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The Italian (Penguin Classics)
 
 
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The Italian (Penguin Classics) [Paperback]

Ann Radcliffe (Author), Robert Miles (Editor)
3.3 out of 5 stars  See all reviews (18 customer reviews)

Price: $13.00 & eligible for FREE Super Saver Shipping on orders over $25. Details
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Book Description

Penguin Classics January 30, 2001
From the first moment Vincentio di Vivaldi, a young nobleman, sets eyes on the veiled figure of Ellena, he is captivated by her enigmatic beauty and grace. But his haughty and manipulative mother is against the match and enlists the help of her confessor to come between them. Schedoni, previously a leading figure of the Inquisition, is a demonic, scheming monk with no qualms about the task, whether it entails abduction, torture - or even murder. The Italian secured Ann Radcliffe's position as the leading writer of Gothic romance of the age, for its atmosphere of supernatural and nightmarish horrors, combined with her evocation of sublime landscapes and chilling narrative.

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Customers buy this book with The Castle of Otranto: A Gothic Story (Oxford World's Classics) $8.95

The Italian (Penguin Classics) + The Castle of Otranto: A Gothic Story (Oxford World's Classics)


Editorial Reviews

Review

An ingenious performance. -- Samuel Taylor Coleridge

About the Author

Ann Radcliffe (1764-1823) was the leading exponent of Gothic fiction and, during her lifetime, she published five novels including A Sicilian Romance (1790) and The Mysteries of Udolpho (1794) as well as a collection of European travel writings. Her novels were immensely popular and much imitated. Robert Miles teaches English at Sheffield Hallam University. He is the author of Gothic Writing (Routledge) and Ann Radcliffe: The Great Enchantress (Manchester UP).

Product Details

  • Paperback: 544 pages
  • Publisher: Penguin Classics (January 30, 2001)
  • Language: English
  • ISBN-10: 0140437541
  • ISBN-13: 978-0140437546
  • Product Dimensions: 5.3 x 0.9 x 7.8 inches
  • Shipping Weight: 11.2 ounces (View shipping rates and policies)
  • Average Customer Review: 3.3 out of 5 stars  See all reviews (18 customer reviews)
  • Amazon Best Sellers Rank: #357,946 in Books (See Top 100 in Books)

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Customer Reviews

18 Reviews
5 star:
 (6)
4 star:
 (5)
3 star:
 (1)
2 star:
 (1)
1 star:
 (5)
 
 
 
 
 
Average Customer Review
3.3 out of 5 stars (18 customer reviews)
 
 
 
 
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Most Helpful Customer Reviews

38 of 40 people found the following review helpful:
4.0 out of 5 stars Still Gripping Classic Tale of Gothic Terror and Suspense, August 20, 2002
This review is from: The Italian (Penguin Classics) (Paperback)
I read this book in Japanese translation years ago, and recently read it again in the original language in order to write a paper. And I can say, both times the book gave me a good, healthy amount of thrill and joy.

Published in 1796, "The Italian" became an instant success, cementing the fame of Ann Radcliffe among the liteary circle. Her name has been already well-known with her previous work "The Mysteries of Udolpho" two years before, but in my book this follow-up is better than the other. Of course, it depends on your view which is superior, but it is commonly agreed that Ann Radcliffe's position in the history of English literature is secured by those two Gothic classics, which clearly gave inspiration to Jane Austen, who wrote the joyful "Northanger Abbey."

The story is rather simple in the beginning. It tells of a romantic love of young dashing nobleman Vivaldi in Naples, who falls in love with a girl Ellena. But his plan of marriage is soon interrupted by the vicious monk Schedoni. Then ensue abduction, murder (attempted or not), and the Inquisition. There are lot of suspense, terror, and thrill that come from the fluent narrative of Radcliffe, who knows how to engage the readers' attention. (And thankfully, "The Italian" is free from any lengthy poems that are found aplenty among "Udolpho.")

To be sure, the third part of the book is damaged by its too complicated relations between characters, and too rapid pen of the author to wrap up the events with rational explanations about the mysterious things in the first part of the book, but the whole book manages to sustain our interest to the end. Radcliffe's effusive descriptions of landscapes (with a little sentimental touch) found in "Udolpho" are gone (but not completely), and the plot is tightly knit so that we can enjoy the fast-paced adventure of the hero and the heroine. The best part of the book is, probably, the middle section where the hero, with his comic relief side-kick, tries to escape from the sinister convent where the heroine is confined to be forced to take a veil. It's a real page-turner which would put many of today's bestselling author to deserved shame.

