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Most Helpful Customer Reviews
28 of 30 people found the following review helpful:
5.0 out of 5 stars
an astoundingly cool collection of cover songs,
By gbear "al" (St Paul, MN) - See all my reviews
This review is from: Interpretations: The British Rock Songbook (Audio CD)
I was browsing at an honest-to-god record store when The Word came on over the stereo and I thought 'who IS this?', when Traffic's 'No Time To Live' (also covered wonderfully by Brian Auger) came up, I swooned and asked the clerk for a copy. Listening to the album in the store was fun because it's not always readily apparent who's songs she's covering: it took me a few minutes to realize she was covering Led Zeppelin. Both the store manager and I were getting ready to cringe as Nights In White Satin approached, but she made that song new too. Others are going to write in more detail about the individual performances but I'd just like to say that I cannot believe that anyone could take this list of incredibly familiar songs and just take them all home and make them her own from start to finish. Brilliant. I think it may be one of my favorites for a while.
18 of 20 people found the following review helpful:
4.0 out of 5 stars
Powerful, raw, emotional.,
This review is from: Interpretations: The British Rock Songbook (Audio CD)
This is an interesting album based on an interesting idea.
In the mid-1960s, Brotish bands took their interpretations of American R&B back to the States in the so-called "British invasion". On this album, the veteran, Detroit-raised blues diva ( and a contemporary of more famous peers like Aretha Franklin and Smokey Robinson) returns the compliment and goes the opposite route. Well, we know, she has always done things her way, from her youthful excursions with James Brown and Otis Redding. Decades on, her rocking, rip-roaring soul vocal style has established a broad fan base, and this latest album comes with endorsements from many of the artists she's covered, including Elton John, Pete Townshend and Keith Richards. "Interpretations" centres on LaVette's charismatic takes on 1960s/70s British rock classics . She has a rasping voice somewhere between Nina Simone and Tina Turner. She is now turning to the great British rock songbook, reworking the back pages of The Beatles ("The Word"), The Stones ("Salt Of The Earth") and Pink Floyd ("Wish You Were Here") in a series of devastating melodramas. LaVette's passionate vocals crackle with soul, raunch and innovation, and it sounds like the songs (originally inspired by US R&B) have come full circle. This is no conventional covers album, it is more a showcase of extraordinary standards. The accompaniments are of the tastefully restrained variety, with plenty o' Memphis folded in, and the tempos are at the slow end of the scale. She has chosen songs that give her the most wiggle room -- the chance to strip the whole thing back and rebuild it. Thus, we get Ringo Starr's "It Don't Come Easy". The opening couplet is a bit of a throwaway when Ringo sings it, but it's a whole other matter when Lavette confronts you: "You wanna sing the blues? You gotta pay some dues. 'Cos it ain't coming easy". "Yet, whether she's singing "Maybe I'm Amazed", "Nights in White Satin" or "Wish You Here", Lavette makes it sound effortless". - Mark Edwards Raw, powerful, emotional. If you like her style, you will love this album. Scene of the Crime I've Got My Own Hell to Raise
4 of 4 people found the following review helpful:
2.0 out of 5 stars
Slow and Tortured,
By
Amazon Verified Purchase(What's this?)
This review is from: Interpretations: The British Rock Songbook (Audio CD)
I sense there is a movement to give Bettye Lavette the recognition she should have received earlier in her career, and I really, really wanted to like this album, but unfortunately it doesn't deserve the accolades. First, too many dirges - and many of the slow songs are paced even more slowly than the originals. The album drags, badly. Second, too many rasping, tortured vocals which, combined with the lack of variety in tempos, eventually seem monotonous and nearly monotone. There are two songs I like very much: "The Word," which is the only really cooking soul workout on the album (if only there were more like this), and "It Don't Come Easy," which imbues Ringo's poppy original with real emotional weight. Other than those two, I would rather listen to the far superior originals of every song on this album, including the over-rated Kennedy Center performance of The Who classic (maybe you have to see it). I have ordered the re-release of her 70s album "Do Your Duty" from Amazon and judging from the samples, I think I'll like it a lot better. It appears to be Bettye in her prime and in her element.
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