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  • Interpreting the Masters, Vol. 1: A Tribute to Daryl Hall & John Oates
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Interpreting the Masters, Vol. 1: A Tribute to Daryl Hall & John Oates


Price: $12.32 & FREE Shipping on orders over $35. Details
Includes FREE MP3 version of this album.
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Audio CD, March 23, 2010
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Songs from this album are available to purchase as MP3s. Click on "Buy MP3" or view the MP3 Album.
                                                                                                                                                                                                                                                                                                                                         

Samples
Song Title Time Price
listen  1. Heard It On The Radio 3:02$1.29  Buy MP3 
listen  2. I Can't Go For That 3:35$1.29  Buy MP3 
listen  3. Rich Girl 2:48$1.29  Buy MP3 
listen  4. Sara Smile 3:05$1.29  Buy MP3 
listen  5. Kiss On My List 4:18$1.29  Buy MP3 
listen  6. Maneater 3:31$1.29  Buy MP3 
listen  7. She's Gone 3:02$1.29  Buy MP3 
listen  8. Private Eyes 3:03$1.29  Buy MP3 
listen  9. One On One 3:40$1.29  Buy MP3 

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Biography

The last time Inara George and Greg Kurstin (a.k.a. the bird and the bee) made a full-length album, their acclaimed self-titled debut, they weren’t certain anyone would ever hear it. “We made our first record for ourselves,” says George, “we didn’t expect to get signed to a label and have it be released.” But it was heard, and then released by Blue Note ... Read more in Amazon's The Bird and the Bee Store

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Interpreting the Masters, Vol. 1: A Tribute to Daryl Hall & John Oates + Ray Guns Are Not Just The Future + Please Clap Your Hands
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Product Details

  • Audio CD (March 23, 2010)
  • Original Release Date: 2010
  • Number of Discs: 1
  • Label: Blue Note Records
  • ASIN: B0036U0BUK
  • Average Customer Review: 4.3 out of 5 stars  See all reviews (41 customer reviews)
  • Amazon Best Sellers Rank: #46,476 in Music (See Top 100 in Music)

Editorial Reviews

The Bird and The Bee have been known to recreate '80s Pop hits into unique and contemporary gems for the new millennium. With Interpreting The Masters Volume I, Greg Kurstin and Inara George go one step further and pay homage to one of the greatest duos of that time: Darryl Hall and John Oates. Classic material is reinvented through Kurstin's sleek production and George's sweet lyrical delivery. Features eight reinterpretations of Hall & Oates classics plus one new track: 'Heard It On The Radio'.

Customer Reviews

Her voice is amazing and the use of just the a drum machine and synthesizer works well with the songs!
mikeju
What sold me was the Hall & Oates songs that I like very much, and the result is good -- I'm going to go find some of their other albums.
Sonoma's Davey
Inara George, the vocalist for The Bird and the Bee, does great justice to these Hall and Oates classics.
Samuel C. Harmon

Most Helpful Customer Reviews

30 of 33 people found the following review helpful By E. A Solinas HALL OF FAMETOP 500 REVIEWERVINE VOICE on March 23, 2010
Format: Audio CD
The Bird and the Bee (aka Greg Kurstin and Inara George) is one of the few bands in existence who can cover a great song and make it their own.

So it was pretty much inevitable that someday they'd put out a cover album -- in this case, "Interpreting The Masters Volume 1: A Tribute To Daryl Hall And John Oates." It's pretty much what you'd expect after their past covers: a string of Hall and Oates' hit songs, which have metamorphosed into sensual, delicate electronic pop with angelic vocals.

Well, it goes without saying that the songwriting is excellent. Each Hall & Oates song that Kurstin and George selected seems to have a different kind of romantic relationship in it: love-that-wasn't, a lover who craves too much, love for a "Rich Girl," a hot-and-cold romance, a lovelorn request for a smile, and even an ode to a "lean and hungry" "Maneater." Lots of complex, bittersweet feelings.

