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The Interview Room [Hardcover]

Dr. Roderick Anscombe (Author)
3.4 out of 5 stars  See all reviews (12 customer reviews)


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Book Description

April 21, 2005
Working in a maximum-security prison for the criminally insane, psychiatrist Paul Lucas confronts the darkest and most frightening side of humanity. But he has never interviewed a patient like Craig Cavanaugh. The scion of a wealthy and influential family, Craig is poised, articulate, knowing, a Harvard man whose obsessive crush on a teaching assistant led him to stalk her, and landed him in Paul's care on an outpatient basis.

Paul is an expert in detecting lies, but his patient tests him with disclosures and questions that come unsettlingly close to home. For Craig is familiar with details of Paul's life: where he lives, his wife Abby's work schedule, and the terrible accident that killed their two-year-old son and left their marriage in a precarious balance between love and grief. Then Paul seems to spot Craig observing him in a crowded mall, and at home he notices things slightly out of place or missing, including the handgun he keeps for personal protection.

Paul soon is trapped in an ever-tightening web of circumstance and scrutiny that implicates him in the eyes of his wife, his colleagues, and eventually the police. As the battle of wits turns deadly, with his career on the line and his life over the edge, Paul must learn to play the game by Craig's rules-for he who tells the best lie wins.

Smart and wickedly suspenseful, The Interview Room winds through twists and turns to a place where nothing is as it seems.

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Editorial Reviews

From Publishers Weekly

Starred Review. Anscombe (Shank) returns with a riveting, mental obstacle course of a novel. Paul Lucas, a brilliant forensic psychiatrist struggling to move on after the death of his infant son, is treating venomous Craig Cavanaugh, the teenage scion of a wealthy family. Sent to the Sanders Institute for stalking Natalie Davis, a mousy teaching assistant at Harvard who rejected him repeatedly, Cavanaugh sets out to match wits with, and destroy, Lucas. Told in Lucas's voice, the novel is fueled by Cavanaugh's ego and deep-seated obsession, and by Lucas's quick-witted, lie-discerning one-upping of the clever adolescent. As Lucas struggles to stay in control, their grueling sessions devolve into chest-puffing wars of strategy, lies and threats. Cavanaugh stealthily invades Lucas's personal life, works alongside his distraught wife, Abby, at her social work agency, and then murders the police officer who pulled Abby out of the wreck that killed their child—and frames Lucas for the crime. The possibly overmatched psychiatrist must clear his name, attempt to reunite with his estranged wife and generally stop Cavanaugh from throwing a lit match onto Lucas's well-lacquered existence. Anscombe, a forensic psychiatrist himself, delivers precise, perfectly calibrated thrills one after another in an implosive story that takes oedipal struggle to the breaking point. (June 1)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

From Booklist

Anscombe's latest is a riveting, nuanced psychological thriller. Forensic psychiatrist Paul Lucas is called in to ascertain if Craig, a young, well-connected charmer accused of stalking his teaching assistant, can be committed as criminally insane. When Craig turns out to be merely evil, he is released on condition that he submit to ongoing therapy with Dr. Lucas, and it isn't long before Craig has turned the tables on his doctor, creeping inside his therapist's head and into his life, insinuating his way into a home already unsettled by the recent death of a child. Anscombe's own background in criminal psychiatry shines forth in the brilliantly realized interactions in and out of the interview room, an intriguing, moment-by-moment scrimmage of urges, hesitations, revelations, and lies. The mounting tide of paranoia and deception continues to swell until the very end, giving this novel the kind of mainstream appeal associated with Harlan Coben and Jonathan Kellerman. Don't wait for the movie. David Wright
Copyright © American Library Association. All rights reserved

Product Details

  • Hardcover: 320 pages
  • Publisher: St. Martin's Press; First Edition edition (April 21, 2005)
  • Language: English
  • ISBN-10: 0312323999
  • ISBN-13: 978-0312323998
  • Product Dimensions: 9.3 x 6.5 x 1.3 inches
  • Shipping Weight: 1.3 pounds
  • Average Customer Review: 3.4 out of 5 stars  See all reviews (12 customer reviews)
  • Amazon Best Sellers Rank: #2,112,248 in Books (See Top 100 in Books)

 

Customer Reviews

12 Reviews
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Average Customer Review
3.4 out of 5 stars (12 customer reviews)
 
 
 
