This publication presents an interdisciplinary and comparative perspective on Futurism in a variety of countries and artistic media. Nineteen internationally renowned scholars discuss up-to-date information on how the Futurist movement, founded by the Italian poet F.T. Marinetti in 1909, shaped the concept of a cultural avant-garde and how it influenced the development of a modernist art and literature around the world. Thereby the volume is expected to serve as a handbook of Futurism in the arts and literature. Each essay contains a general introduction to the medium or country under discussion and reviews recent research undertaken by the author and other specialists in the field. The final section contains a comprehensive reference bibliography of primary and secondary sources related to Futurism in all countries and media covered by the volume.
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Inside This Book
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First Sentence:
For a long time after the Second World War, Italian Futurism fell into oblivion or was treated with great mistrust and suspicion. The responsibility for having Read the first page Key Phrases - Capitalized Phrases (CAPs): (learn more)
New York, First World War, Sao Paulo, Italian Futurists, German Expressionism, Der Sturm, Week of Modern Art, Giovanni Papini, Rio de Janeiro, Ballets Russes, Castro Rocha, Enrico Prampolini, Hugo Ball, Luigi Russolo, Rafael Barradas, Anton Giulio Bragaglia, Cano Ballesta, Gustave Kahn, Russian Futurism, Umberto Boccioni, Valentine de Saint-Point, Costa Meyer, South America, Torres Garcia, Ardengo Soffici New!
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Front Cover | Table of Contents | First Pages | Index | Back Cover | Surprise Me!
For a long time after the Second World War, Italian Futurism fell into oblivion or was treated with great mistrust and suspicion. The responsibility for having Read the first page Key Phrases - Capitalized Phrases (CAPs): (learn more)
New York, First World War, Sao Paulo, Italian Futurists, German Expressionism, Der Sturm, Week of Modern Art, Giovanni Papini, Rio de Janeiro, Ballets Russes, Castro Rocha, Enrico Prampolini, Hugo Ball, Luigi Russolo, Rafael Barradas, Anton Giulio Bragaglia, Cano Ballesta, Gustave Kahn, Russian Futurism, Umberto Boccioni, Valentine de Saint-Point, Costa Meyer, South America, Torres Garcia, Ardengo Soffici New!
Concordance | Text Stats Browse Sample Pages:
Front Cover | Table of Contents | First Pages | Index | Back Cover | Surprise Me!
Citations (learn more)
This book cites 47
books:
See all 47 books this book cites
5
books
cite this book:
- Joseph Stella by Barbara Haskell on page 227, page 231, and Back Matter
- August Stramm: Kritische Essays Und Unveroeffentlichtes Quellenmaterial Aus Dem Nachlass Des Dichters (Institute Publications) by J.D. Adler on page 66, and Back Matter
- Federico Garcia Lorca (Modern Dramatists) by Reed Anderson on page 175, and Back Matter
- Ezra Pound: 2 (Modern masters) by Donald Davie on page 108, and Back Matter
- Henri Gaudier-Brzeska by Ezra Pound on page 257, and Back Matter
See all 47 books this book cites
- Geheime Texte: Jean Paul Und Die Musik (German Edition) by Julia Cloot in Back Matter
- Histories of the Future by Daniel Rosenberg in Back Matter
- Comparative Criticism: Volume 23, Humanist Traditions in the Twentieth Century: An Annual Journal by E. S. Shaffer in Back Matter
- The Futurist Moment: Avant-Garde, Avant Guerre, and the Language of Rupture by Marjorie Perloff in Front Matter
- The Invention of Politics in the European Avant-Garde, 1906-1940 (Avant-Garde Critical Studies 19) by Sascha Bru on page 181
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