Milkweed bursts with silken seed. Crushed almonds scatter like spilled cinnamon. A child clips basil at the tender neck, after a family friend passes away. Love is swallowed in moondust, bared in cherry rose. Across the landscape of human experience, can 'inside' really be disentangled from 'out'?
InsideOut: poems
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Editorial Reviews
Review
After reading a few pages -- and more pages, because, really, once in, you can't stop -- I found myself seeing life as a poem, moments as exquisite beauty.
Of the calibre of Kenyon and Kooser, Barkat's writing is more than mere words on a page; she gives you sight. This book startles in its revelations, nudges the slumbering awake to wonder. --Ann Voskamp, of Holy Experience
"Inside Out" brings together threads of everyday experiences; this is a book of poems, but it might be better to categorize this as poetry invading the life of a person. Barkat is inviting us on a journey of awareness of hope." --Makoto Fujimura, Founder International Arts Movement
About the Author
L.L. Barkat is Managing Editor of Tweetspeak Poetry, where writers and poets can find everything from basic inspiration to full-fledged writing workshops. The author of six books, including fiction, non-fiction, and poetry, Barkat understands the writing process from all angles and gently, skillfully mentors both up-and-coming and established writers.
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L. L. Barkat is the author of Rumors of Water: Thoughts on Creativity & Writing, as well as two spiritual memoirs and a book of poetry. She is a Staff Writer for International Arts Movement's 'The Curator.'
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5 of 5 people found the following review helpful
Format:Paperback
Curiosity caused me to pick up this book. From the first page and the first poem, I was hooked. Like a fish. I couldn't have escaped if I wanted to. Each verse pulled me deeper and deeper into L.L. Barkat's world, where words glisten and twist, where new ideas are born. I quickly realized that her poems were rich and fragrant, and that I needed to allow myself only a few at a time. From that first day, this book has become my constant companion, following me about the house, waiting for me to have a few moments to spare. I must confess, Inside Out made me fall in love with poetry all over again.
4 of 4 people found the following review helpful
Format:Paperback|Amazon Verified Purchase
L.L. Barkat, "author of Stone Crossings: Finding Grace in Hidden Places," got it into her head to sit outside each day for a year, even if only for a short time. And she got this idea - in the dead of winter. Her timing may have been off - snow and sub-zero temperatures aren't the most conducive conditions for a long-term plan - but she did it, and the result is "InsideOut: Poems."
Divided by seasons, the poems explore the range of human experience - from tragedy (the death of a spouse; a mother and son's last moments aboard an ill-fated airliner) to family and love. They also cover the senses - sight, taste, touch, hearing - in luxuriant, almost sensuous words and concepts.
From "In Your Dream:"
I was the wind
that knocked at the glass, that tipped
the candle that burned the kitchen;
all that remained was a golden fork.
I was the sound
of shattering, of gold
chattering amidst the wild
wild flames.
Or try this untitled poem:
I have heard
they harvest wild rice
by hand,
bending stems
that rise from waters,
knocking them
for chocolate
seed.
(And now say both poems out loud.)
I read "InsideOut" twice, and the second time was almost overwhelming. These are beautiful, luminous poems, and I'm glad Barkat braved those snows. She's given us a gift here, a great gift.
Divided by seasons, the poems explore the range of human experience - from tragedy (the death of a spouse; a mother and son's last moments aboard an ill-fated airliner) to family and love. They also cover the senses - sight, taste, touch, hearing - in luxuriant, almost sensuous words and concepts.
From "In Your Dream:"
I was the wind
that knocked at the glass, that tipped
the candle that burned the kitchen;
all that remained was a golden fork.
I was the sound
of shattering, of gold
chattering amidst the wild
wild flames.
Or try this untitled poem:
I have heard
they harvest wild rice
by hand,
bending stems
that rise from waters,
knocking them
for chocolate
seed.
(And now say both poems out loud.)
I read "InsideOut" twice, and the second time was almost overwhelming. These are beautiful, luminous poems, and I'm glad Barkat braved those snows. She's given us a gift here, a great gift.
2 of 2 people found the following review helpful
Format:Paperback|Amazon Verified Purchase
My view of poetry has changed of late. I used to think that it was not my thing. Poetry is for the culturally privileged or the academic elite--those exalted creatures who share little common ground with a practical gal like me.
All that changed when I met L.L. Barkat.
Under this remarkable woman's instruction I have come to a place of new appreciation for the word-sculpting of poetry.
In the introduction of her newly released book of poetry, InsideOut, L.L. addresses her poetry-writing philosophy:
"This is the tale of poetry-writing for many people. Unable to copy the clipped meter of Dickenson or the narrative voice of Frost, they give up and leave the effort to others. If the writing of poetry were not such a satisfying and healing endeavor, this would be a fine conclusion...Few of us who play with words will become the next poet laureate, but why should this stop us? If we can read poetry well, or speak poetry in normal conversation (which many of us uncannily do), then it might not hurt to try writing poetry too..."
But L.L. misleads us with this humble introduction. L.L. Barkat not only speaks poetry--she writes it very well.
InsideOut collects common moments and turns them into the extraordinary.
Consider this excerpt from Ignition:
Who can say when sorrow
will glide into the heart
like some Trojan Horse
on wheels
Today
beneath a bronzing maple,
it rode in on the curl
of a lemon-blushed leaf.
Or this unnamed gem:
Moss relents
and so the day, I break
beneath the shaded tree,
the promise of your fingers
falling softly.
The poems are broken into four sections, each corresponding to a season.... Read more ›
All that changed when I met L.L. Barkat.
Under this remarkable woman's instruction I have come to a place of new appreciation for the word-sculpting of poetry.
In the introduction of her newly released book of poetry, InsideOut, L.L. addresses her poetry-writing philosophy:
"This is the tale of poetry-writing for many people. Unable to copy the clipped meter of Dickenson or the narrative voice of Frost, they give up and leave the effort to others. If the writing of poetry were not such a satisfying and healing endeavor, this would be a fine conclusion...Few of us who play with words will become the next poet laureate, but why should this stop us? If we can read poetry well, or speak poetry in normal conversation (which many of us uncannily do), then it might not hurt to try writing poetry too..."
But L.L. misleads us with this humble introduction. L.L. Barkat not only speaks poetry--she writes it very well.
InsideOut collects common moments and turns them into the extraordinary.
Consider this excerpt from Ignition:
Who can say when sorrow
will glide into the heart
like some Trojan Horse
on wheels
Today
beneath a bronzing maple,
it rode in on the curl
of a lemon-blushed leaf.
Or this unnamed gem:
Moss relents
and so the day, I break
beneath the shaded tree,
the promise of your fingers
falling softly.
The poems are broken into four sections, each corresponding to a season.... Read more ›
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