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165 of 174 people found the following review helpful:
4.0 out of 5 stars
Magnifying the Joy and Angst of Coming of Age, March 9, 2008
Christopher McCandless, in becoming 'Alexander Supertramp', holds a mirror to us all, a meditation on what the ideal life completely in tune with nature, surviving only on ingenuity and adaptation skills, leaving the increasingly burdensome conflicts of society behind in order to become at one with the universe. Based on Jon Krakauer's reconstruction of McCandless' journey from his diary, from letters, and from notes found after his death at age 23, IN THE WILD has been transformed into a Waldenesque film by Sean Penn who provided both the screenplay and the direction. While some may argue the very loose technique of relating this story, few will come away form this film untouched by the sheer dreamy valor of a youth determined to find his own connection to the meaning of existence.
The bright McCandless (Emile Hirsch) graduates from Emory University and faces a celebratory dinner with his wealthy but dysfunctional parents (William Hurt and Marcia Gay Harden) and his adoring younger sister Carine (Jena Malone). During the stilted and revealing dinner Christopher declines his parents' gift of a new car and instructions on how to proceed with his life of success, instead electing to leave it all behind and secretly set off on a personal journey to live in the wild. Stripping himself of worldly possessions he begins his road trip with the ultimate destination being Alaska. Along the way he encounters various people: Wayne Westerberg (Vince Vaughan) who offers him work harvesting grain and camaraderie; Jan and Rainey (Catherine Keener and Brian Dierker), two middle-aged hippies who offer him a sense of family; Tracy (Kristen Stewart), a 16-year old who offers him physical love Christopher cannot condone; a Danish couple he encounters while rafting; and the elderly Frank (Hal Holbrook) who has no family and lives alone making leather trinkets, eager to 'belong' to the young man whom he sees as needy yet courageous.
Christopher's journey pretty much covers America and Mexico, from the plains and farms to the homeless streets of Los Angeles to the splendors and natural cruelties of nature in Alaska. His struggles survive are balanced by his inebriation with the wonders of the natural world untouched by society. Yet in the end he faces his own dissolution into the dust of nature alone.
Hirsch immerses himself in this physically demanding role and manages to hold onto our hearts all through his journey. The flow of the story is at times discordant with the over voice narration by Jena Malone and the insertion of bits and pieces of quotations that aren't pieced tightly together enough to avoid sounding superficial. Yet the supporting cast is very strong, including a brilliant little cameo by Cheryl Francis Harrington as a social worker with heart. The photography (Eric Gautier) is stunning and the musical score, courtesy of Michael Brook, Kaki King, and Eddie Vedder, fits the mood through the film. And throughout the film Sean Penn has the restraint and taste to keep the story vital without ever making it maudlin. A very fine film. Grady Harp, March 08
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160 of 172 people found the following review helpful:
5.0 out of 5 stars
A Wilderness of Adventure and Emotions--Sean Penn Crafts One Of The Year's Best Films , December 31, 2007
When I read Jon Krakauer's "Into the Wild" approximately ten years ago, I was mesmerized by the tragic real-life tale of Christopher McCandless. But as much as I loved the book, I never even thought about a film adaptation. Maybe that was shortsighted of me. Recounting McCandless's life and reconstructing it with minimal data and much introspection, "Into the Wild" succeeded as a cautionary adventure of idealism gone awry. Much of McCandless's life was lived alone and much of his story was pieced together though brief encounters or recovered writings. So what was a thoughtful portrait on the page never really seemed like it would translate to the screen--certainly not with the same impact. Luckily, though, Sean Penn thought otherwise. Adapting and directing Krakauer's fine book, Penn has fashioned a sad, funny and exciting film with tremendous emotional resonance.
An affluent and likable young man, McCandless graduated with honors from Emory University and then set a course to redefine his life. Abandoning his family, friends, and material possessions--McCandless assumed the pseudonym of Alexander Supertramp and set off to explore the world in its most innocent form. Living off the land and experiencing nature, fellow travelers, and much adventure--McCandless was looking for a modern day utopia and sought to discover his real self as he cast away the corruptions of modern life. Touring the country for two years, McCandless's exploration was to culminate in an Alaskan sojourn--where he would commune with "the wild." His aspirations can be viewed as both admirable and delusional--but that is part of the complexity of McCandless's life. As much as you want him to succeed, you realize there can be no happy ending with the expectations he has in place.
