Invisible Man [Paperback]

Ralph Ellison (Author)

Book Description

Release date: March 14, 1995 | Series: Vintage International

Invisible Man is a milestone in American literature, a book that has continued to engage readers since its appearance in 1952.  A first novel by an unknown writer, it remained on the bestseller list for sixteen weeks, won the National Book Award for fiction, and established Ralph Ellison as one of the key writers of the century.  The nameless narrator of the novel describes growing up in a black community in the South, attending a Negro college from which he is expelled, moving to New York and becoming the chief spokesman of the Harlem branch of "the Brotherhood", and retreating amid violence and confusion to the basement lair of the Invisible Man he imagines himself to be.  The book is a passionate and witty tour de force of style, strongly influenced by T.S. Eliot's The Waste Land, Joyce, and Dostoevsky.

Editorial Reviews

Amazon.com Review

We rely, in this world, on the visual aspects of humanity as a means of learning who we are. This, Ralph Ellison argues convincingly, is a dangerous habit. A classic from the moment it first appeared in 1952, Invisible Man chronicles the travels of its narrator, a young, nameless black man, as he moves through the hellish levels of American intolerance and cultural blindness. Searching for a context in which to know himself, he exists in a very peculiar state. "I am an invisible man," he says in his prologue. "When they approach me they see only my surroundings, themselves, or figments of their imagination--indeed, everything and anything except me." But this is hard-won self-knowledge, earned over the course of many years.

As the book gets started, the narrator is expelled from his Southern Negro college for inadvertently showing a white trustee the reality of black life in the south, including an incestuous farmer and a rural whorehouse. The college director chastises him: "Why, the dumbest black bastard in the cotton patch knows that the only way to please a white man is to tell him a lie! What kind of an education are you getting around here?" Mystified, the narrator moves north to New York City, where the truth, at least as he perceives it, is dealt another blow when he learns that his former headmaster's recommendation letters are, in fact, letters of condemnation.

What ensues is a search for what truth actually is, which proves to be supremely elusive. The narrator becomes a spokesman for a mixed-race band of social activists called "The Brotherhood" and believes he is fighting for equality. Once again, he realizes he's been duped into believing what he thought was the truth, when in fact it is only another variation. Of the Brothers, he eventually discerns: "They were blind, bat blind, moving only by the echoed sounds of their voices. And because they were blind they would destroy themselves.... Here I thought they accepted me because they felt that color made no difference, when in reality it made no difference because they didn't see either color or men."

Invisible Man is certainly a book about race in America, and sadly enough, few of the problems it chronicles have disappeared even now. But Ellison's first novel transcends such a narrow definition. It's also a book about the human race stumbling down the path to identity, challenged and successful to varying degrees. None of us can ever be sure of the truth beyond ourselves, and possibly not even there. The world is a tricky place, and no one knows this better than the invisible man, who leaves us with these chilling, provocative words: "And it is this which frightens me: Who knows but that, on the lower frequencies, I speak for you?" --Melanie Rehak

From Publishers Weekly

These three volumes have been redesigned and reissued to commemorate the first anniversary of Ellison's death.
Copyright 1995 Reed Business Information, Inc.

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Product Details

• Paperback: 608 pages
• Publisher: Vintage; 2 edition (March 14, 1995)
• Language: English
• ISBN-10: 0679732764
• ISBN-13: 978-0679732761
• Product Dimensions: 5.2 x 1.1 x 8 inches
• Shipping Weight: 8 ounces (View shipping rates and policies)
• Average Customer Review: 4.2 out of 5 stars  See all reviews (389 customer reviews)
• Amazon Best Sellers Rank: #1,032 in Books (See Top 100 in Books)
  • #9 in Books > Literature & Fiction > United States > Classics
  • #69 in Books > Literature & Fiction > Classics

More About the Author

Ralph Ellison (1914-94) was born in Oklahoma and trained as a musician at Tuskegee Institute from 1933 to 1936, at which time a visit to New York and a meeting with Richard Wright led to his first attempts at fiction. Invisible Man won the National Book Award. Appointed to the Academy of American Arts and Letters in 1964, Ellison taught at several institutions, including Bard College, the University of Chicago, and New York University, where he was Albert Schweitzer Professor of Humanities.

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#86 in Books > Literature & Fiction > Classics

#86 in Books > Literature & Fiction > Classics

Most Helpful Customer Reviews

109 of 115 people found the following review helpful

5.0 out of 5 stars A Modern Day Parable For Everyman November 2, 2000

By Bruce Whitaker

Format:Paperback

When I first read Ralph Ellison's remarkable Invisible Man I was in college. Having grown up middle class midwestern white, it seemed at the time to be a marvelous piece of work that plunged me into the nightmarishly crushing world of racism from the black perspective. It opened my eyes to racism in a way that I could never have possibly percieved from the perspective of my own limited experience.

