This illustrated book provides an overview of Islamic art and architecture during a time that witnessed the formation of a new artistic culture and its first, medieval, flowering in the vast area from the Atlantic to India. Inspired by Ettinghausen and Grabar's original text, this book has been completely rewritten and updated, and many new illustrations have been added.
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From Publishers Weekly
From the Dome of the Rock to a pair of gold earrings, all manner of art is explored in a new edition of Islamic Art and Architecture 650-1250, which surveys works from Spain, Northern Africa and the Middle East. With new illustrations and an expanded text by the late New York University Institute of Fine Arts professor Richard Ettinghausen, Princeton University Institute for Advanced Studies history professor Oleg Grabar and Metropolitan Museum of Art Islamic art curator Marilyn Jenkins-Madina, the book traces the growth of art centers in Muslim lands and examines buildings, textiles, books, ceramics and other forms.
Copyright 2002 Cahners Business Information, Inc. --This text refers to an out of print or unavailable edition of this title.
Copyright 2002 Cahners Business Information, Inc. --This text refers to an out of print or unavailable edition of this title.
From Library Journal
This is the second edition of what is probably the standard reference work on Islamic art and architecture, originally written by two of the most eminent scholars in the field and published in the "Pelican" series as The Art and Architecture of Islam, 650-1250. Owing to Ettinghausen's untimely death, the sections on art were reorganized and rewritten by Marilyn Jenkins-Madina, research curator of Islamic art at New York City's Metropolitan Museum of Art. Oleg Grabar rewrote his chapters on Islamic architecture. This edition divides the period into two sections: Early Islamic art, c.650 to c.1000, and Medieval Islamic art, c.1000 to c.1250. Within these divisions, there are three geographic subdivisions Central, Eastern, and Western which are further subdivided into the categories of architecture and architectural decoration, art of the object (as opposed to decorative arts), and art of the book. In the later period, there are some interesting sections on Saljuqs, Artuqids, Zangids, and Ayyubids in Iraq, Anatolia, Syria, Palestine, and Egypt. It is difficult to do justice to this magnificent volume in a short review. It is an authoritative, highly readable, and beautifully produced work that should please specialists and educated readers alike. The photographs are plentiful and clearly reproduced, and many architectural drawings and plans illuminate the topic under discussion. The bibliography and index to the bibliography are very helpful, and notes appear at the end of the book. Highly recommended for academic and larger public libraries. Martin Chasin, Adult Inst., Bridgeport, CT
Copyright 2002 Reed Business Information, Inc. --This text refers to an out of print or unavailable edition of this title.
Copyright 2002 Reed Business Information, Inc. --This text refers to an out of print or unavailable edition of this title.
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9 of 12 people found the following review helpful:
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This review is from: Islamic Art and Architecture 650-1250 (Paperback)
This book contains the 'nut shell' of Islamic Art and Architecture. There are some plans, and many color photographs. Each project is accompanied by text explaining it and it's cultural significance. For someone who has an interest in the geometries and forms of Islamic Art this book was worth it.
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