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Isle of the Signatories
 
 
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Isle of the Signatories [Paperback]

Marjorie Welish (Author)

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Book Description

April 1, 2008

“Public inscriptions are all around us. Their mystery and the lack thereof are the off-screen subject of Marjorie Welish’s gritty, beguiling Isle of the Signatories, to be pondered long after lesser inscriptions have given up their secrets.”—John Ashbery

In her latest collection, Marjorie Welish invents a world of public inscriptions. From graffiti to scholarly dedication and from historical placards to words etched in granite, she employs a variety of fonts to explore the dangers of rhetoric, the mysteries of coded language, the enigmas of form, the powerful gift of dedication, and the strange sense and substance of both new and dying literary conventions.

Are all contingencies still in effect?
Okay Okay Okay
Of or
referring to antecedent future sentences in creases:
as, insofar as, even as, yes! Of which
antecedent future increasing salvage do we write?

Recipient of the Judith E. Wilson Fellowship, the Howard Foundation Fellowship, and other prestigious awards for poetry, Marjorie Welish is the author of Word Group, most recently, and also The Annotated “Here” and Selected Poems, which was an Academy of American Poets Lenore Marshall Poetry Prize finalist and a Village Voice Best Book of the Year. She lives in New York and teaches at Columbia University and Pratt Institute.


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Editorial Reviews

From Publishers Weekly

Always thoughtful, sometimes hard to follow, the New York–based poet and critic Welish (The Annotated 'Here') attracted smart if circumscribed attention to each of her five theoretically sophisticated previous books. The eight sequences here—seven short groups of stanzas or sentences, then a longer one called From Dedicated To—pursue familiar forms of self-consciousness about representation and naming, language, objecthood and signs. One anaphora-driven poem promises a concordance/ of marks to future anthems. A set of two-line poems based on texts found on public signage (TAKE ONE, START HERE) includes the advice: 'O Pen' of information abundantly lettered safeguards the mimetic 'collated pasts.' A prose poem deconstructs a note about a lost cat; several sequences, in their play with fonts and with white space, recall Mallarmé. The long closing sequence imagines the motion of meaning through mental space: the sentence's/ coruscated encounter// with speech's simulated elevator/ including the coveted/ audio. Such lines may puzzle before they inspire. Yet this book could be Welish's breakthrough, offering her clearest, most discursive works, proximate in their edgy attentions not only to art-world thinkers but to Anne Carson, whose more numerous fans might like Welish now. (Apr.)
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About the Author

Recipient of the Judith E. Wilson Fellowship, Howard Foundation Fellowship, and other prestigious poetry awards, Marjorie Welish is the author of seven collections, including The Annotated "Here" and Selected Poems, an Academy of American Poets Lenore Marshall Prize finalist and Village Voice Best Book of the Year. She lives in New York and teaches at Columbia University and Pratt Institute.

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