It is hard out there for the 'true' R&B singer. Kem is one of those classic R&B singers who doesn't aspire to conform to the contemporary R&B ala 2010. 2005's
Album II clearly showed the singer as almost and anachronism as opposed to a current, relevant artist. Make your stabs at Kem "being out of touch", but one can hardly call two gold (almost platinum) albums as "out of touch." On the exceptional
Intimacy, Kem's first effort in five years, he only tinkers with the formula, yet somehow, the subtlest changes make 'Intimacy' Kem's finest effort in my opinion. Vocally, Kem seems to have evolved. While still showcasing his restrained falsetto-laden vocals, he actually belts (not unhealthily for you classically trained vocalists) and that timbre of his voice is exceptional.
The album opens with the somewhat sleepy, but sensual and enjoyable "When I'm Loving You." "When I'm Loving You" sounds no different from any material from Kem's two previous albums, but that's not so bad in todays 'contemporary R&B' climate. Anything Kem does will stand out because he doesn't conform, which is positive. "Can You Feel It" may be lengthy pushing the 6:00 mark, but it is one of the albums clear stand outs. A solid old-school adult contemporary groove, full of soulful guitar and electric piano, makes this track more exciting and more effective than "When I'm Loving You." It is a nice change to find Kem pushing himself vocally and stylistically just the slightest bit here. My favorite part is when his vocals grow 'full in body', almost emulating the sensual message of "When I'm Loving You."
"Love Never Fails" is a lovely ballad, sounding as if it could have just as easily graced a Freddie Jackson or Johnny Gill album. Kem intelligently never adds any drums, which reminds me of what traditional R&B artists like John Legend ("Ordinary People" from
Get Lifted) and Chrisette Michele ("Love Is You" from
I Am) have been so successful. It does grow the slightest bit sleepy, but when Kem changes the tone of his voice towards the end, you feel that the climax of the song has been achieved very successfully. "Share My Life" proves to be another beautiful track, in line with Kem's "Intimacy" theme. As always, while Kem barely breaks a sweat vocally, he does just enough and the subtlety is much appreciated.
"Human Touch" plays on Kem's jazz-influenced R&B (much like Brian McKnight). While the production plays on the simple groove that is "in the pocket," the simplicity comes over as quite the minute songwriting and arranging on Kem's part. Again, "Human Touch" maybe one of the sleepier numbers, but I personally love it. The greatest line might just be "don't you want to spoon... in a garden of pillows." Kem ignites the flame with two straight five-star performances via "If It's Love" and "Why Would You Stay?." "If It's Love" is classic soul at its best. The production still clones the simplistic, stripped production work that has come to characterize Kem albums, however with just the slightest tweaks and cosmetic alterations from previous Kem albums, it sounds just that much better and more overt. Kem's duet partner just adds the icing on the cake, creating a grand chemistry between the two vocalists. Kem's first single, "Why Would You Stay?" is one of the best adult-contemporary songs I've heard since... hmm "I Can't Stop Loving You" from Kem's last album. Perfect in every way, "Why Would You Stay" is simply marvelous. Period.
"A Mother's Love," reduces the energy of "If It's Love" and "Why Would You Stay." Sure it is somewhat sleepy (though atmospheric and beautiful), but with the stripped production, the lyrics become that much more depth-filled and meaningful, so I must give kudos to Kem's judgement, tender vocal performance, and 'telling' songwriting. The piano performance isn't too shabby either... but maybe as a pianist that's my natural musicianship coming out. Smartly, Kem adds a groove to the mix which allows him to ad lib and stretch himself vocally. "You're On My Mind" smartly hikes up the tempo, adding Maxwell-ish horns to the mix and soulful guitar riffs that where notably absent from "A Mother's Love." "You're On My Mind" additionally does a good job of allowing Kem to stretch out vocally, more so than on previous albums. The Jill Scott feature "Golden Days" closes the brief set with a bang - it is unlike anything Kem has ever produced before. Vocally, Kem's style is perfected on this cut (great nuances), with clear jazz undertones, not unlike something that Bobby McFerrin might do. And let's not underwrite Jill Scott's spoken word guest spot ;).
Essentially, while 'Intimacy' doesn't reinvent anything, it is easily Kem's most polished and exciting album in my mind. The sensual factor is heightened here which helps to rid of Kem's 'wedding singer' image. Sure, you can still see him singing for the bride and groom, but this album helps to establish Kem's personality as a singer/songwriter just slightly more than either '
Kemistry' or 'Album II.' 4 stars; Highly recommended.