This work lists and describes all of the 400 books containing music for instruments that were published during the sixteenth century, when instrumental music was born. This bibliography covers music for virtually every sixteenth-century instrument, and every one of the usual combinations of instruments with voices: music for solo lute, guitar, vihuela, harpsicord or organ, music for voice and one accompanying instrument, and for instrumental ensembles, and treatises devoted to instrumental playing and such practices as ornamentation.
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5.0 out of 5 stars
Renaissance scholars and performers rejoice!,
By Dr. Yvonne Kendall (Houston Texas, USA) - See all my reviews
This review is from: Instrumental Music Printed Before 1600: A Bibliography (Paperback)
Decades after its initial publication and after having been out of print for too many years, it's great to see Howard Mayer Brown's bibliography on instrumental back in circulation. This highly- respected resource is of continuing use to any scholar interested in instrumental music of the renaissance. The sheer number of entries and the detail of their citations makes this source an easy to use and never-ending aid to those who need to check a detail quickly, those who want to compile more specific bibliographies of renaissance music, or even those early music performers seeking new repertoire. Aside from Daniel Heartz' bibliography of music published by Pierre Attaingnant which includes both vocal and instrumental music, few secondary sources provide as much information for renaissance scholars and performers alike. With its re-release, users no longer have to stay in the library to consult this valuable source.
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canzon francese, sexti toni, quarti toni, quinti toni, primi toni, del primo tono, del ottavo tono, die laute, del secondo tono, tertii toni, octavi toni, canto fermo, novamente ristampato, sei voci, duodecimo tono, hupff auff, ave maristella, cum tenor, solo cittern, gaillarde precedente, tercero tono, gente brunette, eadem clave post, superius part book, suo saltarello Key Phrases - Capitalized Phrases (CAPs): (learn more)
Francesco da Milano, Antonio Gardane, Post Trinitatis, Bransle de Champaigne, Joan Maria Tasso, Robert Ballard, Andrea Gabrieli, Michel Fezandat, Appresso Giacomo Vincenti, Fantasia Fuenllana, Julio da Modena, Antonio Gardano, Felice Anerio, Maria Nanino, Didier Lupi Second, Branle de Champagne, Guillaume Morlaye, Ludwig Senffel, Trio Arcadet, Ave Maria, Thomas Morley, Appresso Girolamo Scotto, Adriano Vuigliart, Pierre Attaingnant, King John Browse Sample Pages:
Front Cover | Table of Contents | First Pages | Index | Back Cover | Surprise Me!
canzon francese, sexti toni, quarti toni, quinti toni, primi toni, del primo tono, del ottavo tono, die laute, del secondo tono, tertii toni, octavi toni, canto fermo, novamente ristampato, sei voci, duodecimo tono, hupff auff, ave maristella, cum tenor, solo cittern, gaillarde precedente, tercero tono, gente brunette, eadem clave post, superius part book, suo saltarello Key Phrases - Capitalized Phrases (CAPs): (learn more)
Francesco da Milano, Antonio Gardane, Post Trinitatis, Bransle de Champaigne, Joan Maria Tasso, Robert Ballard, Andrea Gabrieli, Michel Fezandat, Appresso Giacomo Vincenti, Fantasia Fuenllana, Julio da Modena, Antonio Gardano, Felice Anerio, Maria Nanino, Didier Lupi Second, Branle de Champagne, Guillaume Morlaye, Ludwig Senffel, Trio Arcadet, Ave Maria, Thomas Morley, Appresso Girolamo Scotto, Adriano Vuigliart, Pierre Attaingnant, King John Browse Sample Pages:
Front Cover | Table of Contents | First Pages | Index | Back Cover | Surprise Me!
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