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Italian Hours [Hardcover]

Henry James (Author), John Auchard (Editor)
5.0 out of 5 stars  See all reviews (1 customer review)

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Book Description

February 1, 1992
Despite the fact that Henry James visited Italy fourteen times and set much of his best-known fiction in Venice, Florence, and Rome, his complex Italian Hours essays have never received the attention they deserve. These absorbing essays provide far-reaching comment on artistic production, on religion, on social upheaval and the movement into the modem age, as well as on the power of reminiscence and the nature of travel itself. Furthermore, they reveal a sometimes surprising Henry James who was fascinated by papal politics, by the aftermath of the risorgimento, by upper-class Roman in Naples, rampant Venetian commercialism, and by persistent concerns about the elusive and yet resilient essence of civilization.

Written from 1872 to 1909, the twenty-two Italian Hours essays represent a genre of travel writing that provides a journey through time as much as over terrain, and they reveal James's uniquely sensitive reactions to the rapid transformations of nineteenth century Europe. By establishing their historical, political, literary, and artistic context, John Auchard makes these essays more accessible both to the general reader and to the scholar, and his overview helps modem readers appreciate that the Italy they envision when they read The Portrait of a Lady or The Wings of the Dove is not necessarily the same Italy that fascinated Henry James.

Furthermore, this edition supplies practical as well as contextual information that will allow greater appreciation of James's impressions, of the changes he observes, and of those that have taken place since the 1909 publication of Italian Hours. The editor notes when crumbling frescoes have been restored, when piazzas have been redesigned, when, for example, a renowned villa has been mutilated, destroyed, or turned into an astronomical observatory. This edition therefore helps define the changes in both the fact and the metaphor of Italy, and it should send readers back to James's novels, and perhaps back to Italy itself, with richer understanding. Aside from extensive annotations of the corrected Houghton Mifflin text of 1909, this edition includes an introduction, an extended textual note, a collation of the first English and American editions, suggestions for further reading, an extensive bibliography, and a listing of sources for period photographs. Included in an appendix are the texts of James's reviews of Italian travel books by Nathaniel Hawthorne, William Dean Howells, Augustus J. C. Hare, Auguste Laugel, and Hippolyte Taine.

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Editorial Reviews

Review

This annotated edition of Italian Hours offers us the precise differences between the world of Henry James saw in the Italy of his time and the one we see today. John Auchard's introduction and notes give the book a double function--the literary masterpiece is retained by acquires a practical function for the modern traveler. We learn, for example, where some of the paintings have been moved and what a century of wars has done to landscape and architecture. Above all, the eyes of the visiting American author and his prose voice turn the basic text into the poetry of travel, its visual and sensual delight, its mood, its atmosphere. --Leon Edel

Italian Hours is Henry James's most endearing travel book and one of the best of its kind by any American. His travel writing is a superb and integral part of his total output. John Auchard's editorial work on Italian Hours provide a significant contribution to the literature on James. Auchard is a wizard. His introduction is wise and skillful, informative, beautiful,, stylish, and fun. The notes are helpful, unobtrusive, and richly detailed. The photographs and bibliography should combine to make this edition the 'definitive' one for a century of devoted readers. --Robert L. Gale

About the Author

Henry James was born in 1843 in new York, with Scottish and Irish ancestry. Having studied in New York and Europe, he became a lawyer, and started writing in 1865. Spending time in Paris he knew Flaubert and Turgenev, before moving to London and then Sussex. John Auchard is Associate Professor of English at the University of Maryland, College Park. He is the author of Silence in Henry James: The Heritage of Symbolism and Decadence (Penn State), and co-editor, with Lewis Leary, of Articles on American Literature: 1968-1975 (Duke), and American Literature: A Guide to Research and Study (St. Martin's). From 1985 to 1986 he was Fulbright Lecturer at the University of Milan.

Product Details

  • Hardcover: 376 pages
  • Publisher: Pennsylvania State Univ Pr (Txt); New edition edition (February 1, 1992)
  • Language: English
  • ISBN-10: 0271007265
  • ISBN-13: 978-0271007267
  • Product Dimensions: 9.1 x 6.2 x 1.3 inches
  • Shipping Weight: 1.8 pounds (View shipping rates and policies)
  • Average Customer Review: 5.0 out of 5 stars  See all reviews (1 customer review)
  • Amazon Best Sellers Rank: #2,051,204 in Books (See Top 100 in Books)

More About the Author

Henry James (1843-1916), the son of the religious philosopher Henry James Sr. and brother of the psychologist and philosopher William James, published many important novels including Daisy Miller, The Wings of the Dove, The Golden Bowl, and The Ambassadors.

 

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68 of 72 people found the following review helpful:
5.0 out of 5 stars Book with a view..., May 9, 2000
This review is from: Italian Hours (Hardcover)
The films 'Room With a View' and 'Wings of the Dove' make one wonder about the Italy reflected in classical paintings executed before the destruction of WWII. My curiousity was heightened in an art history class when the instructor showed a photo slide of the Ponte Vecchio and told the amazing story of the Nazi pilot who disobeyed orders to destroy the last bridge the allies could cross on their advance north.

This beautiful book brings to mind the saying, "The Past is a Foreign Country." Italy of the 19th Century is a place none of us can know except through records left by one who witnessed it. The book consists of essays James wrote on his travels to various places in Italy including Venice, Rome, and Florence. He visited some places several times and the text reflects the changes he observed on revisits.

He records an Italy whose poverty for a time prevented the intrusion of developers, who later made many changes perhaps for the worse. James was not a worshipper of old buildings, he appreciated them, but he was also aware of the suffering of the Italians, many of whom existed in dire poverty. His reflections on various cathedrals, churches and other objects of artistic interest are humanized by his comments about the individuals he encounters. He muses on the morality of travel, "whether it has been worthwhile to leave his home [and] encounter new forms of human suffering." His awareness of the Italians themselves makes his writing a bit like that of Paul Theroux, a travler and writer in our times. James differs from Theroux however. My sense is that James is a little less likely to criticize and a little more willing to overlook unpleasantness. Perhaps that makes him less of a realist, or perhaps Italy was a more pleasant place in the 19th Century.

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Inside This Book (learn more)
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First Sentence:
The chapters of which this volume is composed have with few exceptions already been collected, and were then associated with others commemorative of other impressions of(no very extensive) excursions and wanderings. Read the first page
Key Phrases - Statistically Improbable Phrases (SIPs): (learn more)
sentimental tourist, morganatic wife
Key Phrases - Capitalized Phrases (CAPs): (learn more)
Santa Maria, Grand Canal, Literary Criticism, Santa Croce, New York, Transatlantic Sketches, Fra Angelico, Henry James, Italian Hours, World War, French Writers, George Sand, Galla Placidia, Victor Emmanuel, Days Near Rome, Foreign Parts, San Rocco, Atlantic Monthly, Michael Angelo, Pitti Palace, San Marco, John the Baptist, Last Supper, San Michele, Villa Borghese
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