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10 of 10 people found the following review helpful:
5.0 out of 5 stars
Utterly Essential!, October 20, 2000
This is the techno equivalent of the gettysburg address ... it contains a number of tracks that came out in the late 80s that could be regarded as 'definitive classics' and were massive influences in the dance music genre. Tracks like 'Strings of Life' and 'Nude Photo' came out in the late 80s and went on to have a massive impact on the early UK rave scene and on dance prodcuers from around the world. Acid House, Hardcore and Techno (and thus Drum&Bass, Trance and Big Beat offshoots) for example got a lot of early influences from May, who is regarded as one of the original pioneers of 'Techno' as it is known today. Most of these tracks still contain more energy, passion and innovation than the mountains of drivel coming out of the dance scene today. Back when these were made it was not enough to put in a cheezy vocal + snare roll to get in the charts, you had to think a bit. There are some intermittent 'filler' pieces but as a whole this is outweighed by the quality. If you are at all interested in dance music then you owe it to yourself to at least hear this album. At least when you read an article in a US magazine that says artist x invented techno in 1998 you'll know better.
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5 of 5 people found the following review helpful:
4.0 out of 5 stars
Powerful compilation, August 2, 2001
By A Customer
I really enjoyed this double disc. May delivers a powerful dark sound with all of detroit's signiture noise. It's definitely worth what amazon is asking for it. I only gave it a four because the transitioning could use some work. If you are meaning to really get in touch with the sound of detroit, this disc is for you. But if you are looking for something poppy and trancy and girly, look elsewhere.
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9 of 11 people found the following review helpful:
3.0 out of 5 stars
Fillervator?, February 2, 2000
It's very true that Derrick May, along with "Belleville Three" cohorts Juan Atkins and Kevin Saunderson, was one of the people who both invented and defined techno. And it's true that his works have been of critical, crucial importance throughout the 80s and early 90s. But this release, while it contains a lot of important material, also contains a lot of filler, and as a result has a real unfocussed feel to it. Plus there are some rather glaring errors. Track titles are transposed in a few cases on disc 2, plus the first track of this disc has its audio totally hammered by being mastered out of phase, causing a really unpleasant sound on one of the more important tracks of the set. And how many mixes of 'Strings' do we really need, honestly? C'mon Derrick...enough of this, and put out a _real_ new release already!
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