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Product Details
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| 1. Parthenogenesis |
| 2. Marie Laveau |
| 3. Mi Hiaitla |
| 4. Down In The Gutter But Free |
| 5. Skat |
| 6. Terraplane Blues |
| 7. Hill Stomp |
| 8. Don't Care What You Tell Me |
| 9. Caterpillar Crawl |
| 10. Hucklebuck |
| 11. JJ Jump |
| 12. Gorgo Boogie |
| 13. Junior's Shuffle |
| 14. Mambo Tango |
| 15. Blues After Hours |
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Most Helpful Customer Reviews
13 of 13 people found the following review helpful:
5.0 out of 5 stars
Instrumental - Some vocals and fine blues-rock art,
This review is from: Instrumentals 1967-1996 (Audio CD)
This beautifully packaged 15 track CD is mostly instrumental as the title implies. Track 1, Parthenogenesis is a visionary 20 minute blues suite opening with a modal jews harp and then moving through various sections. The sections of Parthenogenesis could all be separate songs in their own write, in this case though the way they seamlessly blend together makes for a solid continuous composition. When Bob Hite's voice appears it is mixed way down and somehow seems more tasteful that way. It is similar (somehwhat) with Mayall's Bare Wires and Blues from Laurel Canyon, not so much in style, (although there are similarities and Mayall does plays piano on one of the sections) -- but in the concept of a blues suite.
The blues journey Parthenogenesis is followed by Down in the Gutter but Free which opens with a delightful tongue-in-cheek blues shout by Hite accompanied by sizzling guitar, harp, bass and hammond B3. The call and responses between the various instruments nicely intensify during the long instrumental outro. Fito de la Parra's 2 drum solo workouts on this CD are anything but cliche boogie band stuff, he brings a definate central Mexican influence into a R&B timbral blues drum sound. Sometimes refered to as L.A.'s Coltrane, Charles Lloyd appears here on his blues outing 'Don't Care What You Tell Me', Lloyd's potent early 70s rock crossover work is often passed over, with his Wave and Geeta LPs/CDs still out of circulation, its a special treat to hear Lloyd's blues rock collaboration with the Heat appear here. The remainder of the CD is mostly upbeat Jump Blues, Boogie style stuff, track 12 Gorgo Boogie stands out with a rustic and potent duo of Fito de la Parra on Drums and Robert Luca on a toneful guitar that sings delta ghosts on and between the strings and notes. Although the Canned Heat and their fans were often having some good fun with all the lyrics of their original lineup's hits, this CD shows the serious and ongoing instrumental prowess of the band. There is no shortage of fun in this music too, but done by Canned Heat instrumentalists, who on these tracks again prove themselves to be blues-rock heavyweights.
9 of 10 people found the following review helpful:
4.0 out of 5 stars
Diamond in the rough,
By Dave Gilroy "Concert junkie" (Portland, OR USA) - See all my reviews
This review is from: Instrumentals 1967-1996 (Audio CD)
This CD is a nice find, especially for the "true" Canned Heat fan which I am one. The first album ever given to me was the very first Canned Heat album, and that was the day I became addicted to boogie and blues. The music on this CD is not what you would expect to find on your typical Canned Heat CD. This one takes you through the years, giving you a taste of all the best players through the history of Canned Heat. This is a collection of some of Canned Heats best instrumentals. I enjoyed this one.
4 of 4 people found the following review helpful:
3.0 out of 5 stars
A bit uneven with a few gems,
This review is from: Instrumentals 1967-1996 (Audio CD)
This covers 7 different versions of the band over 30 years so I guess you would expect a variety of styles. For my money, tracks 2,3 and 4 were very good. In fact, track 4 was so good it was worth the cost of the CD with some nasty, distorted guitar licks from Henry Vestine. Overall, a few tracks stood out, some were good and some were quite average and didn't get my attention much. A mixed bag but it does show the instrumental skills of the bands many different lineups. Recommended for fans of the band and worth adding to the collection. Incidently, there are some vocals that show up on this CD in a few places.
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