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Intentions (Literary Classics)
 
 
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Intentions (Literary Classics) [Paperback]

Oscar Wilde (Author)
4.2 out of 5 stars  See all reviews (8 customer reviews)

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Book Description

Literary Classics June 2004
Originally published in 1891, when Wilde was at the height of his form, these brilliant essays on art, literature, criticism, and society display the flamboyant poseur's famous wit and wide learning. A leading spokesman for the English Aesthetic movement, Wilde promoted 'art for art's sake' against critics who argued that art must serve a moral purpose. On every page of this collection, the gifted literary stylist admirably demonstrates not only that the characteristics of art are 'distinction, charm, beauty, and imaginative power', but also that criticism itself can be raised to an art form possessing these very qualities. For newcomers to Wilde and those who already know his famous plays and fiction, this superb collection of his criticism offers many delights.

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About the Author

Oscar Fingal O'Flahertie Wills Wilde was born in Dublin, Ireland, on October 16, 1854. His father, Sir William Wilde, was a surgeon, who also published books on archaeology, folklore, and the satirist Jonathan Swift. His mother, Lady Jane Francesca Wilde, was a revolutionary poet and an authority on Celtic myth and folklore.

After attending Portora Royal School in Enniskillen, in Northern Ireland, from 1864-1871, Wilde went to Trinity College in Dublin and Magdalen College in Oxford, the latter awarding him a degree with honors. While at Magdalen College, Wilde distinguished himself not only as a classical scholar but also as a poet by winning the coveted Newdigate Prize in 1878 with the poem RAVENNA.

In the early 1880s, when aestheticism, or art for art's sake, was the rage of literary circles in London, Wilde established himself with his flamboyance and incredible wit. Eager for acclaim, Wilde agreed to lecture in the United States and Canada in 1882, announcing on his arrival in New York City that he had "nothing to declare but his genius." Wilde urged the Americans to love beauty and art, and a year later he returned to Great Britain to lecture on his experience and his impressions of America.

Wilde married Constance Lloyd in 1884. The couple had two children, Cyril and Vyvyan, in 1885 and 1886. Wilde worked as a reviewer for the Pall Mall Gazette and then became editor of WOMAN'S WORLD (1887-1889). During this period he published THE HAPPY PRINCE AND OTHER TALES (1888).

Wilde wrote and published almost all of his major work in the last decade of his life. In his only novel, THE PICTURE OF DORIAN GRAY (published in LIPPINCOTT'S MAGAZINE, 1890), Wilde depicted society's fascination with youth and beauty. When critics charged that the book was scandalous and immoral, despite the title character's eventual self-destruction, Wilde revised his work, adding a preface and six chapters, and had it published in book form in 1891. INTENTIONS, also published in 1891, consisting of previously published essays, further reveals the author's aesthetic attitude toward art. In the same year, he also published two volumes of stories and fairy tales, LORD ARTHUR SAVILE'S CRIME AND OTHER STORIES and A HOUSE OF POMEGRANATES, testifying to the extent of Wilde's extraordinary creative genius.

With a string of highly successful plays, including LADY WINDERMER'S FAN (1892), SALOME (1892), A WOMAN OF NO IMPORTANCE (1893), and AN IDEAL HUSBAND (1895), Wilde burst onto the literary scene in the middle of the decade. His last play, THE IMPORTANCE OF BEING EARNEST (1895), is considered his greatest.

In many of Wilde's works, the plot revolves around the exposure of a character's secret sin or indiscretion and the disgrace that this ultimately causes. If life imitates art, Wilde was himself modeling one of his characters in his reckless pursuit of pleasure. His close friendship with Lord Alfred Douglas, whom he had met in 1891, infuriated Douglass's father, the Marquess of Queensberry. When the marquess accused Wilde of sodomy, Wilde, never one to back down from a fight, sued for criminal libel. Wilde's case collapsed, however, when the evidence turned against him, and he had to drop the suit. Although his friends urged him to flee France, Wilde refused and was arrested. After a sensational trial, he was sentenced, in May 1895, to two years' hard labor for homosexual practices. Most of his sentence was served a reading Gaol, where he wrote a long letter to Lard Douglas, published in a shortened form in 1905 as DE PROFUNDIS.

In May 1897 Wilde was released from prison, bankrupt, and immediately went to France, hoping to regenerate his career as a writer. He only produced one more work, THE BALLAD OF READING GAOL (1898), which expressed his concern for inhumane prison conditions. Wilde died suddenly of acute meningitis brought on by an ear infection, on November 20, 1900, in Paris.


