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Inventing Niagara: Beauty, Power, and Lies
 
 
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Inventing Niagara: Beauty, Power, and Lies [Paperback]

Ginger Strand (Author)
4.7 out of 5 stars  See all reviews (20 customer reviews)

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Book Description

May 5, 2009
Americans call Niagara Falls a natural wonder, but the Falls aren't very natural anymore. In fact, they are a study in artifice. Water diverted, riverbed reshaped, brink stabilized and landscape redesigned, the Falls are more a monument to man's meddling than to nature's strength. Held up as an example of something real, they are hemmed in with fakery -- waxworks, haunted houses, IMAX films and ersatz Indian tales. A symbol of American manifest destiny, they are shared politely with Canada. Emblem of nature's power, they are completely human-controlled. Archetype of natural beauty, they belie an ugly environmental legacy still bubbling up from below. On every level, Niagara Falls is a monument to how America falsifies nature, reshaping its contours and redirecting its force while claiming to submit to its will.

Combining history, reportage and personal narrative, Inventing Niagara traces Niagara's journey from sublime icon to engineering marvel to camp spectacle. Along the way, Ginger Strand uncovers the hidden history of America's waterfall: the Mohawk chief who wrested the Falls from his adopted tribe, the revered town father who secretly assisted slave catchers, the wartime workers who unknowingly helped build the Bomb and the building contractor who bought and sold a pharaoh. With an uncanny ability to zero in on the buried truth, Strand introduces us to underwater dams, freaks of nature, mythical maidens and 280,000 radioactive mice buried at Niagara.

From LaSalle to Lincoln to Los Alamos, Mohawks to Marilyn, Niagara's story is America's story, a tale of dreams founded on the mastery of nature. At a time of increasing environmental crisis, Inventing Niagara shows us how understanding the cultural history of nature might help us rethink our place in it today.


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Editorial Reviews

From Publishers Weekly

With wit and passion, Strand (Flight: A Novel) explores the history of Niagara Falls and shows that the famous natural wonder is in reality a prime example of man's manipulation of nature, constantly exploited to attract tourists. In the 19th century, landscape architect Frederick Law Olmsted, appalled by the crass commercialism of souvenir shops, ugly signs and cheap attractions, pledged to restore Niagara to its natural beauty; instead, he created a fake wilderness. In the 20th century, humans learned to control the falls by harnessing them for electric power, and this led to what is for Strand the most shocking fakery: the water going over the falls is manipulated for greater output in the daytime—to impress visitors—and turned down at night to generate more power. In addition, the capacity to generate large amounts of hydroelectricity has made Niagara Falls a prime spot for industries that manufacture electrochemical products and for nuclear weapons facilities; the author paints a vivid picture of a region awash today in toxic waste and radioactive contaminants. Strand's provocative and iconoclastic book says much about how America has dominated nature, despoiled it and shrouded the offense in myth. 8 pages of color photos not seen by PW. (May)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved. --This text refers to an out of print or unavailable edition of this title.

Review

"Niagara Falls is where America discovered the sublime. And Ginger Strand has discovered everything that happened since. If you want to understand our relationship with the natural world, you better read this book." -- Bill McKibben, author of The Bill McKibben Reader

"Here we have two captivating stories -- one about America's most famous waterworks, and the other about how a self-proclaimed 'hydrogeek' schooled herself in the myths and meaning of the great falls. Displaying wit and verve on a scale worthy of her subject, Ginger Strand shows that Niagara has been harnessed, perhaps to a greater degree than any other of our natural wonders, to human purposes." -- Scott Russell Sanders, author of A Private History of Awe

"A brilliantly entertaining history of America's original natural wonder and its heedless boosters and failed visionaries." -- Mike Davis, author of City of Quartz and Planet of Slums

"As engaging as it is insightful, Inventing Niagara is a careful and caring study of how myth and machine have covered over a great natural place. Peeling back the myths and looking behind the machines, as she brilliantly does, Strand reveals who we have been and who we need to become." -- Curtis White, author of The Spirit of Disobedience and The Middle Mind

"This is a deep and exhilarating book. Its material could have been played for irony, but Strand chose profundity instead, burrowing down through self-conscious layers of artifice until she arrives at a place both strange and vital." -- David Gessner, author of Soaring with Fidel

Product Details

  • Paperback: 352 pages
  • Publisher: Simon & Schuster; Reprint edition (May 5, 2009)
  • Language: English
  • ISBN-10: 141654657X
  • ISBN-13: 978-1416546573
  • Product Dimensions: 8.3 x 5.5 x 0.9 inches
  • Shipping Weight: 12 ounces (View shipping rates and policies)
  • Average Customer Review: 4.7 out of 5 stars  See all reviews (20 customer reviews)
  • Amazon Best Sellers Rank: #1,260,386 in Books (See Top 100 in Books)

More About the Author

I was born in Michigan and raised in Texas, Missouri, Illinois, Wisconsin and Michigan, in that order. Here are my obsessions: water, ancient Rome, infrastructure, SuperFund, airplanes, silent film, panopticons, P.T. Barnum, photography, lies, the 1930s, Niagara Falls, EPA, Edward Wormley, consumerism and rhinoceroses, especially one named Clara who lived in the 18th century.

