Invisible Man [Hardcover]

Ralph Ellison (Author)

Product Details

• Hardcover: 439 pages
• Publisher: Random House; First Edition edition (1952)
• Language: English
• ASIN: B001K240VW
• Product Dimensions: 6.9 x 4.2 x 1.1 inches
• Shipping Weight: 9.6 ounces
• Average Customer Review: 4.2 out of 5 stars  See all reviews (318 customer reviews)
• Amazon Best Sellers Rank: #1,026,190 in Books (See Top 100 in Books)

More About the Author

Ralph Ellison (1914-94) was born in Oklahoma and trained as a musician at Tuskegee Institute from 1933 to 1936, at which time a visit to New York and a meeting with Richard Wright led to his first attempts at fiction. Invisible Man won the National Book Award. Appointed to the Academy of American Arts and Letters in 1964, Ellison taught at several institutions, including Bard College, the University of Chicago, and New York University, where he was Albert Schweitzer Professor of Humanities.

Customer Reviews

Most Helpful Customer Reviews

87 of 92 people found the following review helpful:

5.0 out of 5 stars fantastic--not just about racism, July 8, 1999

By A Customer

This review is from: Invisible Man (Paperback)

This is one of those books I was assigned in English class that I didn't want to read. How wrong I was--this makes my short list of the greatest stories ever written. Ellison creates a vivid and shocking picture of America and society's subversion of individual identity in search of something larger. He said soon after the book was published that "Invisible Man" was not just about the black experience in America, it was an account of every person's "invisibility" in a world that tells us how to think of each other. The African-American protagonist is merely a vehicle for Ellison's much broader social commentary. Complex, heart-wrenching, deeply moving and of course beautifully written, this book is a must-read for anyone who thinks they have a grip on the American experience.

76 of 80 people found the following review helpful:

5.0 out of 5 stars A Modern Day Parable For Everyman, November 2, 2000

By 

Bruce Whitaker (Antioch, CA USA) - See all my reviews
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This review is from: Invisible Man (Paperback)

When I first read Ralph Ellison's remarkable Invisible Man I was in college. Having grown up middle class midwestern white, it seemed at the time to be a marvelous piece of work that plunged me into the nightmarishly crushing world of racism from the black perspective. It opened my eyes to racism in a way that I could never have possibly percieved from the perspective of my own limited experience.

Thirty years later I pulled this book from the shelf and reread it on a whim. A number of things struck me on this reading that never occurred to me from my earlier limited youthful perspective.

First of all, Invisible Man is timeless and I find it hard to believe that it was written nearly fifty years ago. This book is about far more than racism, it is about loss of innocence and rape of the soul. It is about exploitation, manipulation, and the gross hypocrisy that exists in our society.

It is a work of great literary merit. Ellison displays verbal virtuosity of great breadth with beautiful and lyric eloquence. It is at times so dark and overbearingly heavy that a sensitive or less serious reader might cry out for relief. It is so relentless in plunging from one nightmarish episode to the next that one can reasonably say that it is often over the top, and yet any fair-minded reader can easily forgive the excesses of Ellison's vision for the importance of the message that it brings home.

Any reader, be he or she black, white, yellow or brown, who must make a way in this world--any reader who attempts to rise from the consciousness of the unprivelidged child or who is a seeker in life, should read Invisible Man as a cautionary tale as well as a great work of art. Please read this book if you have the courage and honesty to see the world through the eyes of the victim. This book has helped me to see those who had often in the past been invisible to me and I thank Ralph Ellison for making it possible.

111 of 124 people found the following review helpful:

5.0 out of 5 stars A Heartbreaking Work of Staggering Genius, August 1, 2002

By 

Bruce Kendall "BEK" (Southern Pines, NC) - See all my reviews
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This review is from: Invisible Man (Paperback)

Ellison, Baldwin and Wright formed the triumvirate of great African American male novelists of the past 200 years. Of the three, Ellison may well prove to be the most timeless. While Native Son, Black Boy and Go Tell it on a Mountain are powerful works, they don't quite measure up to Invisible Man, in terms of sheer literary genius.

While Ellison wears his influences on his sleeve (Dostoevsky, symbolist poets, existentialist writers, etc.[he even borrows his title from HG Wells]), his writing never suffers or sinks beneath the weight of literary associations. His was a unique voice and vision.

Like Dostoevsky's Underground Man, Ellison's narrator has essentially beat a retreat from the world. He holes up in a subterranean room, where he reflects on the the injustices society has dealt him. Dostoevsky's narrator purposely bumps into people on the Nevsky Prospect in order to certify that he is visible and just as important as the next man. Ellison's Invisible Man beats and almost kills a white man he confronts on an empty street, also in order to rationalize his own existence.

Both the underground man and the invisible man are filled with self loathing. Yet, in Ellison's work, the narrator does achieve a sort of spiritual progress and affirmative self-knowledge. He goes from being a pathetically exploited non-being that must acceed to the whims and wishes of the white opressor (the often anthologized battle royal scene at the beginning of the book), to a point near the conclusion of the book in which he can state he is free to pursue "infinite possibilities."

Irving Howe, in an overall favorable review of the novel, took Ellison to task on several fronts. He complained that the section wherein the narrator falls in with "The Brotherhood" portrays the communist party in an an unrealistic vein. He was also troubled by Ellison's narrative design: "Because the book is written in the first person singular, Ellison cannot establish ironic distance between his hero and himself, or between the matured "I" telling the story and the "I" who is its victim. And because the experience is so apocalyptic and magnified, it absorbs and then dissolves the hero; every minor character comes through brilliantly, but the seeing "I" is seldom seen." Though I generally have a high opinion of Irving Howe's criticism, I think he's arriving at a conclusion here which entirely deflates his own remarks. Yes, the "I" in Invisible Man is harder to see than the other characters, but that is part of the author's construct. It's the very point he makes over and over throughout the novel. How better to portray an "invisible man?"

If you've never read this important work, try reading the first 40 pages that are on display here at .... It includes the famous battle royal sequence, which is one of the best hook chapters in all of literature. It should be enough to induce you to read the rest of the novel. You are in for an unforgettable read.