And it kicks off with the funky, twittery sounds of "Heard it on the Radio," with George singing sweetly, "When we first met/It wasn't what you said/And still I loved you like mad... Now every time/I hear it playing/I think of you/And those summer days."

From there on, the band bounces merrily into the sprightly "Rich Girl," the sharp-edged "I Can't Go For That," the slow sensual "Sarah Smile," the flowing electropop of "Kiss on my List," the shimmering "She's Gone," and the delicate finale "One on One." They even get into the clubbier stuff with the sexually-charged, beat-heavy "Maneater."

Don't worry, the songs have the same infectious, fun melodies as the original Hall & Oates versions... more or less.
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15 of 18 people found the following review helpful By C. Zimmerman on April 21, 2010
Format: Audio CD
the bird and the bee show you why you weren't so stupid to love hall & oates after all.
they showed me. i love this record. a true homage.
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6 of 6 people found the following review helpful By B. Matthias on March 26, 2010
Format: MP3 Music Verified Purchase
I've always been a fan of covers. It's always interesting to see how another artist interprets a tune, and makes it his/her own. As for the reviewer giving one star, suggesting this duo is "copping out" by doing a whole album of covers, and not coming up with original material... that is complete bunk! The Bird and the Bee have come up with loads of their own wonderful songs. And just because material is "new" doesn't make it good. There's a LOT of "new" S#*& out there for sure.

Simply a joy to listen to for any B&B and/or H&O fan.
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6 of 7 people found the following review helpful By Jessica MF on April 15, 2010
Format: MP3 Music Verified Purchase
If you asked me before I listened to this album whether I knew all the words to Hall & Oats songs, I would have said, "No way!" Turns out, I was very wrong. Not only that, but I love these songs.

This is a perfect album for spring- singing along with the windows down. Get it, I bet it will make you happy too.
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5 of 6 people found the following review helpful By Flap Jackson on March 28, 2010
Format: MP3 Music
I'll admit, I was a little hesitant coming in, but if you're a fan of The Bird & The Bee or their style of music, you should be a fan of what you hear. Hall & Oates fans may also find it interesting just because these takes are usually so different, yet so in line with the originals. The sound is trippy, chill, synth & decidedly 80s. Even if you don't like Hall & Oates, you should like this album. In addition to the hits that everybody knows, Bird & the Bee also take on their lesser known hits which I'm now discovering and loving, which is always a joy of a cover album.

Overall, I don't know how much longevity this project will have for its listeners, but this is a great covers album that is both true to the bands covering and being covered. Remember, this is only volume 1 so expect more great covers from The Bird & The Bee soon.
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5 of 6 people found the following review helpful By Cale E. Reneau on March 23, 2010
Format: Audio CD
If, to you, the neo-jazz/pop stylings of The Bird and the Bee seem like an unlikely fit for the music of Hall and Oates, welcome to the club. My first thought when I saw that one of my favorite new groups of the last few years would be covering an entire album of "the masters'" music was one of complete bewilderment. But once I began listening to the end result, my fears were put to rest. The first few notes of "Heard it on the Radio" say it all: this is a Bird and the Bee album! Simply put, the duo has done a fantastic job of taking these classic and instantly-recognizable songs and filtering them through their own unique style.

The lead-off track is a gorgeous song that is just as catchy as one would expect. It's bouncy digital production is reminiscent of some of Bird and the Bee's earlier stuff, but the 70s disco vibe sets it apart from the band's other tracks. It eases any fears that a skeptical listener may have and proves that even though many may not understand why the group chose to make this album, they at least know what they are doing. "Rich Girl" is just as exciting. I could easily see a bunch of teen girls (or hipsters for that matter) singing along to this song and not realizing that it's a cover of a much older song. That says a lot about how perfectly a lot of these songs are constructed and presented.

For the most part, Interpreting the Masters is a flawless cover album, if such a thing can even exist. Still, some songs, though good, can't hold their own to the original recording. Specifically, "She's Gone" lacks the earnestness and power of the original. Instead, it comes off as plastic and unassured - the standard trappings of a cover song.
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