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The Italian: Or the Confessional of the Black Penitents; A Romance (Oxford World's Classics)
 
 
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The Italian: Or the Confessional of the Black Penitents; A Romance (Oxford World's Classics) [Paperback]

Ann Radcliffe (Author), Frederick Garber (Editor), E. J. Clery (Introduction)
3.8 out of 5 stars  See all reviews (5 customer reviews)


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Paperback, November 19, 1998 --  
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The Italian (Oxford World's Classics) The Italian (Oxford World's Classics) 3.3 out of 5 stars (18)
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Book Description

November 19, 1998 Oxford World's Classics
First published in 1797, The Italian is Ann Radcliffe's classic creation of Gothic romance. Set against the backdrop of the Holy Inquisition, the narrative revolves around the sinister and mysterious monk, Father Schedoni, and the ill fated lovers, Ellena Rosalba and Vincentio di Vivaldi. With a new introduction and updated notes, this edition examines the formal, historical, and political aspects of Radcliffe's most brilliant work.


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About the Author

E. J. Clery is Research Fellow in English at Sheffield Hallam University and author of The Rise of Supernatural Fiction 1762-1800 (1995). She has edited Horace Walpole's The Castle of Otranto in Oxford World's Classics.

Product Details

  • Paperback: 464 pages
  • Publisher: Oxford University Press, USA (November 19, 1998)
  • Language: English
  • ISBN-10: 0192832549
  • ISBN-13: 978-0192832542
  • Product Dimensions: 7.6 x 5 x 1 inches
  • Shipping Weight: 11.4 ounces
  • Average Customer Review: 3.8 out of 5 stars  See all reviews (5 customer reviews)
  • Amazon Best Sellers Rank: #1,432,138 in Books (See Top 100 in Books)

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Average Customer Review
3.8 out of 5 stars (5 customer reviews)
 
 
 
 
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18 of 21 people found the following review helpful:
3.0 out of 5 stars The "Queen of the Gothic Novel", October 25, 1998
By A Customer
This review is from: The Italian: Or the Confessional of the Black Penitents; A Romance (Oxford World's Classics) (Paperback)
This is one of Radcliffe's two best novels, the other being "The Mysteries of Udolpho". A little excursion into literary history will clear up the confusion of the reviewer who feels that Radcliffe copied Lewis' "The Monk". If any copying was done, it was the other way around. At the time Lewis began writing, Radcliffe was the top Gothic novelist, and one of the most popular authors of any genre. Lewis, himself, stated that he was inspired to write "The Monk" after reading "Udolpho". (In fact, Radcliffe's mastery of the gothic influenced such poets as Byron and Keats, who called her "mother Radcliffe" for her legacy, and many other writers of her day and far beyond.) Among her major influences were Shakespeare, Milton, and Walpole, who basically founded the gothic novel. But Radcliffe took it to a new and higher level than Walpole, and Lewis took off from Radcliffe's new elevation, and went in another, though not necessarily higher, direction. Having read both "The Italian" and "The Monk" (my copies rest amiably next to one another on the shelf), I would say they are BOTH very much worth reading (as is "Udolpho"). Reading "Udolpho" first, and then "The Monk", will demonstrate how much Lewis drew his inspiration from the master. Reading "The Italian" will show that master at once at the peak and, unfortunately, the close of her literary career.
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7 of 7 people found the following review helpful:
5.0 out of 5 stars So Many Turns of Events!, August 6, 2002
By A Customer
This review is from: The Italian: Or the Confessional of the Black Penitents; A Romance (Oxford World's Classics) (Paperback)
The Italian was Radcliffe's last novel. It is about a nobleman who falls in love with a woman whose identity is unknown to herself and the reader throughout her sufferings. She is oppressed by many people in whose hands she falls as she is snatched away from the nobleman Vivaldi to prevent their marriage. Like all of Radcliffe's heroines, her character is marked by an amazing fortitude despite the horrifying things to which she is frequently subjected. Vivaldi faces the powers of the Inquisition and Radcliffe gives the reader some idea of their dealings with offenders and their ways of making prisoners "confess." There are many turns of events which are delightful until another perilous event disappoints and grieves the reader. This is certainly what most reviewers call a page-turner. The sentiments are by no means modern. For a reader who is looking for modern unrestrained "romance," none of Radcliffe's novels is a good choice. Her stories are for true romantics.
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2 of 2 people found the following review helpful:
4.0 out of 5 stars Gothic Romance at its Best, July 13, 2000
This review is from: The Italian: Or the Confessional of the Black Penitents; A Romance (Oxford World's Classics) (Paperback)
Let it first be said that Lewis's "The Monk" is heavily influenced by Radcliffe. Reading "The Monk" first would throw the reader off the track. This novel is an excellent selection from the genre of Gothic novel, and is indeed a masterpiece. The Gothic novel had a great impact on Romanticism, and on the literature of the absurd. Overall, an enjoyable read!
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Inside This Book (learn more)
First Sentence:
IT was in the church of San Lorenzo at Naples, in the year 1758, that Vincentio di Vivaldi first saw Ellena Rosalba. Read the first page
Key Phrases - Statistically Improbable Phrases (SIPs): (learn more)
giorno felice, grand penitentiary, lady abbess, very chamber
Key Phrases - Capitalized Phrases (CAPs): (learn more)
Signora Bianchi, San Stefano, Spirito Santo, Santa Maria, Black Penitents, San Sebastian, Santa del Pianto, Santo Marco, Signora Ellena, San Lorenzo, Signor Vivaldi, Signora Rosalba, Ellena Rosalba, Our Lady of Pity, San Marco, San Nicolo
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