Product Details

  • Paperback: 263 pages
  • Publisher: Prometheus Books (June 2004)
  • Language: English
  • ISBN-10: 1591021952
  • ISBN-13: 978-1591021957
  • Product Dimensions: 8.4 x 5.5 x 0.6 inches
  • Shipping Weight: 12 ounces (View shipping rates and policies)
  • Average Customer Review: 4.2 out of 5 stars  See all reviews (8 customer reviews)
  • Amazon Best Sellers Rank: #3,364,236 in Books (See Top 100 in Books)

More About the Author

Oscar Fingall O'Flahertie Wills Wilde was born in Dublin in 1854. He was educated at Trinity College, Dublin and Magdalen College, Oxford where, a disciple of Pater, he founded an aesthetic cult. In 1884 he married Constance Lloyd, and his two sons were born in 1885 and 1886.
His novel, The Picture of Dorian Gray (1891), and social comedies Lady Windermere's Fan (1892), A Woman of No Importance (1893), An Ideal Husband (1895), and The Importance of Being Earnest (1895), established his reputation. In 1895, following his libel action against the Marquess of Queesberry, Wilde was sentenced to two years' imprisonment for homosexual conduct, as a result of which he wrote The Ballad of Reading Gaol (1898), and his confessional letter De Profundis (1905). On his release from prison in 1897 he lived in obscurity in Europe, and died in Paris in 1900.

 

Customer Reviews

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Average Customer Review
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28 of 29 people found the following review helpful:
5.0 out of 5 stars Very, very funny!, September 13, 2009
This review is from: Intentions (Paperback)
One day this summer I went Wild about Wilde! I think I purchased one copy of each of his works, and have been making my way through them all, (sometimes jumping back and forth), and Intentions is really a wonderful collection of some of his very witty, and very cutting stories. My favorite was 'The Decay of Lying' which is a subject I noticed Wilde writes about in many of his works, like in Dorian Gray.

For some reason, this book is missed but many, and I myself just found it by accident, so do yourself a favor and read it! This is a charming and delightful edition!

And if you want to read about lying in Dorian Gray:

The Picture of Dorian Gray
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32 of 34 people found the following review helpful:
5.0 out of 5 stars May be the most important of Oscar Wilde's critical works!, July 26, 2009
This review is from: Intentions (Paperback)
It has been said that Intentions may be the most important of Oscar Wilde's critical works. Included in it are four essays: "The Decay of Lying," "Pen, Pencil and Poison," "The Critic as Artist," and "The Truth of Masks."

"The Decay of Lying" -- from 1889 -- is an essay couched as a dialogue that Wilde once called it a "trumpet against the gate of dullness." The substance revolves around Wilde's Aestheticism, and he argues (through one character and another) that Art is superior to Nature. . . .

"Pen, Pencil and Poison" -- from 1889 -- is a biographical essay on the notorious writer, murderer, and forger Thomas Griffiths Wainewright, who used the pen name "Janus Weathercock," and here Wilde puts forward the notion that that Wainewright's criminality reveals the soul of a true artist.

In "The Critic as Artist," -- 1890 -- The Wilde's contends that critics must reach beyond the creative work that he considers.

"The Truth of Masks" (1885) is an argumentative response to an article of Edward George Bulwer-Lytton's which put forward the notion that Shakespeare had little interest in the costumes that his characters wore.

Brilliant and (as always) so well put, Wilde is a joy to read - food for the mind and soul. This is a nice well put together edition - all Wilde lovers well want.
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13 of 13 people found the following review helpful:
5.0 out of 5 stars Well recommended - you will love it if you love Wilde!, September 6, 2009
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This review is from: Intentions (Paperback)
First, this is a lovely edition and well worth the money, and it arrived right on time, actually faster than I expected.

Second, the book.

Not just a wit, Wilde was an intellectual power house. You don't have to agree with him on everything, just enjoy his ability to make his own argument. In "Pen, Pencil and Poison", read how Wilde playfully argues the question, 'is a criminal an artist?' Fascinating!

Superior book, lots of wit and it will stretch your mind.

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Inside This Book (learn more)
First Sentence:
Cyril (coming in through the open window from the terrace). Read the first page
Key Phrases - Statistically Improbable Phrases (SIPs): (learn more)
highest criticism, visible arts, true critic, life imitates art, antique world
Key Phrases - Capitalized Phrases (CAPs): (learn more)
Charles Lamb, Lord Lytton, Helen Abercrombie, Henry the Eighth, Linden House, Henry the Sixth, Italian Renaissance, Marc Antonios, Robert Elsmere
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