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Invisible: Covert Operations and Classified Landscapes [Hardcover]

Trevor Paglen , Rebecca Solnit
3.6 out of 5 stars  See all reviews (7 customer reviews)

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Book Description

August 30, 2010
Invisible: Covert Operations and Classified Landscapes is Trevor Paglen's long-awaited first photographic monograph. Social scientist, artist, writer and provocateur, Paglen has been exploring the secret activities of the U.S. military and intelligence agencies--the "black world"--for the last eight years, publishing, speaking and making astonishing photographs. As an artist, Paglen is interested in the idea of photography as truth-telling, but his pictures often stop short of traditional ideas of documentation. In the series Limit Telephotography, for example, he employs high-end optical systems to photograph top-secret governmental sites; and in The Other Night Sky, he uses the data of amateur satellite watchers to track and photograph classified spacecraft in Earth's orbit. In other works Paglen transforms documents such as passports, flight data and aliases of CIA operatives into art objects. Rebecca Solnit contributes a searing essay that traces this history of clandestine military activity on the American landscape.

Frequently Bought Together

Invisible: Covert Operations and Classified Landscapes + I Could Tell You But Then You Would Have to Be Destroyed By Me: Emblems from the Pentagon's Black World + Blank Spots on the Map: The Dark Geography of the Pentagon's Secret World
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Editorial Reviews

Review

"Described by critic Paul Schmelzer as 'part Gerhard Richter painting, part Bigfoot sighting,' Paglen's imagery is both a best-attempt documentary of secret fragments that can be seen and a euphemism for all else that is not...His photographs are specters of the Global War on Terror and they're the closest we've come to seeing the most secretive aspects of this most abstract of wars." --Wired Magazine, Pete Brook, 18-Aug-10

"I think of the pictures in 'Invisible' as surprising guides to America's darkest, most mysterious spiritual landscape." --Los Angeles Times, Christopher Knight, 10-Sept-10

"The photographs...are somewhat abstract, sometimes blurry, giving them a haunted, ephemeral feel...No matter how ambiguous or elusive the images in this book are, however, the underlying landscapes are quite real...The blank spots on the map that Paglen describes have their corollary in the blank spots in the mind and in public dialogue...The Post, WikiLeaks, and Paglen have filled in a few of those blank spots. The debate is up to us." --New Yorker, Rollo Romig, 26-July-10

"From secret satellites to covert CIA agents, [Paglen's] images rely less on aesthetics than the sheer power of evidence, or as Paglen puts it, their ability to insist on 'underlying sociological, cultural and political facts.' But in doing so they push our belief in evidence, because for every blurred or unfathomable shot there is an explanation, that we either find credible or not." --British Journal of Photography, Diane Smyth, Aug-10

Product Details

  • Hardcover: 160 pages
  • Publisher: Aperture; 1 edition (August 30, 2010)
  • Language: English
  • ISBN-10: 1597111309
  • ISBN-13: 978-1597111300
  • Product Dimensions: 9.8 x 0.9 x 10.9 inches
  • Shipping Weight: 2.7 pounds (View shipping rates and policies)
  • Average Customer Review: 3.6 out of 5 stars  See all reviews (7 customer reviews)
  • Amazon Best Sellers Rank: #700,670 in Books (See Top 100 in Books)

More About the Author

Trevor Paglen's work blurs boundaries to construct unfamiliar ways to see and interpret the world around us.

His interests include future warfare, state secrecy, experimental geography, anthropogeomorphology, deep-time, and cave art. He spends more time thinking about modernist painting than he would like to admit.

Trevor Paglen lives and works in New York.

Customer Reviews

3.6 out of 5 stars
(7)
3.6 out of 5 stars
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Most Helpful Customer Reviews
4 of 4 people found the following review helpful
4.0 out of 5 stars art through conspiracy December 16, 2010
Format:Hardcover
Like Werner Hertzog's Lessons of Darkness, Invisible sets out to push at our understandings of art and political commentary by refusing to fall comfortably into either category. Paglen makes use of telescopic photography to produce images of restricted governmental spaces; that the formalist beauty many of these images contain is irrelevant to the content they reach across space to uncover would seem to be the point. Those looking for hard data and fist-thumping theatrical protest will be disappointed, as will those in search of a traditional exemplar of the photographic aesthetic. But for those interested in suggestive gazes into the shadow government, and the aesthetics of technology pushed to its limits, this is a book well worth exploring and mulling over. The first step into penetrating the covert machinations of power is to learn new ways to see the apparent world around us; Invisible marks a brave step towards this knowing vision.
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5 of 6 people found the following review helpful
4.0 out of 5 stars Fleeting glimpses of a shadowy world March 31, 2011
By Dr La
Format:Hardcover
This book is an artistic documentary of the few fleeting glimpses the shadowy world of military covert "Black Ops" sometimes provides us with. Sparse in text (do not expect deep histories or analytical chapters), the pictures make clear what is visible despite attempts to hide it. In itself, many pictures show little of substance: the content of the pictures is as elusive as the activities they document. Much of their meaning has to be guessed, rather than that it is given. In this, they truely reflect what they document: they show small parts of a bigger picture only, with that bigger, complete picture remaining hidden: small parts of riddles, the meaning unclear apart from that they mean *something* in the bigger context of military Black Operations. But exactly this and their context, the fact that they allow you glimpses into what you are not supposed to see without revealing the full meaning of things, makes them such strong documents.

The book is comprised of several parts. After a philosophical essay on aspects of covert war activities and society by Rebecca Solnit, the work of Paglen is presented in five parts. Part I provides telescopic pictures, taken from extreme distances, of secret military facilities: hangars, aircraft (some used by the CIA in the transport of prisoners to secret prison facilities abroad), proving grounds, office buildings. Part II briefly delves into Black Ops symbology, by means of a select number of uniform patches and challenge coins from covert projects. Part III is a list of Code Names - without any further details on what covert projects they represent. Part IV features images of classified military satellites - spy satellites - over prominent landmarks in the US (combining landmarks of the 19th century frontier with the 20th/21th landmarks of the Space frontier). Part V "on Ghosts" documents the ghost identities created by the CIA as covers for their personell, in the form of fake passports and fake names and signatures associated to the infamous CIA prisoner transports to secret prisons abroad. In a final chapter, Paglen briefly describes the methods and technology he used.

Being active in the world of (photographic) tracking of classified satellites myself, I can appreciate the technical difficulties Paglen had to overcome to shoot many of his pictures: a point which might actually be lost on some parts of his audience.

The book is a good coffee-table book, similar to the typical art book with the work of a certain painter making a good coffee-table book. It is something to leaf through and wonder, not to deeply study. It is not a book suitable (nor intended) for those seeking a deep understanding of the history of covert projects and secret wars.
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4.0 out of 5 stars Good read April 7, 2013
Format:Hardcover|Amazon Verified Purchase
Has a ton of interesting information about stuff that your taxes paid for, but you most likely know nothing about..
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