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5 of 5 people found the following review helpful:
5.0 out of 5 stars
As good as music gets, December 28, 2005
I have been a Tortoise fan since the late 90s, but never as committed as I have been since Standards was released. I approached It's All Around You with caution because I anticipated disappointment. At first, I agreed with all of the reviews that I had read. The album seemed to merely exist as another Tortoise album with no movement forward.
While I must admit that this is not a giant leap from Standards in terms of a cohesive album, it is the better of the two albums, in my opinion. Namely because of the climax that this album reaches. Standards almost appears to front load the best ideas while It's All Around You saves the best for last.
The first track threw me off because it is easy to dismiss it as close to random instrumentation with a solid (slightly simple) bass track. But it is so much more. Upon a couple of repeated listens, that song, like the rest of the album, revealed much more structural ingenuity. The multiple instruments that take part in the melody bounce off of one another and it becomes difficult to tell when a guitar ends and a vibraphone picks up. But the instruments are not to be observed seperately. Listening to how they compliment each other and form a beautiful melodic series is devestatingly brilliant. I posit that the first song sounds unlike anything that Tortoise has done before.
The entire album is phenomenal, but I would like to highlight the last song. This is where I really believe this album shines the most. Never before have I heard a band capture increasing intensity in a drum performance so well on tape. The song builds and builds and the instrumentation perfectly compliments the drums throughout this climactic process.
I hear far too often that this album is more of the same. If the same means being a mind-blowingly awesome band time after time, I hope that they don't change a thing.
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6 of 7 people found the following review helpful:
5.0 out of 5 stars
familiar, mellower, tighter, but still killer, April 22, 2004
just saw these guys at ny's bowery ballroom and hearing them live it's easy to figure out what's different about these new songs compared to their older stuff. in many ways, everything pre-standards is still amazing, especially live, because of the strong song structures, which are very architectural and decontructivist, literally. you see, hear and feel how the songs are built layer upon layer, building and building to the inevitable crumble and stumble that comes back satisfyingly to the original motif. i think beginning with standards, the songwriting has become much, much tighter, so that you almost don't notice the amazing musicianship at times. but also, the design of the songs is less apparent, and so sometimes, in comparison to the older tortoise sound, the new songs feel a might boring, especially with the slow jams. but when you experience this stuff live, you realize nothing has changed and these new songs rock just as much as the old ones. (also, i think one of the reasons it may feel like they're stalling, musically, is that the instrumentation hasn't changed: two vibraphones, two drum kits, bass, synth/effects, jazz guitar; hopefully on the next album they'll mix up the sounds some.) the double drumming live is killer. they played for nearly two hours and seemed really into it, as was the crowd. the opening act beans from anti-pop consortium was amazing as well.
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3 of 3 people found the following review helpful:
5.0 out of 5 stars
amazing., December 18, 2004
This CD is just awesome. I love it. The first time I heard this, i was in awe, from the first track. I've probably listened to it over 30 times and it's still awesome. If you like this album, you'll like TNT and Millions Now Living Will Never Die. Tortoise is amazing.
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