David Lunde's second title with Mayapple Press, Instead, is a collection of the various ways memory is evoked. Lunde finds similarity between a man and his dog-headed cane, the reconstruction of an ancient building and the uneasy integration of two cultures, and his toddler and a communist country. Each memory is provoked by a singular, vibrant image. Lunde's craft is one of images woven together with his uniquely whimsical voice. As James Sallis notes, "What we too often forget and what Dave Lunde forever remembers is that all art, however lofty its final reach, has its beginning in play."
