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61 of 67 people found the following review helpful:
4.0 out of 5 stars
It's Like... Hers, September 12, 2000
In case you haven't figured it out yet, It's Like This is a collection of covers from rock, folk and jazz. Rickie Lee Jones, performing vocals and guitar, effortlessly makes them seem like they were written for her. She manages this feat even with songs like Steely Dan's "Show Biz Kids," and Traffic's "Low Spark of High Heeled Boys," which are signature tracks for their original artists. Of course, the styles and sensibilities of Paul McCartney's songwriting in "For No One" can't be disguised, nonetheless Rickie's performance is haunting and beautiful, vying with "On The Street Where You Live" for best vocal performance on the album. If you're looking for slick pop hits, go buy the new Emmylou Harris CD instead. It's Like This does have potential airplay tracks like "Show Biz Kids," "Low Spark of High Heel Boys," and especially "Trouble Man," but most of the other tracks are minimalist exercises in folk and jazz vocals, in which Rickie Lee Jones demonstrates her casual mastery of technique and sultry style that continues to seduce devoted fans. Of course, the fact that she gets help from fellow artists like Joe Jackson, Taj Mahal, Dan Hicks and Ben Folds only makes the album that much better.
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35 of 37 people found the following review helpful:
4.0 out of 5 stars
A warm intimate album of classic rock, pop & standards, September 18, 2000
By A Customer
Since Rickie Lee Jones is not capable of making a less-than-great album, it's hard to be critical of any of her work in the context of her whole catalog. Each release is different from the last one and "It's Like This" is no exception. After the daring and brilliant masterpiece "Ghostyhead", Rickie Lee returns to a collection of some of her favorite songs. If you were lucky enough to catch some of her intimate shows during the past few years then this album will sound familiar on first listen. "It's Like This" is a little more spontaneous sounding than it's "sister" recording, 1991's near perfect "Pop Pop". But it's also a little less gorgeous and maybe a little less awe-inspiring this time around. Rickie's covers still shine and make you appreciate her unique singing style and instrumental arrangements. Stand outs include a pair of Gershwin songs: I Can't Get Started & Someone to Watch Over Me, a fantastic version of the old standard On the Street Where You Live, Hoagy Carmichaels Up a Lazy River and Marvin Gaye's Trouble Man. As always, masterful musicians accompany Rickie Lee that make you realize why among musicians she is considered a national treasure. Joe Jackson, Taj Mahal, Dan Hicks and Ben Folds lend their talents.
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18 of 18 people found the following review helpful:
4.0 out of 5 stars
It's, like...gorgeous, October 29, 2000
A renowned singer/songwriter doing an album of cover tunes always makes for an interesting experience: as a writer, the artist at hand is likely to select a song whose melody or lyric truly moved them, rather than just zero in on commercial songs for a second-hand hit. Rickie Lee Jones' "It's Like This" is a perfect example; drawing from obscure pop and lesser-heard jazz standards (only "Someone to Watch Over Me" is an easy choice), the singer comes up with one of the most original and compelling album of covers you're likely to find. Steely Dan's "Show Biz Kids" gets things off to a traditional Rickie Lee start: a jazzy piece of bohemian pop that comes through the speakers like a breath of fresh air. The jazz overtones in Marvin Gaye's "Trouble Man" are brought to the forefront for a stellar reading, and leave it to Rickie to cover one of the most-covered bands ever (The Beatles), but to select one of the lesser-heard songs, the elegant and heartbreaking "For No One." Of the jazz standards, "Smile" benefits from the stark beauty of a duet between Rickie and acoustic guitar, and "I Can't Get Started" is so full of gorgeous longing you almost want to get your heart broken just to play the track at 2 a.m. There's upbeat joy to be found as well, though, on "The Street Where You Live" and a particularly strong "Up a Lazy River." Boasting strong piano and guitar turns from Rickie and guest appearances by Joe Jackson, Ben Folds, and Taj Mahal, "It's Like This" proves once and for all that the gift of interpretation is just as important as the gift of composition. When remakes are this strong and original, is it truly fair to call them "covers"?
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