 

Customer Reviews

20 Reviews
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Average Customer Review
4.7 out of 5 stars (20 customer reviews)
 
 
 
 
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Most Helpful Customer Reviews

16 of 17 people found the following review helpful:
5.0 out of 5 stars The Eternal, Ever-Changing Niagara, June 20, 2008
There may be many reasons for going to Niagara Falls. Sure, you have to be awed by the spectacular falls themselves. You might go to start up a marriage, or to re-start one. You might go gamble. "I went to Niagara Falls because I wanted to laugh at it," says Ginger Strand, author of _Inventing Niagara: Beauty, Power, and Lies_ (Simon and Schuster), and she finds plenty of the historical and regional environs funny. But wanting to laugh was the reason she went there during her college years, just to smirk at the tackiness and kitsch. She has been going back, though, over and over since then, because "I do love hydroinfrastructure - water tunnels, reservoirs, canals, sewers, aqueducts." She finds it inspiring, but she also finds that the natural wonder that everyone loves about the falls is not natural at all. It has been used, changed, prettified, trivialized, exploited, and poisoned. There is thus a great deal of amusement in this wide-ranging account, but a good deal of loss and sadness as well.

"Niagara Falls as a natural wonder does not exist anymore." It is originally hard to believe this. It is not surprising that the water does not fall exactly as it did three hundred, or three thousand, years ago, but it is surprising how much people have made the changes happen in recent years. This is not entirely because of using the water for hydroelectric power, although this is certainly one cause of the change. The waterfall has hours of operation. In the summer, and during the daytime, when people come to see the falls in action, the water gets turned up to maximum flow. At night, it gets dialed back "like a fancy massaging showerhead" so that more electricity is generated. No more than half the water that could go over the falls actually does so, and an engineer assures Strand that yes, if they wanted, the power companies could divert all the water to the generators with none for the tourists. The effect on the scenery of the reduced flow has been minimized by huge engineering projects, tinkering with the flow and diverting it so that it goes evenly over Horseshoe Falls, for instance. The fall of the water is not all that has changed, of course. The "Free Niagara" movement, guided by the famous landscape architect Frederic Law Olmsted, proposed to make the surroundings of the falls to be picturesque and spiritually elevating. Strand writes that this was questionable social engineering. Worse than that, it hid the hydrodynamic and chemical exploitation of the area as industry sprang up to take advantage of the water's power. Only later did atrocities like the toxic dumps of the Love Canal come to light. There is a long history of utopian dreams for the region, but few of them have come true.

Much of Strand's book is therefore distressing. Humans have tried to do what they always try to do, take control of nature for reasons esthetic, and especially commercial, and whatever successes have come are inextricably linked to failures. The pessimism does not mean that Strand's book is preachy. There are stories of shrunken heads here, and Jo-Jo the Dog-Faced Boy, and fake Indian legends, and of course the peculiar thrills of those who go over the falls in barrels. There is a great deal of fun here. Strand writes, "On every level, Niagara Falls is a monument to the ways America falsifies its relationship to nature, reshaping its contours, redirecting its force, claiming to submit to its will while imposing our own upon it." There is plenty of documentation here of this theme, but Strand still travels to Niagara every chance she gets. She is continually amazed at the landfills or the other examples of disharmony with nature, but that's not important. The real amazement, and she writes about it heartily and endearingly, comes from the big, green spectacle of water, falling. Anyone reading this entertaining account will understand how well-placed is her obsession.
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9 of 9 people found the following review helpful:
5.0 out of 5 stars A confusing, fascinating view of Niagara, September 20, 2008
There are really two books here, an excellent history of an American/Canadian icon, and a confusing voyage of self discovery. I loved the first story, but was often irritated by the way Strand intruded with her speculations, often negated a page later, and her personal asides.

Strand's substantive portions are really superb; her overview of the toxic site histories and her discussion of honeymoon history at the falls, for example. (But what, exactly, does a Red Hat Society meeting have to do with honeymoons?)

Strand cites The Second Greatest Disappointment: Honeymooning and Tourism at Niagara Falls by by Karen Dubinsky, an excellent study of honeymooning at Niagara. She writes a superb review in the main text of Marilyn Monroe's performance in Niagara; she's especially effective on Monroe's long walk away from the camera in one scene. She calls the wonderful Falling for Marilyn by Jock Carroll "an indispensable photographic essay". On weddings and honeymoons generally, she applauds Rebecca Mead's One Perfect Day: The Selling of the American Wedding. Again, I'm not sure why she wrote about the Red Hat Society meeting, but did appreciate her compliment to "Constable Allen A. Rodgers, who gave me new respect for the many talents of the Royal Canadian Mounted Police. O Canada!"