 
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8 of 8 people found the following review helpful:
4.0 out of 5 stars Sociopath 1; Therapist 0, August 15, 2005
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This review is from: The Interview Room (Hardcover)
Author Roderick Anscombe details in this book the battles, psychological and literal, between Paul Lucas, a forensic psychiatrist, and Craig Cavanaugh, a twenty-two-year-old, dangerously intelligent sociopath-psychopath, who is heir to a politically powerful financial empire. Paul's assignment is to evaluate and make recommendations to the court about treatment or imprisonment for Craig's terrifying stalking and harassing of a woman. Anscombe writes of the slow degeneration of the therapeutic relationship as Craig sets out to destroy Paul, manipulating Paul's colleagues, family, and wife into joining in this destruction. Paul's weaknesses and vulnerabilities, heightened by the death of his young son, his suspicions about his wife's behaviour, his desire for a research grant, and his failure to follow basic, self-protective, sound therapeutic protocols when dealing with such a patient are described in painful, tedious, misstep-by-misstep fashion. Anscombe, a forensic psychiatrist and assistant clinical professor at Harvard Medical School, knows the traps of ego, counter-transference, and desire to win that can befall therapists, even those at the top of their game, and subjects Paul to most of them, in slow-torture, drip-by-drip fashion, until the unclear ending.

No doubt all of us can be fooled or bested by con artists and psychopaths at times, and it is easy to see how Paul falls into Craig's traps. What is not so easy to see is why Paul doesn't pull out of the assignment when he is pressured before he begins as to what he should recommend. Or why Craig's behaviors during the first interview, red flags for an alert therapist (insisting on touching the therapist, refusing to accept the patient role, casting himself as an equal in the assessment process, almost provoking a physical confrontation, forcing Paul to dance to his tune), don't cause Paul to change his therapeutic stance, recognize his inability to deal with this client at this time, or recommend that Craig be transferred to another psychiatrist. Therapists know that there are times when it is best to back away from treatment of a client. Or if the decision is to accept the patient, then safeguards are usually put in place to protect the therapist, the patient, and the institution. Few if any such safeguards are described here: no meaningful staff meetings, no grand-rounds procedures, no collegial processes to review or talk over progress--not even informal means that most therapists set up with colleagues to reassure themselves that the therapy is on the right track and to discuss possible alternatives. Anscombe keeps the pressure on Paul too intense, the introspection too continuous, the feelings of inevitability too unshakable, the foreshadowing of defeat too inescapable, and the ending too ambiguous for many readers. Unlike Jonathan Kellerman, who writes books about equally evil and manipulative patients, Anscombe seldom lets up on the negativity or allows his protagonist many victories. After awhile, the reader may decide that so much gloom may not be the best way to relax with a book.

This is a book, however, that many readers will find invaluable. It would be of great help in the training of beginning therapists and in further education of experienced ones. Anscombe's traps set for Paul are typical of therapeutic interactions; and Paul's actions would be grist for the mill for discussions about ethics, proper professional distance, and effectiveness with clients for readers who are in helping professions. Anyone who deals with manipulative people could benefit from recognizing and analyzing Paul's dilemmas. Readers who treasure true writing ability; who delight in spare, elegant prose and realistic dialogue; and who enjoy the works of authors who are masters of their field (psychiatry, in this case) will find a gem here.
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5 of 5 people found the following review helpful:
5.0 out of 5 stars Very Engrossing!, January 1, 2007
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This review is from: The Interview Room (Hardcover)
Roderick Anscombe's The Interview Room is one of the best, well-written thillers I read in 2006. The book is very original and provocative in portraying the story of a prison psychiatrist whose twisted patient -- a sociopathic stalker -- engages him in a deadly war of wits, and which ultimately leads to a series of circumstances that turn his wife against him and implicate him in murder. In my opinion, The Interview Room will be enjoyed most by thriller lovers who seek rich character portayals, sharp, crisp dialogue and narrative skills and who like their justice subtle. Be aware that if non-stop action is what you're looking for, The Interview Room may not be the book for you. I, for one, am looking forward to reading Anscombe's earlier thriller, Shank, and will be one of the first on line to but his upcoming book, Virgin Lies, which is due out in March.
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4 of 4 people found the following review helpful:
4.0 out of 5 stars For Law & Order: Criminal Intent and Criminal Minds fans, April 17, 2007
This is one of the best pyschological thrillers I've read, with one caveat. (I'm sure it helps that the author himself is a forensice psychiatrist.) If you're a fan of Law and Order: Criminal Intent - this book has echoes of it, though of course with greater depth and twists. It starts with a great premise, the psychological manipulations and conversations keep you interested... and then, well then the ending while resolved the way it needs to be.... stretches into the implausible. A scene in a dark basement with guns ablazing, - didn't do merit to the intelligence and imagination of the rest of the book.
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Inside This Book (learn more)
First Sentence:
I dreaded the dream. Read the first page
Key Phrases - Capitalized Phrases (CAPs): (learn more)
Craig Cavanaugh, Detective Dempsey, Lou Francone, John Cavanaugh, Brenda Gorn, Old Man Cavanaugh, Larry Shapiro, Lieutenant Francone, Sanders Institute, Detective Wolpert, Lieutenant Kovacs, Natalie Davis, Ross Hamilton, Crombie Street, Interview Room One, Professor Kennedy, Harvard Yard, Rolling Stones, Ellen Hollenburg, Meeting House Mall
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