One of the best Gothic novels ever written, "The Italian" is still a gripping tale. Most regrettabe thing is that the author Radcliffe stopped writing totally after this book for the rest of her life (she died in 1823). Considering the fact that she had never been to Italy (she travelled abroad only once, in Netherland and Germany), and that her sublime landscapes are proof of her amazingly imaginative power, her early retirement should be lamented by all of us. But we must be content with what is left. Enjoy this one.

THE PENGUIN EDITION published in 2000 has 10 pages of excerpts from comtemporary reviews, which would help readers with academic purpose.

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19 of 19 people found the following review helpful:
4.0 out of 5 stars HEY GOTH MAN, April 6, 2003
This review is from: The Italian (Penguin Classics) (Paperback)
First published in 1797, this was the culmination of Ann Radcliffe's writing career. She was seen as the darling of the Gothic mode, which we would probably put into the genre of "thrillers" or "horror". All the appropriate dungeons are here, the hint of demonic influence, the seperation of star-struck lovers, revenge, the searching of dark ruins, and the diabolical and angelic facets of the Church. Radcliffe does go deeper than that though through her paced plotting and and the limited use of sentimentality that destroyed so much of writing back then. The gothic novel would run out its course eventually, but had a great effect on the talent of its day. Keats, Byron, and Shelley all owe at least some of their subject matter and modes of expression to Radcliffe.

Well, back to the novel itself. The story opens in the year 1764 in Naples, Italy as a group of English tourists are visiting a church. They notice a diabolical looking man who they are informed can never leave the safety of the church walls because he is an assasin. The place is his last sanctuary from those who wish to kill him. Of course the group asks to hear the tale of the assasin and The Italian begins.

The story opens as a young nobleman named Vincentio di Vivaldi spots the beautiful but common Ellena Rosalba during church service and falls in love with her. From this Dantesque beginning we are led into a Romeo and Juliet scenario in which Vivaldi begins to woo her without the approval of his parents. Then we have the apperance of a cowled priest who appears to warn Vivaldi of future events before they happen. Vivaldi chases him a couple of times but all he ever finds is thin air. As the book continues, Vivaldi's mother will stop at nothing to keep her son from marrying his one true love.

I didn't have too much hope that I would like this book when I picked it up, having given up on reading a similar work called Melmoth the Wanderer by Charles Maturin. I was very impressed with Radcliffe though. She stayed away from sentimentality and none of the characters was a caricature. They all seemed like deeply drawn personalities. The book had a real modern feel to it, probably because she modeled her stuff on Shakespeare, the most advanced writer of any age. The "thriller" aspects were quite good too. I found myself desperately wanting to turn the page before I had even read it to know what would happen next. Ann is a writer I will go back to and read again.

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13 of 14 people found the following review helpful:
5.0 out of 5 stars great classic - gothic romance, March 11, 2005
By 
R. Martin "boblaura9" (Mauldin, sc United States) - See all my reviews
(REAL NAME)   
This review is from: The Italian (Penguin Classics) (Paperback)
I had never heard of Ann Radcliffe until I read Northanger Abbey by Jane Austin. Northanger Abbey is a paraody that "makes fun" of the gothic type novels that were popular at that time. Ann Radcliffe and some of her writings are mentioned by name in Northanger Abbey. So...off I went to find out more about Ann and get one her novels.

Ann was really the first gothic writer and set the scene for the other gothic writers that followed her in the late 1700's and early 1800's. Another reviewer accuses her of copying the novel The Monk - but it is actually the opposite. The author of The Monk copied her!

Anyhow...I loved this book! Vivaldi and Ellena fall in love but Vivaldi's mother is against the match because Ellena is not from a "proper" family. The mother and a monk initiate a plot to keep them from marrying each other. I don't want to say much more, because there are so many interesting plot twists that I don't want to give anything away. It is a great story line that keeps you guessing. There is romance, suspense, mystery, intrigue, evil villians, evil plots, creepy landscapes, and more!

It is a long book that took me several weeks to read but was more than worth my time!
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Inside This Book (learn more)
First Sentence:
About the year 1764, some English travellers in Italy, during one of their excursions in the environs of Naples, happened to stop before the portico of the Santa Maria del Pianto, a church belonging to a very ancient convent of the order of the Black Penitents. Read the first page
Key Phrases - Statistically Improbable Phrases (SIPs): (learn more)
giorno felíce, grand penitentiary, dreadful pleasure, lady abbess
Key Phrases - Capitalized Phrases (CAPs): (learn more)
Signora Bianchi, San Stefano, Spirito Santo, Villa Altieri, Black Penitents, San Marco, San Sebastian, Santa del Pianto, Santa Maria, Signora Ellena, Signor Vivaldi, Signora Rosalba, Ellena Rosalba, Ferando Count, San Lorenzo, San Nicola, Santo Marco
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