From Publishers Weekly
When Frank Foy, a high-living corporate accountant, goes to jail after his company's Enronesque fall, Pat, his landscape-designer wife, is pathologically unwilling to grasp the fraud's implications in this muddled novel from Carey (The Crossley Baby). Pat inexplicably decides to repay a random group of the fraud's victims, first through personal checks and then, even more bizarrely, through a planned investment in wind energy.Along the way, she reunites with her former lover, Lemuel Samuel, and her onetime best friend, Ginny Howley, both mystery writers who suffered in the company's collapse. The penniless Ginny joins Pat's odyssey, while Lemuel's son keeps the Foys' teenage daughter company. Though Lemuel and Ginny's sane presence and a mid-book switch to Ginny's wonderfully quirky, self-reflective viewpoint offer welcome relief, the narrative never gels as social satire, moral commentary, character study or intellectual puzzle. (Aug.)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
Review
A mismatched trio stumble through the fallout of white-collar fraud in this madcap take on contemporary mysteries.
Pat Foy was only a teenager when she took up with hard-drinking, hard-boiled mystery novelist Lemuel Samuel. But while she might have been the writer's muse, it was her more grounded buddy Ginny Howley who actually read Samuel's books. Flip ahead a few decades and the three are in separate worlds.
Foy is stranded in a trophy house, alone with only her rebellious teen daughter Ruby, after her husband goes to prison for his part in a huge telecom fraud. Howley has become a writer, but is barely making it in Maine, thanks in part to Pat's husband's fraud. And Samuel is paying the price of years of hard living, but he has produced a son, Will, who serves as a fine foil and companion to Ruby, and his pointed criticisms also finally open Foy's eyes up to the enormity of her husband's misdeeds. A chance comment and the sleepless nights of growing awareness put Foy on the road, and soon the old friends are working together, ostensibly to right some wrongs. Carey has a great ear, and Foy and depressive Howley make for one of the great odd couples in crime fiction. Samuel is less fully realized than the two childhood friends. A former mystery columnist for Salon.com, Carey (The Crossley Baby, 2003, etc.) offers a few too many inside jokes about the crime-fiction community. The shifting viewpoints are also a bit much, drawing attention to the writing as much as the characters. But when this off-kilter story works, it's quite a ride.
Offbeat humor propels an unusual take on the modern mystery.
-KIRKUS REVIEWS
Advance praise for It’s a Crime
“It’s a Crime is so lilting and witty that the sorrow at its heart creeps in on stocking feet. Jacqueline Carey is an original, and this is her unforgettable take on our ethically challenged times.”
–Deirdre McNamer, author of Red Rov...
Pat Foy was only a teenager when she took up with hard-drinking, hard-boiled mystery novelist Lemuel Samuel. But while she might have been the writer's muse, it was her more grounded buddy Ginny Howley who actually read Samuel's books. Flip ahead a few decades and the three are in separate worlds.
Foy is stranded in a trophy house, alone with only her rebellious teen daughter Ruby, after her husband goes to prison for his part in a huge telecom fraud. Howley has become a writer, but is barely making it in Maine, thanks in part to Pat's husband's fraud. And Samuel is paying the price of years of hard living, but he has produced a son, Will, who serves as a fine foil and companion to Ruby, and his pointed criticisms also finally open Foy's eyes up to the enormity of her husband's misdeeds. A chance comment and the sleepless nights of growing awareness put Foy on the road, and soon the old friends are working together, ostensibly to right some wrongs. Carey has a great ear, and Foy and depressive Howley make for one of the great odd couples in crime fiction. Samuel is less fully realized than the two childhood friends. A former mystery columnist for Salon.com, Carey (The Crossley Baby, 2003, etc.) offers a few too many inside jokes about the crime-fiction community. The shifting viewpoints are also a bit much, drawing attention to the writing as much as the characters. But when this off-kilter story works, it's quite a ride.
Offbeat humor propels an unusual take on the modern mystery.
-KIRKUS REVIEWS
Advance praise for It’s a Crime
“It’s a Crime is so lilting and witty that the sorrow at its heart creeps in on stocking feet. Jacqueline Carey is an original, and this is her unforgettable take on our ethically challenged times.”
–Deirdre McNamer, author of Red Rov...
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