his development into one of the greatest writers of all time.

The Oxford Mark Twain series is a wonderful collection. Each book is a facsimile of the first editions of his works (with a few noted exceptions), and the works are supplemented with a "Foreword" by the editor of the series (Note the Foreword appears to be the same for each book in the series), an "Introduction" from a writer for whom the work had particular impact, and an "Afterword" from a scholar who examines the work in the context of the time and place in which it was written. The editor of the series is Shelley Fisher Fishkin, a professor of American Studies and English and an author of multiple books on Mark Twain. The "Introduction" in this volume is by Mordecai Richler, and the "Afterword" by David E. E. Sloane.

In the "Introduction", Mordecai Richler (Canadian author, screenwriter, and essayist) discusses his view of travel, and contrasts that with Twain's wonderful journey to Europe and the Holy Land. He also discusses the impact that Twain had on his life and continues to compare his experiences with Twain's. It is a good introduction, and Richler has some interesting points to make about the role this book had on history, and literature.

The book itself is an incredible work. At around 650 pages, Twain delivers a very humorous book, pieces of which could fall into areas of history, travelogue, sociology, or even religion. Overall though, this is yet another splendid example of Twain's ability to tell stories. There are a couple of parts early on in the book where the humor feels a bit forced, but those sections are few, and once you get past the first third of the book they are gone from his writing. Twain takes aim at everything in the course of this book, from his fellow passengers and crew of the ship, to the tour guides, the endless supply of religious artifacts and questionable claims, to the cultures of the areas that he visits. Nothing seems to escape his keen wit, and the reader benefits from this as much today as they did in 1869 when the book was first published.

David E. E. Sloane has written an outstanding "Afterword" for this volume. In which he discusses all the work that Twain put into turning his columns into the book. Twain cleaned up the language, and really sharpened his focus, which undoubtedly is why this was one of his bestselling books while he was alive, and continues to be one of his most read works. Mr. Sloane also discusses the history of the times surrounding this book, and in particular influences such as Artemus Ward and P. T. Barnum, as well as other works from the time. He also provides a section for further reading, which gives those who are interested some valuable resources to find out more about Twain and the writing of "The Innocents Abroad".
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