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Fans of documentary filmmaker Alan Berliner are familiar with his illuminating work about the far-reaching influence of family history on every aspect of life. His award-winning 1986 feature
Family Album, for instance, is a moving, ghostly portrait of a vanished American age as captured in the home movies and audio recollections of some 60 families. A decade later, Berliner's 1996
Nobody's Business is a determined look into the story of his then 80-year-old father's life, despite the old man's insistence there's nothing there worth knowing. Between those two works came the 1991
Intimate Stranger, the edgiest and most mysterious of the three. The film concerns the odd saga of Berliner's maternal grandfather, Joseph Cassuto, an Egypt-born Jew who fashioned his place in the world as a pioneering businessman in the Middle East and Japan. Sold on the importance of maintaining the distinctive image of a big fish in a small pond, Cassuto had a knack for placing himself at the center of important events, knowing just how to work a photo opportunity both for immediate purposes and the long view of history.
Part of that image was the window dressing of a wife and children kept nice and cozy in New York while Cassuto spent years and years enjoying his esteem in postwar Japan. There, Cassuto imported cotton and became a capitalist godfather in the defeated nation's rebuilt economy, all the while so indifferent to the needs of his family that he rarely wrote, let alone visited. Berliner's explorations into all this proceed from his own, formative impressions of the pain Cassuto's absence cause his wife (Berliner's fragile, overwhelmed grandmother) and their father-starved kids (the director's mother and uncles). The result is a sad but fascinating story of one man's contradictions and the legacy of his choices on subsequent generations. --Tom Keogh