Thirty years later I pulled this book from the shelf and reread it on a whim. A number of things struck me on this reading that never occurred to me from my earlier limited youthful perspective.

First of all, Invisible Man is timeless and I find it hard to believe that it was written nearly fifty years ago. This book is about far more than racism, it is about loss of innocence and rape of the soul. It is about exploitation, manipulation, and the gross hypocrisy that exists in our society.

It is a work of great literary merit. Ellison displays verbal virtuosity of great breadth with beautiful and lyric eloquence. It is at times so dark and overbearingly heavy that a sensitive or less serious reader might cry out for relief. It is so relentless in plunging from one nightmarish episode to the next that one can reasonably say that it is often over the top, and yet any fair-minded reader can easily forgive the excesses of Ellison's vision for the importance of the message that it brings home.

Any reader, be he or she black, white, yellow or brown, who must make a way in this world--any reader who attempts to rise from the consciousness of the unprivelidged child or who is a seeker in life, should read Invisible Man as a cautionary tale as well as a great work of art. Please read this book if you have the courage and honesty to see the world through the eyes of the victim. This book has helped me to see those who had often in the past been invisible to me and I thank Ralph Ellison for making it possible.

100 of 106 people found the following review helpful

5.0 out of 5 stars fantastic--not just about racism July 8, 1999

By A Customer

Format:Paperback

This is one of those books I was assigned in English class that I didn't want to read. How wrong I was--this makes my short list of the greatest stories ever written. Ellison creates a vivid and shocking picture of America and society's subversion of individual identity in search of something larger. He said soon after the book was published that "Invisible Man" was not just about the black experience in America, it was an account of every person's "invisibility" in a world that tells us how to think of each other. The African-American protagonist is merely a vehicle for Ellison's much broader social commentary. Complex, heart-wrenching, deeply moving and of course beautifully written, this book is a must-read for anyone who thinks they have a grip on the American experience.

125 of 139 people found the following review helpful

5.0 out of 5 stars A Heartbreaking Work of Staggering Genius August 1, 2002

By Bruce Kendall VINE™ VOICE

Format:Paperback

Ellison, Baldwin and Wright formed the triumvirate of great African American male novelists of the past 200 years. Of the three, Ellison may well prove to be the most timeless. While Native Son, Black Boy and Go Tell it on a Mountain are powerful works, they don't quite measure up to Invisible Man, in terms of sheer literary genius.

While Ellison wears his influences on his sleeve (Dostoevsky, symbolist poets, existentialist writers, etc.[he even borrows his title from HG Wells]), his writing never suffers or sinks beneath the weight of literary associations. His was a unique voice and vision.

Like Dostoevsky's Underground Man, Ellison's narrator has essentially beat a retreat from the world. He holes up in a subterranean room, where he reflects on the the injustices society has dealt him. Dostoevsky's narrator purposely bumps into people on the Nevsky Prospect in order to certify that he is visible and just as important as the next man. Ellison's Invisible Man beats and almost kills a white man he confronts on an empty street, also in order to rationalize his own existence.

Both the underground man and the invisible man are filled with self loathing. Yet, in Ellison's work, the narrator does achieve a sort of spiritual progress and affirmative self-knowledge. He goes from being a pathetically exploited non-being that must acceed to the whims and wishes of the white opressor (the often anthologized battle royal scene at the beginning of the book), to a point near the conclusion of the book in which he can state he is free to pursue "infinite possibilities."

Irving Howe, in an overall favorable review of the novel, took Ellison to task on several fronts. He complained that the section wherein the narrator falls in with "The Brotherhood" portrays the communist party in an an unrealistic vein. He was also troubled by Ellison's narrative design: "Because the book is written in the first person singular, Ellison cannot establish ironic distance between his hero and himself, or between the matured "I" telling the story and the "I" who is its victim. And because the experience is so apocalyptic and magnified, it absorbs and then dissolves the hero; every minor character comes through brilliantly, but the seeing "I" is seldom seen." Though I generally have a high opinion of Irving Howe's criticism, I think he's arriving at a conclusion here which entirely deflates his own remarks. Yes, the "I" in Invisible Man is harder to see than the other characters, but that is part of the author's construct. It's the very point he makes over and over throughout the novel. How better to portray an "invisible man?"

If you've never read this important work, try reading the first 40 pages that are on display here at .... It includes the famous battle royal sequence, which is one of the best hook chapters in all of literature. It should be enough to induce you to read the rest of the novel. You are in for an unforgettable read.