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Invisibles, The: Revolution VOL 01 (Vertigo) Paperback – June 1, 1996

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Product Details

  • Series: Vertigo
  • Paperback: 224 pages
  • Publisher: Vertigo (June 1, 1996)
  • Language: English
  • ISBN-10: 1563892677
  • ISBN-13: 978-1563892677
  • Product Dimensions: 6.6 x 0.5 x 10.2 inches
  • Shipping Weight: 15.5 ounces (View shipping rates and policies)
  • Average Customer Review: 4.0 out of 5 stars  See all reviews (62 customer reviews)
  • Amazon Best Sellers Rank: #119,080 in Books (See Top 100 in Books)

More About the Author

Grant Morrison is one of comics' greatest innovators. His long list of credits includes Batman: Arkham Asylum, JLA, Seven Soldiers, Animal Man, Doom Patrol, The Invisibles and The Filth. He is currently writing Batman and All-Star Superman.

Customer Reviews

Most Helpful Customer Reviews

14 of 15 people found the following review helpful By Joe Kenney on March 15, 2005
Format: Paperback
The Invisibles is the only comic I've ever collected from first issue to last. When it started in 1994 I was a sophomore in college, and when it ended a few months into 2000 I was holed up in a soul-sapping corporate job. Regardless, during those 6 years I was able to get my hands on each issue, despite the fact that I'd "quit" reading comics in high school. But there was something special about the Invisibles, and it kept me coming back for more; I even set up a service with the local comic store so they'd hold each month's issue for me, and I'd come in every few weeks, grab them, and high-tail it out of there.

The Invisibles, as a whole, is as important to the `90s as "Naked Lunch" was to the `50s, as "Illuminatus!" was to the `70s. I suspected this when reading the comic monthly, but now, years later, I know it for a fact. Unfortunately, it's doubtful more people will come to this realization, as the Invisibles is simply too big to fit into one handy volume, a la those aforementioned subversive classics. To digest the entire story, you need to track down seven trade paperbacks. No doubt this will stunt the virus-like growth the Invisibles would otherwise engender on the innocent minds of those who read it. This series can change lives; this has been proven and accounted for.

"Say You Want a Revolution" is the first book of the Invisibles, and this early out, things are presented in more of a black and white/us versus them scenario; it is only in later volumes that writer/creator Grant Morrison begins to subvert and reveal the "larger picture.
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91 of 116 people found the following review helpful By Ian Vance on February 22, 2005
Format: Paperback
Alan Moore's *Watchmen* dropped into the mid-80's Zeitgeist like a nail-bomb, embedding white-hot shrapnel into fertile young minds, shredding long-held preconceptions about the genre, and, all in all, signifying a new level of maturity to the medium of the 'illustrated lit.' - or comic books, if you prefer - with its adult themes and meta-narrative complexity. *Watchmen* tore through the boundaries, building upon the template of the "graphic novel" as pioneered in the early 80's, and therein expanding the potentiality of it threw down the gauntlet, cocked the hammer of the duel-pistol; it challenged artisans to ~step up their game~, evolve beyond superhero tights and Golden Age clichés; it left a huge vacuum in its wake - and, as we all know, nature abhors a vacuum.

Thus we come to DC's Vertigo imprint, a label intended for mature stories, and more specifically to Grant Morrison and his *Invisibles*, the self-appointed (and occasionally self-conscious) heir to the post-modern *Watchman* wake. Begun in 1996, during a widespread industry slump due in large part to greed and mismanagement, and concluded at the end of 1999, on the eve of the new millennium, *The Invisibles* sought to achieve the depth, breadth and influence of Moore's juggernaught, to give a greater perspective to the fringe-elements of contemporary society, to reveal/ridicule/rise above the morass of ~popular paranoia~ as embodied by the X-files, Fortean Times, David Icke and other exploiters of conspiracy theory... "This is the comic I've wanted to write all my life," Morrison stated at the end of issue 1, "a comic about everything: action, philosophy, paranoia, sex, magic, biography, travel, drugs, religion, UFO's...
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30 of 38 people found the following review helpful By miles@riverside on April 8, 2002
Format: Paperback
I have to agree with one of the earlier reviewers that this would have been a better book if it had stopped halfway through. In the first half, we are introduced to the eerie world of the Invisibles from the perspective of the young Jack Frost protagonist, with whom we can relate (obnoxious as he might be).
But the second half of the book suffers from jarring time travel sequences, high gross-out content, arcane conversations, and a lack of sympathetic characters. The Marquis de Sade is, I think, *intended* to be such a viewpoint character, but I found him too strange and off-putting to have much sympathy for him. And the Invisibles themselves already seem to know everything.
That said, I have to conclude that it's a very ambitious and engrossing book nonetheless. The high point for me was Jack Frost's initiation to the Barbelo and whatnot, at the end of the 4th chapter. That had me really hooked, despite the fact that things got less interesting as the story went on.
I can definitely recommend this book to people who liked THE ILLUMINATUS! TRILOGY and some of the more paranoid Philip K. Dick novels; that sort of thing.
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6 of 6 people found the following review helpful By H. Muller on May 15, 2011
Format: Paperback Verified Purchase
I just finished reading the entire 7 volume series and I'm not entirely sure if I like it or not. The Invisibles raises many fascinating issues and makes us question our beliefs and perceptions of reality. I like that part. I've spent a lifetime studying topics such as religion, mythology, and mysticism; everything from new age to gnosticism to kabbalah to buddhism to conspiracy theories, et al. This series definitely addresses my interests.

My only reservation is that the series got a little hard to follow towards the end. So many little subplots going on in the past, present, and future, in hyperdimensions, in alternate realities/universes, in dreams, in hallucinations; characters changing allegiances or turning out to be other than what they appeared to be; hidden agendas.

Yikes, I got confused and more unsettled than a boy scout lost on Brokeback Mountain. I didn't know what was real and what wasn't, anymore. And I suppose that was Morrison's intent all along. The bastard! If Grant Morrsion is as twisted as his story lines, he can swallow a nail and poop out a cork screw.

Like Neil Gaiman, his work demands several rereadings with new insights emerging each time. I'm probably going to buy that 364 page commentary by Patrick Meaney before the next time I wade thru this material. But wade I must, because I sense there's a lot of "meaningful stuff" that slipped by me the first time.
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