This book is self-described as a textbook intended for Philosophy classes in upper schools and universities as a companion to original texts by major philosophers.
The book does an excellent job of summarizing major ideas using popular television shows, books, movies, and music. Additionally, however, I found the study of how philosophy permeates these forms of entertainment and our basic culture to be doubly fascinating.
The book is a compilation of articles, each written by a different author, focusing on a general idea developed in pop culture. One of the best articles I found was about ethics (the concepts of right and wrong). The writer examined the ideas of Utilitarianism by John Stuart Mill (the basic idea that what is good for the most people is always best) and Deontology (the idea that morals are more important for an individual) by Immanuel Kant with an article about superheroes entitled "Why Doesn't Batman Kill the Joker?"
Other highlights include a piece on existence and identity in the movie "The Matrix," an article examining ideas by Nietzche and Marx in Metallica songs, development of a society in "Lost, and an item on destiny and free will in the world of "Harry Potter."
The book does have an emphasis on shows such as "Battlestar Galactica," "The Office," "South Park" and "House." Though I am not as familiar with these programs as with the movies discussed, all of the articles are accessible to the reader with just a slight exposure. The tome also includes articles using "X-Men," "The Colbert Report," "The Terminator," "Twilight," "Heroes," "Watchmen, "Family Guy," and "24."
I found the book a good refresher of many of the basic concepts I learned in a few courses in my past studies. Though not stressed by the authors, a reader with a critical eye may also be able to spot how these philosophical ideas have endured and filter into our daily life activities, including leisure and pop culture.