Customer Reviews

Introduction to Digital Audio Coding and Standards (The Springer International Series in Engineering and Computer Science)

5 star:		(4)
4 star:		(0)
3 star:		(1)
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1 star:		(0)

 

 

The book gives a good review of the historical development of audio coding standards with emphasis on ISO. Generally speaking it is well written, but the technical details as well as theoretical aspects are frankly, quite superficial; therefore it is not satisfying for a (proud) nerd like myself. If one's goal is to implement a program to handle the MP3 bitstream, for instance, then the book does not help. If one's goal is to design a new filter bank to improve the MP3 coder, then the book does not help either. However, it is recommended for beginners to get a flavor of the audio coding field.

For a long time in my school life and now as a audio engineer I look forward to this kind of book.
MPEG Audio or AC3 audio standard is rather simple, but the syntax and decoding procedures imply considerably complex algorithms have been included there.
This book explains related theorys - for example filterbanks in detail, psychoacoustics, entropy coding, etc - concretely and expertly. She(Bosi) was one of the leading members in making MPEG Audio Standards.
Strongly recommendable!

This book describes the basic details and the Signal Processing behind the Audio compression. It also describes PQMF and MDCT in continuation which is rare in books. Almost all the standard audio codecs are described with comparisons. I am delighted to read the book. At least my search end with this book on this topic. After getting this book, I need not look into IEEE & AES papers. For Audio engineers working on this domain should read this book to have a complete picture and overview of the technology and the domain.

This is a well written book. It covers all the right topics and is very helpful and useful for anyone who is interested in audio codecs. The book is not full of all the technical details. It doesn't need to be. It explains the basics very very well and the exercises are well thought out.

This is a 'reference' book for anyone interested in how modern perceptual audio coders work. It is very well written, and complete.