From Publishers Weekly
The third in the Lytton family trilogy (
Something Dangerous;
No Angel) takes the patrician English clan—and all its jockeying for power, money and approval—into the second half of the 20th century. Set in London and New York, the novel opens in 1953 with the Lyttons in an uproar, as matriarch Celia drops two bombshells: she's leaving Lytton's, the family publishing house she has run for decades, and marrying sportsman Lord "Bunny" Arden. (Her husband Oliver died only a year earlier.) Baffled, her children contemplate how these changes will affect their careers and inheritances. Meanwhile, the narrative turns to Barty Miller, Celia's adopted daughter, who runs Lytton's New York and controls the majority share of the house thanks to her first husband's wealth, and Barty's headstrong daughter, Jenna. Barty also marries again, to Charlie Patterson, a smooth operator of relatively modest means who turns out not to be all that he appears to be. As this page-turner nears its conclusion, the Lytton family fortunes come under threat from the resentful Charlie. Will Barty and Jenna manage to preserve the Lytton legacy? Period color, deliciously shocking revelations and showy characterizations heighten this romance, which should be one of the summer's guilty pleasures.
(Sept.) Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
Third in a dense, all-consuming trilogy, the latest in the Lytton family saga continues the legacy of social arrogance and single-minded ambition of publishing scion Celia Lytton (
No Angel, 2003). In this episode, third-generation Lyttons compete with their forebears in an effort to wrest control of both the New York and London branches of the publishing business while falling inconveniently in love and attempting to hide their own ugly schemes. This is rich people behaving badly--and Barbara Taylor Bradford fans, along with those who enjoy the bootstraps-to-riches stories of Belva Plain--will be entranced. Jump into the trilogy anywhere and be transported into a high society of bygone times, peopled with the dysfunctional, self--serving players of an addictive soap opera. Aside from the occasional moment of confusion when sorting out the bewildering transcontinental appearances of the large cast of characters, readers will find themselves unable to resist being led
Into Temptation. Come September, expect to see this hefty tome wherever they go, sneaking a read and hoping they haven't seen the last of the Lyttons.
Jennifer BakerCopyright © American Library Association. All rights reserved