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Irish Writers on Writing (The Writer's World)
 
 
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Irish Writers on Writing (The Writer's World) [Paperback]

Eavan Boland (Author)
5.0 out of 5 stars  See all reviews (1 customer review)

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Book Description

1595340327 978-1595340320 March 2, 2007
What does it mean to be a writer in the context of a country’s centuries of uncertainty and upheaval? How does an Irish writer define Irish writing? The writers here, who range from early legends like Yeats to modern masters like Roddy Doyle, address these questions through their sources: the land, the Church, the past, and changing politics and literary styles. The book begins with William Yeats and Augusta Gregory’s dazzling meditations on the founding of the National Theatre as a venue for a new Irish imagination. Lady Gregory herself is the subject of pithy essays by Kate O’Brien and Colm Toibin. Poets discuss their peers — Corkery on the Gaelic poets; Frank O’Connor on Corkery; O’Casey on Yeats; Roddy Doyle on Synge. Emma Donoghue illuminates the life of a lesbian Irish writer, while John Banville excoriates Bloomsday and “the pervasiveness and bathos of the Joyce myth." Irish Writers on Writing raises a toast to one of the world’s most vital literary traditions.

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Product Details

  • Paperback: 320 pages
  • Publisher: Trinity University Press (March 2, 2007)
  • Language: English
  • ISBN-10: 1595340327
  • ISBN-13: 978-1595340320
  • Product Dimensions: 9 x 6.4 x 0.9 inches
  • Shipping Weight: 14.4 ounces (View shipping rates and policies)
  • Average Customer Review: 5.0 out of 5 stars  See all reviews (1 customer review)
  • Amazon Best Sellers Rank: #1,394,482 in Books (See Top 100 in Books)

More About the Author

Eavan Boland was born in Dublin, Ireland. At the age of six, she and her family relocated to London. She later returned to Dublin for school, and she received her B.A. from Trinity College in 1966. She was also educated in London and New York.

Her books of poetry include New Collected Poems (W.W. Norton & Co., 2008), Domestic Violence, (2007), Against Love Poetry (2001), The Lost Land (1998), An Origin Like Water: Collected Poems 1967-1987 (1996), In a Time of Violence (1994), Outside History: Selected Poems 1980-1990 (1990), The Journey and Other Poems (1986), Night Feed (1982), and In Her Own Image (1980).

In addition to her books of poetry, Boland is also the author of Object Lessons: The Life of the Woman and the Poet in Our Time (W. W. Norton, 1995), a volume of prose, After Every War (Princeton, 2004), an anthology of German women poets, and she co-edited The Making of a Poem: A Norton Anthology of Poetic Forms (with Mark Strand; W. W. Norton & Co., 2000) and The Making of a Sonnet (with Edward Hirsch; W. W.Norton 2007. She also edited Irish Writers on Irish Writing (Trinity Press: 2007) and Charlotte Mew: Selected Poems (Carcanet Press 2008). A book of essays on women and poetry, called "A Journey with Two Maps" is forthcoming.

Her awards include a Lannan Foundation Award in Poetry, an American Ireland Fund Literary Award.She has taught at Trinity College, University College, Bowdoin College, and she was a member of the International Writing Program at the University of Iowa. she is currently a professor of English at Stanford University where she directs the creative writing program.She divides her time between Dublin and California. Boland and her husband, author Kevin Casey, have two daughters.

 

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5 of 5 people found the following review helpful:
5.0 out of 5 stars A Fantastic Introduction to Irish Literature, May 10, 2009
This review is from: Irish Writers on Writing (The Writer's World) (Paperback)
When I picked up this book in the Trinity University book store, I was just bored and looking for something to distract me from final exams. If not for the fact that it was on clearance, I probably wouldn't have bothered. But I started in on the introduction, kept going, and only looked at a clock after more than two hours had slipped by without my noticing.

Boland's introduction is funny and insightful in places, and the editorial selection beautifully illustrates the back and forth nature of the dialogue between authors. She describes Irish literature as an evolving conversation, and the book does meander around at times, but I enjoyed the diversions.

If you have access to a well-stocked library, you'll probably find that this book adds another ten or twenty to your reading list. Any one of these selections could have you combing through an author's body of work, looking for more.

The one theme that emerges more than any, at least to my mind, is the Irish tendency towards word play as they reconcile the introduction of the English language and the suppression of Irish--making the most of an unfortunate situation by using their new language in interesting ways. I don't know that this book will make you a better writer, but the florid prose and astute social commentary will be interesting and set you down new roads of thought.
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Inside This Book (learn more)
First Sentence:
William Yeats was born in 1865. Read the first page
Key Phrases - Statistically Improbable Phrases (SIPs): (learn more)
poem reprinted
Key Phrases - Capitalized Phrases (CAPs): (learn more)
Lady Gregory, The Playboy, Irish Revival, University College Dublin, Abbey Theatre, Mary Lavin, William Yeats, Collected Poems, Sean O'Faolain, New York, Northern Ireland, Patrick Kavanagh, Trinity College, Gaelic League, Augusta Gregory, United States, Kate O'Brien, Samuel Beckett, Francis Ledwidge, Irish Times, Nuala Ni Dhomhnaill, Shawn Keogh, University College Cork, World War, Daniel Corkery
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