Suggestion: read Strand's "Sources and Acknowledgments" pages, then visit her outstanding website, and then, if you have time to dawdle, read the book itself. She has put together a tremendous collection of excellent books and other sources in the book, and she has greatly strengthen some of the weaknesses in the book on her website. The sections on hydrotechnology are weak in the book but superb on the website. And her suggested tours of the Falls on her website are excellent, and surprisingly missing from the book itself.

This book is well worth reading for an understanding of Niagara if you can get past the biographical asides, and I urge you do so if you have any interest in Niagara.

Robert C. Ross 2008
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9 of 9 people found the following review helpful:
5.0 out of 5 stars Niagara is a Wonder but a Manufactured Wonder, July 24, 2008
By 
Gregg Eldred (Avon Lake, OH USA) - See all my reviews
(VINE VOICE)    (REAL NAME)   
If you live in the US or Canada, I would imagine that you would be in the minority if you say that you have never been to Niagara Falls. According some sources, over 2 million people visit the Falls every year. But what you see is just a small portion of the area. Ginger Strand, in her book, Inventing Niagara, shows you Niagara Falls and the surrounding area in a way that no travel guide will; She debunks the myths, shows you the environmental damage, takes you behind the scenes of the massive power plants, and introduces you to the many people that have shaped the area. And when I say "shaped," that is exactly what you see - men who have turned a natural wonder into something fake. At the end of the book, you have to wonder if Disney had something to do with the Falls, as what you see is manufactured realism.

Contents:
Introduction: Down the Memory Hole
Chapter 1: White Man's Fancy, Red Man's Fact
Chapter 2: The Eighth Wonder of the World
Chapter 3: Skipper the Two-Legged Dog
Chapter 4: The Other Side of Jordan
Chapter 5: Free Niagara
Chapter 6: King of Power, Queen of Beauty
Chapter 7: Sentiment in Liquid Form
Chapter 8: The Bomb and Tom Brokaw's Desk
Chapter 9: Boulevard of Broken Dreams
Epilogue: The Voice of the Landscape
Sources and Acknowledgements
Index

Starting the book with a critique of the "Maid of the Mist" mythology, Strand moves along to other historical figures such as the early explorers, the indigenous Indians, and the developers. One of the stories that amazed me was the spectacle of the schooner Michigan, which is curiously omitted from all current guide books. In 1827, two businessmen contracted to have the schooner Michigan towed to currents above the falls with a crew of caged animals. At the appointed hour, the schooner was cut loose and a crowd of up to 20,000 watched as it plunged over the falls and was smashed to bits. Only a bear and a goose survived the ordeal. As time moves on, things don't get better for the area. As men realize the unlimited hydroelectric potential of the falls, water is diverted from the falls, reducing the flow to the minimum for the tourists. The resulting factories dump their toxic chemical and radioactive waste into the Niagara River. Or they create Superfund sites like Love Canal (Love Canal is but one Superfund site in the area, there are many others). Or they create giant landfills. The memories that travel guides omit are brought to the light by Strand, made more compelling by her interviews with people that actually lived on the land or worked in the factories.

From the opening pages, you understand that Strand has an obsession with Niagara Falls. And it is a good thing, too, as she has written a very good book on the dark side of the falls. While 99.9% of those 2 million visitors only look at what is in front of them, enjoy the casinos, or the tourist mecca that is Clifton Hill, there is much more to experience and know. Not all of it equals a happy and relaxing visit, but it is a view of the real falls. The fact that only a small percentage of the Niagara River flows over the falls and is controlled and manipulated very carefully by the power authorities is just as amazing as the history of Goat Island and the American Falls. You finish the book realizing that what you see isn't real, it is man-made. This book hasn't deterred me from visiting again, it has shown me some sites that I would like visit. And it puts into context why you see what you do. Knowing that, I can still have a pleasant visit, but it will not be spent only on the Canadian side of the falls. There is too much to do on the American side and it will be important to share those sites with the family. I can't wait to relate to the family the history of the Robert Moses Parkway or how a small band of Indians lost their land because they didn't do anything with it (this is a point that probably has some merit in today's society). The only issues I had with the book are probably trivial: Strand's overuse of the word "sublime" and the casual tone. But it is a very enjoyable, interesting book.

Be sure to read the Sources and Acknowledgements. Strand adds more personal tidbits amongst her sources, especially an anecdote concerning Norm Stressing, supervisor of operations at the Robert Moses Niagara Power Plant.
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