Itsuko Hasegawa: Selected and Current Works 1976-1996 (The Master Architect Series II) [Hardcover]

Itsuko Hasegawa (Author)

Book Description

Publication Date: July 21, 1997

A leading Japanese architect whose projects range from formal beginnings through Shondndai cultural centre and beyond to the sophistication of recent work which is an orchestra of practicality and elegance.

Product Details

• Hardcover: 254 pages
• Publisher: Images Publishing Dist Ac; 1st edition (July 21, 1997)
• Language: English
• ISBN-10: 1875498559
• ISBN-13: 978-1875498550
• Product Dimensions: 12.1 x 9.1 x 1.1 inches
• Shipping Weight: 3.4 pounds (View shipping rates and policies)
• Average Customer Review: 4.0 out of 5 stars  See all reviews (1 customer review)
• Amazon Best Sellers Rank: #1,496,026 in Books (See Top 100 in Books)

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4.0 out of 5 stars 21 works well depicted in color, September 29, 2007

By 

Eugene Tenenbaum "reluctant reader" (Bronx, NY USA) - See all my reviews
(VINE VOICE)    (REAL NAME)   

This review is from: Itsuko Hasegawa: Selected and Current Works 1976-1996 (The Master Architect Series II) (Hardcover)

It is a survey of 21 architectural projects of Itsuko Hasegawa published under ISBN 1875498559. It is different than and slightly superior to less voluminous and softbound "Itsuko Hasegawa (Architectural Monograph No 31)" published under ISBN 1854902032 and containing only 18 projects on fewer photos, and no firm profile. In both books architectural projects are well illustrated by excellent photos in color, also mostly b&w plans, sections, elevations, hard line axonometric views, hand sketches of excellent quality, and short text descriptions.
FROM PUBLISHER of ITSUKO HASEGAWA (ARCHITECTURAL MONOGRAPH NO 31)
Hasegawa graduated from the Department of Architecture, Kanto Gakuin University, the strongest formalist school in Japan, in 1964. Since then, she has challenged the present tendency to analyse in a formalist way. Taki Koji's essay. presents a new and convincing angle suggesting that Hasegawa's oeuvre should be viewed in social terms. Her projects, Koji claims, have the appearance of an aspect of society made comprehensible in the form of architecture'.
Hasegawa's work should not be viewed simply as stimulating design; her optimism is evident in her recognition of the potential for society's transformation. Through her dialogue-based programme, an empathetic approach to architecture is made possible.
Among the projects featured here is the Shiranui Psychiatric Hospital and Stress Care Centre in Ohmuta, where Hasegawa and the client spent three years discussing the relationship between architecture and medical care to en sure a holistic architectural response. Experimental therapeutic space was achieved through the use of light reflected from the sea which also provided the comfort of the natural rhythm of the tides. Similarly, for the Shonandai Cultural Centre, Hasegawa involved the local residents, allowing for close communication between the design team and the community. Through Hasegawa's reciprocal method of planning, a new, flexible architecture can be provided that accepts a diversity of individuals.