The Invisibles: Bloody Hell in America, Book 4 [Import] [Paperback]

Grant; Jimenez, Phil; Stokes, John Morrison (Author)

Product Details

• Paperback: 104 pages
• Publisher: DC Comics (1998)
• Language: English
• ISBN-10: 1852869526
• ISBN-13: 978-1852869526
• Product Dimensions: 10.2 x 6.4 x 0.3 inches
• Shipping Weight: 6.4 ounces
• Average Customer Review: 4.6 out of 5 stars  See all reviews (14 customer reviews)
• Amazon Best Sellers Rank: #3,058,830 in Books (See Top 100 in Books)

More About the Author

Grant Morrison is one of comics' greatest innovators. His long list of credits includes Batman: Arkham Asylum, JLA, Seven Soldiers, Animal Man, Doom Patrol, The Invisibles and The Filth. He is currently writing Batman and All-Star Superman.

Customer Reviews

Most Helpful Customer Reviews

3 of 3 people found the following review helpful:

5.0 out of 5 stars The Invisibles, Book 4: Bloody Hell in America, March 15, 2005

By 

Joe Kenney "buttergun" (Dallas, TX) - See all my reviews

This review is from: The Invisibles Vol. 4: Bloody Hell in America (Paperback)

After the release of issue #25 of the Invisibles (collected in Book 3: "Entropy in the UK"), DC/Vertigo halted publication of the series for a few months. During this hiatus, creator/writer Grant Morrison revised his approach to the series. Deciding that the previous volume had been "British" and that the new one would be "American," Morrison abandoned the methodical pace of Volume 1 and filled Volume 2 with nonstop action, sex, and ultraviolence. Some say this new approach was a "watered down" version of the Invisibles, but I say that's hogwash. The stories collected in this book are the cream of the crop, and fulfill all of the promise of the very first issues of the series.

Book 4 collects the first four issues of Volume 2, and the change is immediately noticeable. First and foremost is the return of artist supreme Phil Jimenez. Last seen in Book 3's "Entropy in the UK" arc, Jimenez is probably my favorite artist who ever worked on the series. His art is detailed, clean, precise, and beautifully rendered; everything you could ask for, really. Morrison scored a huge coup when he brought Jimenez on board as the regular artist, something the series never had before. Therefore, there are no drops in artwork quality in this collection, as there were in the previous three trade paperbacks.

Picking up a year after the events at the end of Book 3, Book 4 opens with the Invisibles (King Mob, Dane, Ragged Robin, Lord Fanny, Boy) recouping in upstate New York, residing in the colossal mansion of millionaire Invisible Mason Lang. Lang is an interesting character, a neurotic Bruce Wayne-type who obsesses over the "hidden meanings" of mainstream films. The events depicted at the end of Book 3 nearly killed our favorite Invisibles cell, but now King Mob thinks the team is ready for more action.

Sure enough, Jolly Roger shows up, looking for help. Roger, a lesbian commando who's as deadly as King Mob, is the leader of her own Invisibles cell, and she's the only one who survived an assault on a high-level military base in Arizona. Those expecting "Area 51" shenanigans with little gray aliens will be surprised, because Roger's cell wasn't searching for extraterrestrial life: they were after the cure for AIDS. The government has the cure, has had it for decades, and now Roger wants King Mob's cell to re-infiltrate the base with her and make off with it.

What follows is enough gory action, cross-dimensional warring, masturbation-induced spells, mind control, kinky sex, and redneck-baiting to satisfy even the most jaded of readers. Did I mention the gore? King Mob goes on a kill spree in this book; Morrison claimed he was approaching this "new look" for the Invisibles like a big-budget Hollywood action movie, and he delivers. But beyond the mayhem, there's also some great character development, particularly for Ragged Robin, previously a blank slate. Here we learn that there's more to her than meets the eye: born in 1988 (the story takes place in 1996), Robin is definitely not an 8 year-old, but she offers no answer to this riddle.

There are only two drawbacks to "Bloody Hell in America." One: DC/Vertigo failed to include the last page of issue #4 in the collection. This missing page isn't integral to book; instead, it introduces Takashi, a Japanese scientist who comes to the fore in Book 5, and who has just figured out how to travel in time. Still, it would've been nice to have that page in here.

And the second drawback: Book 4 is rather short. Previous and later paperback collections are much larger, collecting more issues. This book only features 4 issues; this is because DC published it early in Volume 2's run, to capitalize on the title's new look and feel. But that's only a minor drawback; Book 4 makes up for in slam-bang action and thought-provoking ideas what it lacks in size.

1 of 1 people found the following review helpful:

4.0 out of 5 stars Frighteningly good., April 11, 2005

By 

Matthew Atreides (Montreal, Canada) - See all my reviews

This review is from: The Invisibles Vol. 4: Bloody Hell in America (Paperback)

Morrison is arguably the best comics scribe around today, and thus far Invisibles is probably (still) his masterpiece.
Bloody Hell In America continues in the same vein as the previous story arcs, though this chapter is far more violent and "action packed" than anything we've seen before (as the title implies). These stories were of course written squarely in the Tarantino Era. In the midst of some blood-soaked & carnage-filled pages, even King Mob tells Jolly Roger that he is "beginning to question the already dubious morality of [his] actions". To call the violence "gratuitous" is missing the point.

And I wouldn't call this a good jumping-on point. If you're going to read Invisibles, start at the beginning.

1 of 1 people found the following review helpful:

4.0 out of 5 stars Americanized Action, March 12, 2003

By 

Kevin RE Watts (Welland, On.) - See all my reviews

This review is from: The Invisibles Vol. 4: Bloody Hell in America (Paperback)

The Invisibles' fourth volume begins their second major storyline in America, doing American things with American people.

Grant Morrison had just begun to write the JLA during this volume, and it affected the Invisibles to a major extent. The story becomes simpler; there are a ton of gun fights and the whole tone of the series changes. Morrison claims he did this on purpose, but it's unclear as to why he did it.

Regardless, Phil Jimenez really compliments the story's general feel, very Perez influenced and detailed, very American.

A necessary volume if you're reading the Invisibles and a very good starting point if you haven't started.