Penn's "Into the Wild," thus, depends on evoking a McCandless that you will care about--either because you commend his pursuit or because you want him to come to his senses. And it really works in combination. In a dynamic performance, Emile Hirsch transcends his previous work and becomes a full-fledged leading man. Hitting all the right notes, Hirsch creates a character who evokes our sympathy, our frustration, and even our laughter. McCandless meets a lot of companions on the road, and Hirsch makes it easy to see why he was so accepted. A great role--Hirsch meets all the emotional challenges and also makes a physical transformation that is a both startling and powerful. His great work is matched by a roster of big names including Vince Vaughn, William Hurt, Jena Malone, and Marcia Gay Hardin (among many others). But Catherine Keener and Hal Holbrook are real stand-outs--their adoptive relationships with Hirsch both challenge him and make him understand (eventually) that life is not meant to be lived alone.
If there is any flaw in the film, it exists in the book as well. We can only know so much about McCandless from the resources available. He had a heightened sense of injustice particularly when it came to the "untruths" or perceived wrongs perpetuated by his family. Nothing presented, however, can explain how his relatively normal dysfunction blossomed into such an extreme world view. This secret is in McCandless's mind alone.
"Into the Wild" works as a character study and a gritty drama, but also as an adventure. The scenery and photography are breathtaking and the action sequences are well executed. There is much genuine warmth and humor in the film as well. It was a fully satisfying film experience, to me, and has many quiet moments that have stayed with me. Highly recommended for serious adult audiences. KGHarris, 11/07
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31 of 34 people found the following review helpful:
4.0 out of 5 stars
A fine adaptation--with weaknesses--of a superb book, May 9, 2008
Just about the time Sean Penn was reading the book "Into the Wild," so was I. The book reminded me, first, of a good friend whom I've known since the mid-1960s. He's always fancied himself as somewhat of a wild man. He barely made it through high school, lived a kind of offbeat lifestyle for a long time--even turned me onto some music I might not otherwise have heard. He always wanted to relocate to Alaska. Thus far, he hasn't made it.
Then, after seeing the movie, I spent a few days with a group of students and their teachers from Alaska. They were delightful people, yet when I brought up Chris McCandless, they referred to him as, essentially, nuts. That didn't surprise me much. Indeed, it's an irony: We live in a country that proclaims individualism, yet when one pursues his own path--look at even the well-known like Thoreau--they're condemned for it. "Conventional thinking" is that one is to pursue a lifestyle of comfort and consumption. That's why we go to school, right?
Anyway, when I finished the book, I envied first the author. He's one of the best writers of today. But I also envied McCandless. What? Envying a dead man? Well, we're all going to die some day. Some will do it without having lived--to paraphrase Thoreau. Chris lived before he died. Maybe a little naively, but he lived. That's truly enviable.
It was so long ago that I read the book that I need to read it again, or listen to the recorded version. Frankly, I recall that the author did a little speculation in the book. How much, for example, did Chris's parents' relationship have to do with his behavior? I repeat, the author speculated. In the film, Penn had Chris's sister self-reflecting a lot, and that's where the speculation took place. (And Chris's relationship with his sister in the film seemed a little peculiar. But I'll let you watch and see if you agree or not.) And in the film, it came across as assertion rather than speculation. That's the only weakness of the film.
The film, other than that, was quite accurate to the book. McCandless took off on his own, essentially cut all ties to his "past," including getting rid of a lot of money that could have made his pursuit less valid. Emile Hirsch looks uncannily like McCandless. And the over 100 lbs. that he lost for the role--incredible!
I thought the rest of the casting of the film was superb. Some of the roles were chanced into, but that made the film all the more realistic. And I thought William Hurt and Marcia Gay Harden were spectacular as Chris's parents, their own self doubts and passions exposed in both expressions and behavior.
What motivated McCandless? We can only speculate. Did he make some mistakes? Yes, as would any of us.
Might we learn something from him? Most definitely! Like in the book, Chris's notes were an integral part of the film's script. I'm so tempted to list them here, but that would give away an important element of the film.
The additional disk in this version of the DVD also gives you a little to think about, on the characters, the production. And it's not a self-aggrandizing extravanza as many of the "bonus materials" are.
Anyway, my thanks to Sean Penn for making a fine film out of one of the better books I've ever read, about a "great American." No, Chris McCandless didn't write declarations. He didn't write bestsellers. He didn't make long speeches about himself. But he pursued something he was compelled to do. I wish more of us had the guts to do so.
Rest in peace, Chris.
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