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Interpreting Audiences: The Ethnography of Media Consumption (Media Culture & Society series) [Paperback]

Shaun Moores (Author)
4.0 out of 5 stars  See all reviews (1 customer review)

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Book Description

January 5, 1994 0803984472 978-0803984479 1
In this comprehensive guide to important new developments in the study of media reception, Shaun Moores reviews a wide range of qualitative audience research and charts the emergence of a critical ethnographic perspective on everyday consumer practices.

The author considers the distinctive features of audience ethnography and outlines its applications in communication and cultural analysis. Four main areas of inquiry are discussed: the power of media texts to determine the meanings made by their readers; the relationship between media genres and the social patterns of taste; the day-to-day settings and dynamic social situations of reception; and the cultural uses and interpretations of communication technologies in the home


Editorial Reviews

Review

`Moores has provided a sophisticated yet accessible introduction to the analyses of media reception which have some independence from the strategies of the industry' - Screen

`A timely literature review which will interest students and researchers within media and cultural studies. It is encouraging that, unlike many other cultural theorists, Moores does believe that the ideological power, textual production and audience interpretations of media texts should remain on the agenda, not to be neglected entirely in favour of power dynamics in the domestic setting, preferences of genre or gendered frictions over "who controls the remote control"' - Sociology

`This is an extremely helpful overview of research in the last 15 years into mass media audiences...The concluding chapter looks at cultural consumption more generally and assesses the work of Pierre Bourdieu. This is a short text but it brings together a range of diverse studies and issues which are of wider interest than in media studies alone' - Network

`It is to be welcomed for its excellent review of the now considerable body of research within cultural studies, feminist and ethnographic perspectives. It is clear, precise and eminently usable as an undergraduate or postgraduate text' - Irish Communications Review


Product Details

  • Paperback: 208 pages
  • Publisher: Sage Publications Ltd; 1 edition (January 5, 1994)
  • Language: English
  • ISBN-10: 0803984472
  • ISBN-13: 978-0803984479
  • Product Dimensions: 9.1 x 6.1 x 0.4 inches
  • Shipping Weight: 8.5 ounces (View shipping rates and policies)
  • Average Customer Review: 4.0 out of 5 stars  See all reviews (1 customer review)
  • Amazon Best Sellers Rank: #2,004,371 in Books (See Top 100 in Books)

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4 of 4 people found the following review helpful:
4.0 out of 5 stars A good introduction to media studies, November 12, 2001
By 
Charlotte A. Hu (San Antonio, TX, United States) - See all my reviews
(REAL NAME)   
This review is from: Interpreting Audiences: The Ethnography of Media Consumption (Media Culture & Society series) (Paperback)
Shaun Moores' book doesn't give much new data. He didn't conduct any of his own research. His is primarily a theory book, but it has a great overview of previous authors' presentations of media analysis.
He begins by describing "Screen Theory" -- the result of a British journal, Screen, whose contributors analysed media using semiotics, Marxism and a French brand of psychoanalysis. They used this approach to see what kind of "impact" a given text had on its audience. Partly in response to Screen Theory, the Media Group at Birmingham University's Center for Contemporary Cultural Studies developed a concept of 'uses and gratifications' or Gratificationists Theory asking what people DO with media. David Morley was a big part of this movement with his 'Nationwide' Audience.
The CCCS writers contributed another concept to media studies -- that is the encoding and decoding of media texts. Using an idea from Bordieu, cultural capital, in determining how capable viewers are in decoding a given text.
Morley's book, Nationwide, focuses on the text-to-reader relationship, but later writing, including Morley's own Family Television, examines at how people incorporate media into their daily lives. The context of media, people's preferences and family power structures in whose preference takes precidence became the focus for later studies. Later still, unexamined subgroups become the focal point -- such as differences in genre preferences between the genders and children's abilities to decode media.
Moores then discussed the role of changing technologies in media and family life. The early availability of radio is used as an example. Early radios were considered "man's world" of 'gagets.' When only a headset would allow a person to listen, who could use the headset provided an access point to analysis of family power flows. Later, as radio technology developed and broadcasting allowed the whole family to listen together, the social dynamics surrounding the radio changed. This provides an interesting historical case study that could be applied to other media forms, such as computers or the Internet. Understanding or analysing availablity and the economic and cultural capital that fascilitates access to the Internet could contribute to clarity in the value of the Internet in the global village.
Finally, Moores unpacks the concept of understanding audiences by their demographics. Overall, a very useful piece of scholarship in the field of media sociology.
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