Introducing Postfeminism [Paperback]

Sophia Phoca (Author), Rebecca Wright (Contributor)

Book Description

Publication Date: September 1, 1999 | Series: Introducing

A title in the INTRODUCING series, formally published under the BEGINNERS series. This volume outlines key areas of post-feminist thinking, including psychoanalysis, postmodernism, cyberfeminism, post-colonialism, queer theory, art and popular culture, and covers the main feminist theorists.

Product Details

• Paperback: 176 pages
• Publisher: Totem Books (September 1, 1999)
• Language: English
• ISBN-10: 1840460105
• ISBN-13: 978-1840460100
• Product Dimensions: 8.3 x 5.5 x 0.5 inches
• Shipping Weight: 9.8 ounces
• Average Customer Review: 3.7 out of 5 stars  See all reviews (3 customer reviews)
• Amazon Best Sellers Rank: #965,680 in Books (See Top 100 in Books)

Customer Reviews

Most Helpful Customer Reviews

23 of 29 people found the following review helpful:

5.0 out of 5 stars Madcap Zeitgeist-ian Fun meets Serious Social Whatnot, October 13, 2000

By 

Justin Weaver - See all my reviews

This review is from: Introducing Postfeminism (Paperback)

For my next trick, I'd like to pull an hypothetical rabbit from a proverbial hat... what's that you say? sounds exactly like the goals of Postmodern Feminism? You are 100% correct, sir/madam-- just check out this book as the proof!

I was over at the lovely downtown home of a couple of friends and, toward the end of the evening, was handed this cute little dark blue book with a very becoming pink Madonna-inspried getup hanging on an equally pink rod gracing the cover.

The book is "Introducing Postfeminism" by Sophia Phoca and Rebecca Wright. As postmodern feminism (here-termed 'postfeminism', since philosophers prefer their big words small) has always been of supreme interest to yours truly, I immediately opened the volume and began to glean therefrom the attendant humor I had thoroughly expected.

Interlaced with poppy cartoons of the 'great thinkers' of postfeminism, engaging the world in a variety of oddball venues, are pages of terrific summation of the movement, its implications for society, and its parallels in psychology and philosophy.

If you're unfamiliar with this Zeitgeist-creating movement, this is THE book to begin with-- everything's there: from Freud to Saussure to Irigaray to Paglia to Foucault to Haraway.

Oh, sure, they all seem harmless enough, but read this through and you will appreciate just how sweeping the cultural notion of "celebrating differences, not equality" has become. It's equally amazing to see exactly what counts as "evidence" for feminists-- just about anything observable or not. Check out pages 110-111, where the hymen is described as existing "both within and outside the body"; "it can be metaphorically broken or remain intact."

Postfeminists, like psychoanalysts, have an odd tendency to generalize biological gestalt to social universals: a Lacanian celebration of implicit social roles coded within the genitals. Indeed, much of postfeminism has been about "deconstructing" (a very specific term, really) these roles and reconstructing them into something new and, presumably, more socially viable.

Haraway, for example, suggests that females should relate to the CYBORG being: "Cyborg replication does not rely on organic sexual reproduction or the organic nuclear family. The cyborg is both animal and machine; both fiction and social reality. The cyborg breaks down the traditional humanist barriers: human versus animal, human versus machine and physical versus non-physical. The cyborg is the 'illegitimate child of patriarchy, colonialism and capitalism'."

Mhm... but before you run off to start installing brain-chips and artificial limbs (portrayed nicely in the book at p. 142), you might consider that since women alone can be "virtual reality", they alone are entitled to the special status as cyborg-- watch out boyfriend, eh?

Paglia suggests that Madonna is the 'ideal' postmodern woman who is both fully feminine and sexual but totally in-control...

Oh yes, and did you know that cinema is inherently masculine because it is voyeuristic?

Madcap psychobabble, or important social trend? Decide for yourself folks but enjoy the ride in this VERY appealing, very well written, and highly entertaining book!

6 of 9 people found the following review helpful:

2.0 out of 5 stars Fun for experts, off-putting for beginners, March 22, 2002

By 

Addison Godel (Decatur, GA United States) - See all my reviews

This review is from: Introducing Postfeminism (Paperback)

Ironically, the "Introducing" books always seem to be least useful for those who really need an introduction. Introducing Postfeminism (an awkward term if ever there was one) is no exception - it's overly stylish and short on transitions, organized paragraphs, and clear explanations of specific figures and ideas. If you already have a solid grounding in these matters, the book may be a handy pocket reference - however, as an actual introduction it's a mess. The ideas jump off the page in the worst kind of buzzworded style, and we're scarcely five words into essentialism when structuralism barges into the picture. Even a reader eager to learn (me) finds hirself skimming.

1 of 5 people found the following review helpful:

4.0 out of 5 stars Hey Kurt, July 13, 2002

By A Customer

This review is from: Introducing Postfeminism (Paperback)

Hey Addison Godel, are you in any way related to Kurt Godel ?
Just wondering. "Introducing Postfeminism" is a good book except the part on psyhcology i didnt really think it was too introductory. But nevertheless a great read and introduction to a complex subject.